{"id":37274,"guid":{"rendered":"https:\/\/graf.cat\/?post_type=event&p=37274"},"modified":"2024-03-19T10:22:11","modified_gmt":"2024-03-19T08:22:11","slug":"dimarts-de-video-la-forca-del-dolor","status":"publish","type":"event","link":"https:\/\/graf.cat\/en\/events\/event\/dimarts-de-video-la-forca-del-dolor\/","title":{"rendered":"Dimarts de v\u00eddeo \/ La for\u00e7a del dolor"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":19,"featured_media":37275,"template":"","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0},"event-venues":[560],"event-tags":[],"class_list":["post-37274","event","type-event","status-publish","has-post-thumbnail","hentry","event-venue-santa-monica","event-category-screening"],"acf":{"title_ca":"Dimarts de v\u00eddeo \/ La for\u00e7a del dolor","title_es":"Martes de video \/ La fuerza del dolor","title_en":"Tuesday of video \/ The power of pain","desc_ca":"A permanent provisional situation<\/em>\u00a0(2008) \u00e9s una pe\u00e7a composta de 96 petites pantalles que configuren un document sobre el cinema palest\u00ed. Mitjan\u00e7ant els testimoniatges a Youtube de tres de les seves realitzadoris exiliadis \u2013Maya Sambar, Osama Qashoo i Saeed Taji\u2013, de noticiaris gravats en pantalla, entrevistes i imatges dels llocs i habitants que sofreixen el genocidi, reflexiona sobre la repetici\u00f3, la visibilitat de les den\u00fancies i sobre com la narrativa \u00e9s redu\u00efda a un tap\u00eds visual i auditiu. El seu autor,\u00a0Pedro Ortu\u00f1o<\/a>, afirmava llavors trobar-se \u201cseixanta anys despr\u00e9s de l'inici d'una situaci\u00f3 provisional pol\u00edtica que comen\u00e7a a semblar permanent\u201d.\r\n\r\nEl genocidi palest\u00ed \u2013especialment alarmant i mediatitzat durant els \u00faltims mesos per\u00f2 arrossegant una hist\u00f2ria de d\u00e8cades\u2013 \u00e9s de nou avui una de les fonts de desesperaci\u00f3 i impot\u00e8ncia per als qui encarem una\u00a0vida pol\u00edtica,<\/em>\u00a0davant l'ostensible inoper\u00e0ncia de la nostra lluita contra el sofriment que causen els estats i les corporacions. El v\u00eddeo vindr\u00e0 acompanyat de la intervenci\u00f3 de Santiago L\u00f3pez Petit,<\/strong>\u00a0la traject\u00f2ria de pensament i escriptura del qual t\u00e9 una profunda relaci\u00f3 amb aquests sentiments d'aflicci\u00f3 i cerca de l'esperan\u00e7a. Santiago planteja: \u201cSi la vida \u00e9s una paraula, el voler viure \u00e9s un crit. Per\u00f2 perqu\u00e8 voler viure es converteixi en un desafiament es requereix una for\u00e7a de dolor. Nom\u00e9s serem capa\u00e7os d'endinsar-nos en la for\u00e7a de dolor si aprehenem el malestar social com a propi, i el propi mal-estar com un malestar social\u201d.","desc_es":"A permanent provisional situation<\/em>\u00a0(2008) es una pieza compuesta de 96 peque\u00f1as pantallas que configuran un documento sobre el cine palestino. Mediante los testimonios en Youtube de tres de sus realizadoris exiliadis \u2013Maya Sambar, Osama Qashoo y Saeed Taji\u2013, de noticiarios grabados en pantallas, entrevistas e im\u00e1genes de los lugares y habitantes que sufren el genocidio, reflexiona sobre la repetici\u00f3n, la visibilidad de las denuncias y sobre c\u00f3mo la narrativa es reducida a un tapiz visual y auditivo. Su autor,\u00a0Pedro Ortu\u00f1o<\/a>, afirmaba entonces encontrarse \u201csesenta a\u00f1os despu\u00e9s del inicio de una situaci\u00f3n provisional pol\u00edtica que empieza a parecer permanente\u201d.\r\n\r\nEl genocidio palestino \u2013especialmente alarmante y mediatizado durante los \u00faltimos meses pero arrastrando una historia de d\u00e9cadas\u2013 es de nuevo hoy una de las fuentes de desesperaci\u00f3n e impotencia para los que encaramos una\u00a0vida pol\u00edtica<\/em>, frente a la ostensible inoperancia de nuestra lucha contra el sufrimiento que causan los estados y las corporaciones. El v\u00eddeo ir\u00e1 acompa\u00f1ado de la intervenci\u00f3n de Santiago L\u00f3pez Petit, cuya trayectoria de pensamiento y escritura tiene una profunda relaci\u00f3n con estos sentimientos de aflicci\u00f3n y b\u00fasqueda de la esperanza. Santiago plantea \u201cSi la vida es una palabra, querer vivir es un grito. Pero para que querer vivir se convierta en un desaf\u00edo se requiere una fuerza de dolor. Solo seremos capaces de adentrarnos en la fuerza del dolor si aprehendemos el malestar social como propio, y el mal-estar propio como un malestar social\u201d.","desc_en":"A permanent provisional situation<\/em>\u00a0(2008) is a piece made up of 96 small screens that make up a document on Palestinian cinema. Through the testimonies on Youtube of three of its exiled filmmakers - Maya Sambar, Osama Qashoo and Saeed Taji -, newsreels recorded on screens, interviews and images of the places and inhabitants suffering genocide, it reflects on repetition, the visibility of denunciations and how narrative is reduced to a visual and auditory tapestry. Its author,\u00a0Pedro Ortu\u00f1o<\/a>, stated at the time that he was \"sixty years after the beginning of a provisional political situation that is beginning to seem permanent\".\r\n\r\nThe Palestinian genocide - particularly alarming and mediatised in recent months but dragging on a history of decades - is once again today one of the sources of despair and impotence for those of us who face a political life, in the face of the ostensible ineffectiveness of our struggle against the suffering caused by states and corporations. The video will be accompanied by the intervention of Santiago L\u00f3pez Petit, whose trajectory of thought and writing is profoundly related to these feelings of affliction and search for hope. Santiago says, \"If life is a word, wanting to live is a cry. But for wanting to live to become a challenge requires a force of pain. We will only be able to enter into the force of pain if we understand social discomfort as our own, and our own discomfort as social discomfort\".","event_category":219,"event_show_only_own_date":true,"_event_confirmed":true,"_event_public":true,"_event_free":true,"_event_price-min":"","_event_price-max":"","_event_web_ca":"https:\/\/artssantamonica.gencat.cat\/ca\/detall\/Dimarts-de-video-00089","_event_web_es":"https:\/\/artssantamonica.gencat.cat\/es\/detall\/Dimarts-de-video-00089","_event_web_en":"https:\/\/artssantamonica.gencat.cat\/en\/detall\/Dimarts-de-video-00089","event_contact_email":"santamonica@gencat.cat","event_apply_email":"","is_online_event":false,"is_art_nou_event":false,"is_bgw_event":false,"date_text":"","register_deadline":null,"altres_organitzadors":null},"abe_event_venue":"Santa M\u00f2nica","abe_event_category":"Screening","start":"2024-04-09 19:00:00","end":"2024-04-09 20:00:00","schedule":"once","schedule_meta":"","frequency":1,"all_day":0,"until":"2024-04-09 19:00:00","include":[],"exclude":[],"_links":{"self":[{"href":"https:\/\/graf.cat\/en\/wp-json\/wp\/v2\/events\/37274","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/graf.cat\/en\/wp-json\/wp\/v2\/events"}],"about":[{"href":"https:\/\/graf.cat\/en\/wp-json\/wp\/v2\/types\/event"}],"author":[{"embeddable":true,"href":"https:\/\/graf.cat\/en\/wp-json\/wp\/v2\/users\/19"}],"occurrences":[{"embeddable":true,"href":"https:\/\/graf.cat\/en\/wp-json\/wp\/v2\/events\/37274\/occurrences"}],"acf:term":[{"embeddable":true,"taxonomy":"event-category","href":"https:\/\/graf.cat\/en\/wp-json\/wp\/v2\/event-category\/219"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/graf.cat\/en\/wp-json\/wp\/v2\/media\/37275"}],"wp:attachment":[{"href":"https:\/\/graf.cat\/en\/wp-json\/wp\/v2\/media?parent=37274"}],"wp:term":[{"taxonomy":"event-venue","embeddable":true,"href":"https:\/\/graf.cat\/en\/wp-json\/wp\/v2\/event-venues?post=37274"},{"taxonomy":"event-tag","embeddable":true,"href":"https:\/\/graf.cat\/en\/wp-json\/wp\/v2\/event-tags?post=37274"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}