{"id":41377,"guid":{"rendered":"https:\/\/graf.cat\/?post_type=event&p=41377"},"modified":"2024-09-24T12:54:03","modified_gmt":"2024-09-24T10:54:03","slug":"cineclub","status":"publish","type":"event","link":"https:\/\/graf.cat\/en\/events\/event\/cineclub\/","title":{"rendered":"cineclub"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":65,"featured_media":41378,"template":"","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0},"event-venues":[304],"event-tags":[],"class_list":["post-41377","event","type-event","status-publish","has-post-thumbnail","hentry","event-venue-la-escocesa","event-category-screening"],"acf":{"title_ca":"cineclub","title_es":"cineclub","title_en":"cineclub","desc_ca":"Amb la tornada al cole torna\u00a0el cineclub de La Escocesa. Aquests mesos de setembre i octubre projectarem curts i pel\u00b7l\u00edcules independents curades per algunes de lis sociis de la nostra estimada comunitat. Despr\u00e9s de les projeccions, La Escocesa us convida a un pica pica de tardor per a comentar\u00a0les projeccions vistes.\r\n

programa<\/strong><\/h4>\r\n
Dimecres 25 de setembre<\/strong><\/h5>\r\n20:30h<\/strong>\r\n\r\nPica-pica de tardor\r\n\r\n21:30h<\/strong>\r\n\r\n\u06a9\u06cc\u0641\u00a0\u0627\u06cc\u0631\u0627\u0646\u06cc\u00a0Irani\u00a0Bag\u00a0<\/em>(2020,\u00a08min)\r\n\r\nUna\u00a0pel\u00b7l\u00edcula\u00a0de\u00a0Maryam\u00a0Tafakory\r\n\r\nUtilitzant extractes de pel\u00b7l\u00edcules produ\u00efdes entre 1990 i 2018,\u00a0Irani\u00a0Bag<\/em>\u00a0\u00e9s un\u00a0videoassaig en pantalla dividida que q\u00fcestiona la innoc\u00e8ncia de les bosses al cinema irani\u00e0 post-revolucionari.\r\n\r\nIrani\u00a0Bag\u00a0<\/em>\u00e9s part de\u00a0Monographs<\/em>, una s\u00e8rie d'assajos sobre cinema asi\u00e0tic encarregada pel\u00a0Asian\u00a0Film Arxivi (AFA).\r\n\r\n\u0646\u0638\u0631\u0628\u0627\u0632\u06cc\u00a0Nazarbazi\u00a0<\/em>(2022, 19min)\r\n\r\nUna\u00a0pel\u00b7l\u00edcula\u00a0de\u00a0Maryam\u00a0Tafakory\r\n\r\nNazarbazi\u00a0<\/em>\u00e9s una pel\u00b7l\u00edcula sobre l'amor i el desig al cinema irani\u00e0, on les representacions de la intimitat i el contacte entre dones i homes estan prohibides.\r\n\r\nLa pel\u00b7l\u00edcula se centra principalment en imatges de dones els cossos de les quals han estat esborrats i victimitzats al cinema post-revolucionari, i al\u00b7ludeix a formes discretes de comunicaci\u00f3 que operen dins de la censura, per\u00f2 que tamb\u00e9 l'eludeixen. Intenta tocar els espais que no podem tocar; sentiments i sensacions internes, per\u00f2 tamb\u00e9 la intangibilitat m\u00e9s enll\u00e0 del contacte f\u00edsic: prohibicions\/reguladors no expressats que nom\u00e9s poden revelar-se com a experi\u00e8ncies\u00a0corporizadas. La pel\u00b7l\u00edcula utilitza la poesia i el silenci com els \u00fanics llenguatges amb els quals podem intentar tocar aquests espais d'ambig\u00fcitats sociopol\u00edtiques.\r\n\r\n\u0645\u0633\u062a\u00a0\u062f\u0644\u00a0Mast-Del\u00a0<\/em>(2023,\u00a0\u00a017min)\r\n\r\nUna\u00a0pel\u00b7l\u00edcula\u00a0de\u00a0Maryam\u00a0Tafakory\r\n\r\nDues dones jeuen juntes en el llit. Mentre el vent colpeja la finestra, una d'elles recorda una cita passada al cinema. L'escena narrada no pot ser transmesa a trav\u00e9s d'imatges. Capes de metratge trobat i original se superposen per a omplir algunes de les esquerdes, les eliminacions, els l\u00edmits de la representaci\u00f3.\u00a0Mast-del<\/em>, una can\u00e7\u00f3 d'amor que mai passaria per la censura, tracta sobre cossos i desitjos prohibits dins i fora del cinema irani\u00e0 post-revolucionari.\r\n\r\n \r\n
Dimecres 2 d'octubre<\/strong><\/h5>\r\nPrograma per confirmar<\/em>\r\n\r\n \r\n

bio<\/strong><\/h4>\r\nMaryam Tafakory<\/strong><\/a>\u00a0[n. Shiraz\/l'Iran] treballa amb cinema i\u00a0performance,\u00a0entrelanzando\u00a0collages textuals i f\u00edlmics que combina al costat de poesia, document i material d'arxiu.\r\n\r\nExplorant diferents registres a trav\u00e9s dels quals les imatges ens parlen o es neguen a parlar-nos, les seves pel\u00b7l\u00edcules intenten disseccionar actes de veladura i esborrament: de cossos, intimitats i hist\u00f2ries. T\u00e9 un cos continu de\u00a0videoensayos\u00a0en di\u00e0leg amb el cinema irani\u00e0 post-revolucionari.\r\n\r\nAmb base entre\u00a0Shiraz\u00a0i Londres, les seves projeccions i exhibicions individuals inclouen:\u00a0MoMA, Nova York;\u00a0BOZAR, Brussel\u00b7les;\u00a0National\u00a0Gallery\u00a0of\u00a0Art, Washington DC;\u00a0Academy\u00a0Museum, Los Angeles;\u00a0Museum\u00a0of\u00a0the\u00a0Moving\u00a0Image, Nova York;\u00a0BEURSSCHOUWBURG, Brussel\u00b7les; e-flux, Nova York; Filmoteca de Catalunya, Barcelona; LUX, Londres; entre altres.\r\n\r\nEsdeveniments grupals seleccionats inclouen:\u00a0Tate\u00a0Modern, Londres; Quinzena de Realitzadors de Cannes, Cannes; Festival de Cinema de Nova York; Festival de Cinema de\u00a0Locarno; Festival Internacional de Cinema de Toronto; Vila\u00a0Medici, Roma;\u00a0HKW\u00a0Berl\u00edn, Berl\u00edn; Brooklyn\u00a0Academy\u00a0of\u00a0Music, Nova York; i\u00a0Anthology\u00a0Film Arxivis, Nova York.\r\n\r\nVa ser guardonada amb el Gold Hugo en el 58\u00e8 Festival Internacional de Cinema de Chicago; el Tiger\u00a0Short\u00a0Award\u00a0en el 51\u00e8 Rotterdam\u00a0IFF; el Barbara\u00a0Hammer\u00a0Feminist\u00a0Film\u00a0Award\u00a0en el 60\u00e8 Festival de Cinema d'Ann\u00a0Arbor; i el\u00a0Best\u00a0Experimental Film\u00a0Award\u00a0en el 70\u00e8 i 71\u00e8 Festival Internacional de Cinema de Melbourne.\r\n\r\nLa seva pel\u00b7l\u00edcula,\u00a0Mast-del<\/em>, es va estrenar en la Quinzena de Realitzadors de Cannes i va ser seleccionada entre els Millors Curtmetratges de 2023 per Film\u00a0Comment\u00a0i entre les Millors Pel\u00b7l\u00edcules de 2023 per\u00a0Sight&Sound. La seva primera exhibici\u00f3 individual al Regne Unit va ser una de les Seleccions dels Cr\u00edtics de\u00a0Artforum\u00a0en 2023. El seu recent\u00a0videoensayo,\u00a0Chaste\/*Unchaste, va rebre la major quantitat de nominacions en els Millors\u00a0Videoensayos\u00a0de 2023 de\u00a0Sight&Sound, i va apar\u00e8ixer en\u00a0Hyperallergic.\r\n\r\nVa ser la\u00a0Flaherty\/*Colgate\u00a0Distinguished\u00a0Global\u00a0Filmmaker\u00a0in\u00a0Residence\u00a0en 2019, una\u00a0MacDowell\u00a0Fellow\u00a0en 2023. En 2024 va ser nominada per al\u00a0Jarman\u00a0Award\u00a0i va rebre dos guardons del\u00a0Locarno\u00a0Film Festival pel seu \u00faltim treball\u00a0Razeh-del\u00a0(\u0631\u0627\u0632\u00a0\u062f\u0644).\r\n\r\n \r\n\r\n
\r\n\r\nActivitat coordinada per\u00a0Catarina Botelho<\/a>,\u00a0Carlos V\u00e1squez<\/a>,\u00a0Marla Jacarilla<\/a>,\u00a0Valentina Alvarado Matos<\/a>\u00a0i\u00a0Elena Maravillas<\/a>.\r\n\r\n \r\n\r\nCineclub \u00e9s part de\u00a0REBOST<\/strong>, una l\u00ednia del programa gestionada de manera aut\u00f2noma i col\u00b7lectiva pels socis de La Escocesa, els qui decideixen les activitats que volen organitzar en relaci\u00f3 als interessos i necessitats del grup.\r\n\r\n \r\n\r\n
\r\n\r\nSi tens alguna necessitat o pregunta en relaci\u00f3 a l'accessibilitat d'aquesta activitat, visita la nostra p\u00e0gina d\"acc\u00e9s a La Escocesa\"\u00a0fent clic aqui<\/a>","desc_es":"Con la vuela al cole vuelve el\u00a0cineclub de\u00a0La Escocesa. En septiembre y\u00a0octubre proyectaremos cortos y pel\u00edculas independientes curadas por algunas de les socies de nuestra querida comunidad. Tras las proyecciones, La Escocesa os invita a un pica-pica oto\u00f1al para conversar sobre las proyecciones vistas.\r\n

programa<\/strong><\/h4>\r\n
Mi\u00e9rcoles 25 de septiembre<\/strong><\/h5>\r\n20:30h\r\n\r\nPica-pica oto\u00f1al\r\n\r\n \r\n\r\n21:30h\r\n\r\n\u06a9\u06cc\u0641 \u0627\u06cc\u0631\u0627\u0646\u06cc Irani Bag\u00a0<\/em>(2020,\u00a08min)\r\n\r\nUna\u00a0pel\u00edcula\u00a0de\u00a0Maryam Tafakory\r\n\r\nUtilizando extractos de pel\u00edculas producidas entre 1990 y 2018, Irani Bag es un videoensayo en pantalla dividida que cuestiona la inocencia de las bolsas en el cine iran\u00ed post-revolucionario.\r\n\r\nIrani Bag\u00a0<\/em>es parte de\u00a0Monographs<\/em>, una serie de ensayos sobre cine asi\u00e1tico encargada por el Asian Film Archive (AFA).\r\n\r\n \r\n\r\n\u0646\u0638\u0631\u0628\u0627\u0632\u06cc Nazarbazi\u00a0<\/em>(2022, 19min)\r\n\r\nUna\u00a0pel\u00edcula\u00a0de\u00a0Maryam Tafakory\r\n\r\nNazarbazi<\/em>\u00a0es una pel\u00edcula sobre el amor y el deseo en el cine iran\u00ed, donde las representaciones de la intimidad y el contacto entre mujeres y hombres est\u00e1n prohibidas.\r\n\r\nLa pel\u00edcula se centra principalmente en im\u00e1genes de mujeres cuyos cuerpos han sido borrados y victimizados en el cine post-revolucionario, y alude a formas discretas de comunicaci\u00f3n que operan dentro de la censura, pero que tambi\u00e9n la eluden. Intenta tocar los espacios que no podemos tocar; sentimientos y sensaciones internas, pero tambi\u00e9n la intangibilidad m\u00e1s all\u00e1 del contacto f\u00edsico: prohibiciones\/reguladores no expresados que solo pueden revelarse como experiencias corporizadas. La pel\u00edcula utiliza la poes\u00eda y el silencio como los \u00fanicos lenguajes con los que podemos intentar tocar estos espacios de ambig\u00fcedades sociopol\u00edticas.\r\n\r\n \r\n\r\n\u0645\u0633\u062a \u062f\u0644 Mast-Del\u00a0<\/em>(2023, 17min)\r\n\r\nUna\u00a0pel\u00edcula\u00a0de\u00a0Maryam Tafakory\r\n\r\nDos mujeres yacen juntas en la cama. Mientras el viento golpea la ventana, una de ellas recuerda una cita pasada en el cine. La escena narrada no puede ser transmitida a trav\u00e9s de im\u00e1genes. Capas de metraje encontrado y original se superponen para llenar algunas de las grietas, las eliminaciones, los l\u00edmites de la representaci\u00f3n.\u00a0Mast-del<\/em>, una canci\u00f3n de amor que nunca pasar\u00eda por la censura, trata sobre cuerpos y deseos prohibidos dentro y fuera del cine iran\u00ed post-revolucionario.\r\n\r\n \r\n
Mi\u00e9rcoles 2 de octubre<\/strong><\/h5>\r\nPrograma por confirmar<\/em>\r\n\r\n \r\n

bio<\/strong><\/h4>\r\nMaryam Tafakory<\/strong><\/a>\u00a0[n. Shiraz\/Ir\u00e1n] trabaja con cine y performance, entrelanzando collages textuales y f\u00edlmicos que combina junto a poes\u00eda, documento y material de archivo.\r\n\r\nExplorando diferentes registros a trav\u00e9s de los cuales las im\u00e1genes nos hablan o se niegan a hablarnos, sus pel\u00edculas intentan diseccionar actos de veladura y borrado: de cuerpos, intimidades e historias. Tiene un cuerpo continuo de videoensayos en di\u00e1logo con el cine iran\u00ed post-revolucionario.\r\n\r\nCon base entre Shiraz y Londres, sus proyecciones y exhibiciones individuales incluyen: MoMA, Nueva York; BOZAR, Bruselas; National Gallery of Art, Washington DC; Academy Museum, Los \u00c1ngeles; Museum of the Moving Image, Nueva York; BEURSSCHOUWBURG, Bruselas; e-flux, Nueva York; Filmoteca de Catalunya, Barcelona; LUX, Londres; entre otros.\r\n\r\nEventos grupales seleccionados incluyen: Tate Modern, Londres; Quincena de Realizadores de Cannes, Cannes; Festival de Cine de Nueva York; Festival de Cine de Locarno; Festival Internacional de Cine de Toronto; Villa Medici, Roma; HKW Berl\u00edn, Berl\u00edn; Brooklyn Academy of Music, Nueva York; y Anthology Film Archives, Nueva York.\r\n\r\nFue galardonada con el Gold Hugo en el 58\u00ba Festival Internacional de Cine de Chicago; el Tiger Short Award en el 51\u00ba Rotterdam IFF; el Barbara Hammer Feminist Film Award en el 60\u00ba Festival de Cine de Ann Arbor; y el Best Experimental Film Award en el 70\u00ba y 71\u00ba Festival Internacional de Cine de Melbourne.\r\n\r\nSu pel\u00edcula,\u00a0Mast-del<\/em>, se estren\u00f3 en la Quincena de Realizadores de Cannes y fue seleccionada entre los Mejores Cortometrajes de 2023 por Film Comment y entre las Mejores Pel\u00edculas de 2023 por Sight&Sound. Su primera exhibici\u00f3n individual en el Reino Unido fue una de las Selecciones de los Cr\u00edticos de Artforum en 2023. Su reciente videoensayo, Chaste\/Unchaste, recibi\u00f3 la mayor cantidad de nominaciones en los Mejores Videoensayos de 2023 de Sight&Sound, y apareci\u00f3 en Hyperallergic.\r\n\r\nFue la Flaherty\/Colgate Distinguished Global Filmmaker in Residence en 2019, una MacDowell Fellow en 2023. En 2024 fue nominada para el Jarman Award y recibi\u00f3 dos galardones del Locarno Film Festival por su \u00faltimo trabajo Razeh-del (\u0631\u0627\u0632 \u062f\u0644).\r\n\r\n \r\n\r\n
\r\n\r\nActividad coordinada por\u00a0Catarina Botelho<\/a>,\u00a0Carlos V\u00e1squez<\/a>,\u00a0Marla Jacarilla<\/a>,\u00a0Valentina Alvarado Matos<\/a>\u00a0y\u00a0Elena Maravillas<\/a>.\r\n\r\n \r\n\r\nCineclub es parte de\u00a0REBOST<\/strong>, una l\u00ednea del programa gestionada de forma aut\u00f3noma y colectiva por les socies de La Escocesa, quienes deciden las actividades que quieren organizar en relaci\u00f3n a los intereses y necesidades del grupo.\r\n\r\n \r\n\r\n
\r\n\r\nSi tienes alguna necesidad o pregunta en relaci\u00f3n a la accesibilidad de esta actividad, visita nuestra p\u00e1gina d\"acceso a La Escocesa\" haciendo clic\u00a0aqui<\/a>","desc_en":"Back to school! Back to cineclub!\u00a0In September and October we will screen short and independent films curated by some of the members of our beloved community. After the screenings, La Escocesa invites you to a autumn\u00a0dinner to talk about the screenings.\r\n

<\/h4>\r\n

programa<\/strong><\/h4>\r\n
Wednesday,\u00a0September 25th<\/strong><\/h5>\r\n20:30h<\/strong>\r\n\r\nAutumn dinner\r\n\r\n \r\n\r\n21:30h<\/strong>\r\n\r\n\u06a9\u06cc\u0641 \u0627\u06cc\u0631\u0627\u0646\u06cc Irani Bag\u00a0<\/em>(2020, 8min).\r\n\r\nA film by Maryam Tafakory\r\n\r\nUsing excerpts from films produced between 1990 and 2018, Irani Bag is a split-screen video essay that questions the innocence of bags in post-revolutionary Iranian cinema.\r\n\r\nIrani Bag\u00a0<\/em>is part of\u00a0Monographs<\/em>, a series of essays on Asian cinema commissioned by the Asian Film Archive (AFA).\r\n\r\n \r\n\r\n\u0646\u0638\u0631\u0628\u0627\u0632\u06cc Nazarbazi\u00a0<\/em>(2022, 19min).\r\n\r\nA film by Maryam Tafakory\r\n\r\nNazarbazi\u00a0<\/em>is a film about love and desire in Iranian cinema, where depictions of intimacy and contact between women and men are forbidden.\r\n\r\nThe film focuses primarily on images of women whose bodies have been erased and victimized in post-revolutionary cinema, and alludes to discreet forms of communication that operate within censorship, but also circumvent it. It attempts to touch the spaces we cannot touch; inner feelings and sensations, but also intangibility beyond physical contact: unspoken prohibitions\/regulators that can only reveal themselves as embodied experiences. The film uses poetry and silence as the only languages with which we can try to touch these spaces of socio-political ambiguities.\r\n\r\n \r\n\r\n\u0645\u0633\u062a \u062f\u0644 Mast-Del\u00a0<\/em>(2023, 17min).\r\n\r\nA film by Maryam Tafakory\r\n\r\nTwo women lie together in bed. As the wind hits the window, one of them remembers a past date at the cinema. The narrated scene cannot be conveyed through images. Layers of found and original footage are superimposed to fill in some of the cracks, the deletions, the limits of representation.\u00a0Mast-del<\/em>, a love song that would never pass through censorship, is about forbidden bodies and desires in and out of post-revolutionary Iranian cinema.\r\n\r\n \r\n
Wednesday,\u00a0October 2nd<\/strong><\/h5>\r\nProgram to be confirmed<\/em>\r\n\r\n \r\n

bio<\/strong><\/h4>\r\nMaryam Tafakory<\/strong><\/a>\u00a0[n. Shiraz\/Iran] works with film and performance, interweaving textual and filmic collages that he combines with poetry, document and archival material.\r\n\r\nExploring different registers through which images speak to us or refuse to speak to us, his films attempt to dissect acts of veiling and erasure: of bodies, intimacies and histories. He has an ongoing body of video essays in dialogue with post-revolutionary Iranian cinema.\r\n\r\nBased between Shiraz and London, his screenings and solo exhibitions include: MoMA, New York; BOZAR, Brussels; National Gallery of Art, Washington DC; Academy Museum, Los Angeles; Museum of the Moving Image, New York; BEURSSCHOUWBURG, Brussels; e-flux, New York; Filmoteca de Catalunya, Barcelona; LUX, London; among others.\r\n\r\nSelected group events include: Tate Modern, London; Cannes Directors Fortnight, Cannes; New York Film Festival; Locarno Film Festival; Toronto International Film Festival; Villa Medici, Rome; HKW Berlin, Berlin; Brooklyn Academy of Music, New York; and Anthology Film Archives, New York.\r\n\r\nShe was awarded the Gold Hugo at the 58th Chicago International Film Festival; the Tiger Short Award at the 51st Rotterdam IFF; the Barbara Hammer Feminist Film Award at the 60th Ann Arbor Film Festival; and the Best Experimental Film Award at the 70th and 71st Melbourne International Film Festival.\r\n\r\nHer film,\u00a0Mast-del<\/em>, premiered at the Cannes Directors' Fortnight and was selected among the Best Short Films of 2023 by Film Comment and among the Best Films of 2023 by Sight&Sound. Her first UK solo exhibition was one of Artforum's Critics' Picks 2023. Her recent video essay, Chaste\/Unchaste, received the most nominations in Sight&Sound's Best Video Essays of 2023, and was featured in Hyperallergic.\r\n\r\nShe was the Flaherty\/Colgate Distinguished Global Filmmaker in Residence in 2019, a MacDowell Fellow in 2023. In 2024 she was nominated for the Jarman Award and received two Locarno Film Festival awards for her latest work Razeh-del (\u0631\u0627\u0632 \u062f\u0644).\r\n\r\n \r\n\r\n
\r\n\r\nActivity coordinated by\u00a0Catarina Botelho<\/a>,\u00a0Carlos V\u00e1squez<\/a>,\u00a0Marla Jacarilla<\/a>,\u00a0Valentina Alvarado Matos<\/a>\u00a0and\u00a0Elena Maravillas<\/a>.\r\n\r\n \r\n\r\nCineclub is part of\u00a0REBOST<\/strong>, a program line managed autonomously and collectively by the members of La Escocesa, who decide the activities they want to organize according to the interests and needs of the group.\r\n\r\n \r\n\r\n
\r\n\r\nIf you have any needs or questions regarding the accessibility of this activity, please visit our page on \"access to La Escocesa\" by clicking\u00a0here<\/a>.","event_category":219,"event_show_only_own_date":true,"_event_confirmed":true,"_event_public":true,"_event_free":true,"_event_price-min":"","_event_price-max":"","_event_web_ca":"https:\/\/laescocesa.org\/ca\/view\/cineclub\/3851","_event_web_es":"https:\/\/laescocesa.org\/es\/view\/cineclub\/3851","_event_web_en":"https:\/\/laescocesa.org\/en\/view\/cineclub\/3851","event_contact_email":"catarinabotelho@gmail.com","event_apply_email":"catarinabotelho@gmail.com","is_online_event":false,"is_art_nou_event":false,"is_bgw_event":false,"date_text":"","register_deadline":null,"altres_organitzadors":""},"abe_event_venue":"La Escocesa","abe_event_category":"Screening","start":"2024-09-25 20:30:00","end":"2024-09-25 23:30:00","schedule":"weekly","schedule_meta":["WE"],"frequency":1,"all_day":0,"until":"2024-10-02 20:30:00","include":[],"exclude":[],"_links":{"self":[{"href":"https:\/\/graf.cat\/en\/wp-json\/wp\/v2\/events\/41377","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/graf.cat\/en\/wp-json\/wp\/v2\/events"}],"about":[{"href":"https:\/\/graf.cat\/en\/wp-json\/wp\/v2\/types\/event"}],"author":[{"embeddable":true,"href":"https:\/\/graf.cat\/en\/wp-json\/wp\/v2\/users\/65"}],"occurrences":[{"embeddable":true,"href":"https:\/\/graf.cat\/en\/wp-json\/wp\/v2\/events\/41377\/occurrences"}],"acf:term":[{"embeddable":true,"taxonomy":"event-category","href":"https:\/\/graf.cat\/en\/wp-json\/wp\/v2\/event-category\/219"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/graf.cat\/en\/wp-json\/wp\/v2\/media\/41378"}],"wp:attachment":[{"href":"https:\/\/graf.cat\/en\/wp-json\/wp\/v2\/media?parent=41377"}],"wp:term":[{"taxonomy":"event-venue","embeddable":true,"href":"https:\/\/graf.cat\/en\/wp-json\/wp\/v2\/event-venues?post=41377"},{"taxonomy":"event-tag","embeddable":true,"href":"https:\/\/graf.cat\/en\/wp-json\/wp\/v2\/event-tags?post=41377"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}