{"id":49686,"guid":{"rendered":"https:\/\/graf.cat\/?post_type=event&p=49686"},"modified":"2025-07-11T16:14:06","modified_gmt":"2025-07-11T14:14:06","slug":"lhora-del-pati-2-2-2-3-2-2-2","status":"publish","type":"event","link":"https:\/\/graf.cat\/en\/events\/event\/lhora-del-pati-2-2-2-3-2-2-2\/","title":{"rendered":"L’hora del pati | Videoart i m\u00fasica"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":159,"featured_media":49646,"template":"","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0},"event-venues":[635],"event-tags":[],"class_list":["post-49686","event","type-event","status-publish","has-post-thumbnail","hentry","event-venue-mac-preso","event-category-festival"],"acf":{"title_ca":"L'hora del pati | Videoart i m\u00fasica","title_es":"La hora del patio | Videoarte y m\u00fasica","title_en":"Patio time | Videoart and music","desc_ca":"Dissabte 12 de juliol <\/strong>\r\n<\/strong>(obertura de portes: 21 h)\r\n21. 45 h | <\/span><\/span><\/strong>Max de Esteban<\/span><\/b>,\r\nAlicia Framis<\/span><\/b> i\r\nRaquel Friera<\/span><\/b> (projecci\u00f3ns)<\/span>
<\/span>+ <\/span>gandula<\/span> solid\u00e0ria<\/span><\/span> (sorteig)<\/span>
<\/span>23 h |\u00a0<\/span>Slow Connection <\/span><\/b>\u00a0<\/span> \u00a0 (m\u00fasica)<\/span>\r\n<\/strong>\r\n\r\nPROJECCIONS | 21.45 h\r\n<\/strong>\r\nMax de Esteban<\/strong> | Seven minutes<\/em>, 2022 | 7' (en loop)\r\nUna obra d\u2019art ens interpel\u00b7la a nosaltres, la seva audi\u00e8ncia, fent-nos una confessi\u00f3: el museu ha instal\u00b7lat uns detectors que mesuren el temps i l\u2019atenci\u00f3 que cadascuna de les obres genera. Aix\u00f2 \u00e9s una puntuaci\u00f3: nom\u00e9s les m\u00e9s atractives per a l\u2019audi\u00e8ncia continuaran exposades al p\u00fablic. La resta tornen al magatzem o, pitjor encara, es donen de baixa de la col\u00b7lecci\u00f3. Amb set minuts s\u2019aconsegueix la m\u00e0xima puntuaci\u00f3. La pe\u00e7a, aix\u00ed, ens mant\u00e9 davant d\u2019ella exactament aix\u00f2, set minuts.\r\nActualment hi ha molta discussi\u00f3 sobre el paper dels museus en la condici\u00f3 contempor\u00e0nia. Tot i que aquest q\u00fcestionament es plantegi com la urg\u00e8ncia de connectar-se amb nous valors socials, el veritable estr\u00e8s est\u00e0 impulsat per la necessitat de satisfer les demandes de l\u2019economia de l\u2019atenci\u00f3, la cultura de l\u2019espectacle i la ideologia de la productivitat.<\/span>\r\n\r\nMax de Esteban<\/strong><\/span> |<\/strong><\/span>Barcelona, 1959\u00a0 <\/span>www.maxdeesteban.com<\/span><\/span><\/a>\r\n\r\nAlicia Framis\u00a0<\/b>|\u00a0Secret Strike.Tate Modern\u00a0<\/em>, 2006 | 10'57''\r\nLa vaga de 2000 persones a la Tate Modern com a performance po\u00e8tica. A Secret Strike<\/em> la c\u00e0mera es mou al voltant de les figures imm\u00f2bils i s\u2019hi acosta lentament en seq\u00fc\u00e8ncies de plans obertes. Moviments lents i silenciosos com si la normalitat de l\u2019escena pogu\u00e9s ser alterada. Fins i tot quan les activitats humanes s\u2019han paralitzat, el temps no ho ha fet, i Framis intensifica deliberadament els moviments com una porta autom\u00e0tica, un tel\u00e8fon que sona o un llum que parpelleja...\r\n\r\nAlicia Framis<\/b> | <\/strong><\/span>Matar\u00f3, 1967\r\nwww.aliciaframis.com<\/a><\/u>\r\n\r\nRaquel Friera <\/b>|\u00a0L'art de vendre<\/em>, 2012 | 6'\r\nExperiment art\u00edstic en qu\u00e8 Friera insereix el seu treball al circuit comercial de les botigues de Figueres i ho fa utilitzant el llenguatge comercial i els seus canals de venda. Aquest \u201cv\u00eddeo promocional\u201d presenta les seves obres, que en el seu moment es van posar a al venda als aparadors de les botigues on va aprendre com fer-ho.\r\n\r\nRaquel Friera <\/b>|\u00a0L'art de vendre<\/em>, 2012 | 6'\r\nExperiment art\u00edstic en qu\u00e8 Friera insereix el seu treball al circuit comercial de les botigues de Figueres i ho fa utilitzant el llenguatge comercial i els seus canals de venda. Aquest \u201cv\u00eddeo promocional\u201d presenta les seves obres, que en el seu moment es van posar a al venda als aparadors de les botigues on va aprendre com fer-ho.\r\nRaquel Friera |<\/b>\r\nTarragona, 1978 <\/u>\r\nwww.raquelfriera.net<\/a><\/u>\r\n\r\n \r\n\r\nSORTEIG GANDULA SOLID\u00c0RIA\r\n<\/strong>Sorteig entre tot el p\u00fablic que hagi comprat n\u00fameros aquest dia d\u2019una de les 9 gandules solid\u00e0ries que han intervingut 9 artistes de manera altruista. Si us toca, us l\u2019endueu a casa!\r\nEls artistes participants han estat:\u00a0Josep M. Codina<\/strong><\/span>,\u00a0Laia Arnau<\/strong><\/span>,\u00a0Lola Solanilla<\/strong><\/span>,\u00a0Magda Codina<\/strong><\/span>,\u00a0Marc Salicr\u00fa<\/strong><\/span>,\u00a0Neus Masdeu<\/strong><\/span>,\u00a0Neil Harbisson<\/strong><\/span>,\u00a0Pol U\u00f1\u00f3 G.<\/strong><\/span>\u00a0i\u00a0Regina Gim\u00e9nez<\/strong><\/span>.\r\n\r\n \r\n\r\nM\u00daSICA | 23 h\r\n<\/strong>Slow Connection<\/b>\u00a0| Format per Wild Lilac i Tyler Balaclava, 2020.\r\nAquest \u00e9s un projecte totalment DIY amb base a Matar\u00f3 que fusiona l'indie<\/em> i el shoegaze<\/em> amb sons m\u00e9s electr\u00f2nics i industrials que creen una atmosfera pr\u00f2pia.\r\nPresentaran noves can\u00e7ons acompanyades de les incloses als \u00e0lbums previs \"The Dog\" i \"Belmondo de Azul\".\r\nwww.instagram.com\/_slowconnection\/<\/a>\r\n\r\n\u00a0<\/strong>\r\n\r\n
\r\n\r\nInformaci\u00f3 addicional<\/strong>\r\nEntrada lliure (aforament limitat)\r\nObertura de portes: 30 minuts abans de l\u2019inici\r\nServei de bar (30 minuts abans de l\u2019inici)\r\nLa gandula solid\u00e0ria: adquireix la teva participaci\u00f3 a l\u2019entrada (10 \u20ac)\r\n\r\nPer a m\u00e9s informaci\u00f3:\u00a0Web Matar\u00f3|Art|Contemporani<\/strong><\/a>\r\n\r\n
\r\n\r\nA\u00a0l\u2019hora del pati<\/strong>\u00a0passen moltes coses. No solament \u00e9s un moment dedicat al descans o a l\u2019esmorzar: \u00e9s un espai en qu\u00e8 desvetllem les nostres habilitats socials (la comunicaci\u00f3, la cooperaci\u00f3, la resoluci\u00f3 de conflictes, l\u2019intercanvi i la negociaci\u00f3) i tamb\u00e9 un espai assequible a tothom, perqu\u00e8 no sempre s\u2019imposin els mateixos, els qui tenen m\u00e9s espai o tenen m\u00e9s poder.\r\n\r\nEl pati del M|A|C \u00e9s un lloc amable, c\u00f2mode i c\u00e0lid, per a p\u00fablics diversos (tamb\u00e9 el p\u00fablic familiar), per passar els vespres de juliol en companyia, en un pati convertit en la sala de cinema del centre d\u2019art i un espai estiuenc de trobada, amb bar i m\u00fasica en directe.\r\n\r\n \r\n\r\n \r\n\r\n ","desc_es":"S\u00e1bado 12 de julio <\/strong>\r\n(Apertura de puertas: 21:00 h)\r\n21. 45 h | Max de Esteban<\/span><\/b>,\r\nAlicia Framis<\/span><\/b> y\r\nRaquel Friera<\/span><\/b>(proyecciones)<\/span><\/span><\/span><\/span><\/strong>\r\n+ Tumbonas Solidaria (sorteo)\r\n23 h\u00a0<\/span>| <\/span>Slow Connection <\/span><\/b>\u00a0<\/span> \u00a0 (m\u00fasica) <\/span>\r\n<\/strong>\r\n\r\nPROYECCIONES | 21:45 h<\/strong>\r\n\r\nMax de Esteban<\/strong> | Seven minutes<\/em>, 2022 | 7' (en loop)\r\nUna obra de arte nos interpela a nosotros, su audiencia, haci\u00e9ndonos una confesi\u00f3n: el museo ha instalado unos detectores que miden el tiempo y la atenci\u00f3n que cada una de las obras genera. Esto es una puntuaci\u00f3n: s\u00f3lo las m\u00e1s atractivas para la audiencia continuar\u00e1n expuestas al p\u00fablico. El resto vuelven al almac\u00e9n o, peor a\u00fan, se dan de baja de la colecci\u00f3n. Con siete minutos se alcanza la m\u00e1xima puntuaci\u00f3n. La prenda, as\u00ed, nos mantiene delante de ella exactamente eso, siete minutos.\r\nActualmente existe mucha discusi\u00f3n sobre el papel de los museos en la condici\u00f3n contempor\u00e1nea. Aunque este cuestionamiento se plantee como urgencia de conectarse con nuevos valores sociales, el verdadero estr\u00e9s est\u00e1 impulsado por la necesidad de satisfacer las demandas de la econom\u00eda de la atenci\u00f3n, la cultura del espect\u00e1culo y la ideolog\u00eda de la productividad.\r\nMax de Esteban<\/strong><\/span> |<\/strong><\/span>Barcelona, 1959\u00a0 <\/span>www.maxdeesteban.com<\/span><\/span><\/a>\r\n\r\nAlicia Framis\u00a0<\/b>|\u00a0Secret Strike. Tate Modern <\/em>, 2006 | 10'57''\r\n<\/b>La huelga de 2000 personas en la Tate Modern como performance po\u00e9tica. En Secret Strike la c\u00e1mara se mueve en torno a las figuras inm\u00f3viles y se acerca lentamente a ella en secuencias de planos abiertas. Movimientos lentos y silenciosos como si la normalidad de la escena pudiera alterarse. Incluso cuando las actividades humanas se han paralizado, el tiempo no lo ha hecho, y Framis intensifica deliberadamente los movimientos como una puerta autom\u00e1tica, un tel\u00e9fono que suena o una luz que parpadea...\r\nAlicia Framis<\/b> | <\/strong><\/span>Matar\u00f3, 1967\r\nwww.aliciaframis.com<\/a><\/u>\r\n\r\nRaquel Friera |<\/b> El arte de vender, 2012 | 6'\r\nExperimento art\u00edstico en el que Friera inserta su trabajo en el circuito comercial de las tiendas de Figueres y lo hace utilizando el lenguaje comercial y sus canales de venta. Este \u201cv\u00eddeo promocional\u201d presenta sus obras, que en su momento se pusieron a la venta en los escaparates de las tiendas donde aprendi\u00f3 c\u00f3mo hacerlo.\r\nRaquel Friera |<\/b>\r\nTarragona, 1978 <\/u>\r\nwww.raquelfriera.net<\/a><\/u>\r\n\r\n \r\n\r\nSORTEO TUMBONAS BEN\u00c9FICAS<\/strong>\r\nSorteo entre todo el p\u00fablico que haya comprado dorsales ese d\u00eda en una de las 9 tumbonas ben\u00e9ficas en las que han participado altruistamente 9 artistas. \u00a1Si te toca, te lo llevas a casa!\r\nLos artistas participantes han sido: Josep M. Codina<\/strong>, Laia Arnau<\/strong>, Lola Solanilla<\/strong>, Magda Codina<\/strong>, Marc Salicr\u00fa<\/strong>, Neus Masdeu<\/strong>, Neil Harbisson<\/strong>, Pol U\u00f1\u00f3 G.<\/strong> y Regina Gim\u00e9nez<\/strong>.\r\n\r\n \r\n\r\nM\u00daSICA | 23 h<\/strong>\r\nSlow Connection<\/b>\u00a0|\r\nSlow Connection | Formado por Wild Lilac y Tyler Balaclava, 2020.\r\n\u00c9ste es un proyecto totalmente DIY con base en Matar\u00f3 que fusiona el indie y el shoegaze con sonidos m\u00e1s electr\u00f3nicos e industriales que crean una atm\u00f3sfera propia.\r\nPresentar\u00e1n nuevas canciones acompa\u00f1adas de las incluidas en los \u00e1lbumes previos \"The Dog\" y \"Belmondo de Azul\".\r\nwww.instagram.com\/_slowconnection\/<\/a>\r\n\r\n
\r\n\r\nInformaci\u00f3n adiciona<\/strong>l\r\nEntrada gratuita (aforo limitado)\r\nApertura de puertas: 30 minutos antes del inicio\r\nServicio de bar (30 minutos antes del inicio)\r\nLa tumbona solidaria: compra tu participaci\u00f3n en la entrada (10 \u20ac)\r\n\r\nPara m\u00e1s informaci\u00f3n: Matar\u00f3 Web|Art|Contemporary<\/a><\/strong>\r\n\r\n
\r\n\r\nMuchas cosas pasan en La hora del patio<\/strong>. No es solo un momento dedicado al descanso o al desayuno: es un espacio donde ponemos a prueba nuestras habilidades sociales (comunicaci\u00f3n, cooperaci\u00f3n, resoluci\u00f3n de conflictos, intercambio y negociaci\u00f3n) y tambi\u00e9n un espacio accesible para todos, para que no siempre se impongan los mismos, quienes tienen m\u00e1s espacio o m\u00e1s poder.\r\n\r\nEl patio del M|A|C es un lugar acogedor, c\u00f3modo y c\u00e1lido, para p\u00fablicos diversos (incluyendo familias), donde pasar las tardes de julio en compa\u00f1\u00eda, en un patio reconvertido en el cine del centro de arte y espacio de encuentro de verano, con bar y m\u00fasica en directo.","desc_en":"Saturday 12 July <\/strong>\r\n(doors open: 9pm)\r\n9.45pm | Max de Esteban<\/span><\/b>,\r\nAlicia Framis<\/span><\/b> and\r\nRaquel Friera <\/span><\/b>(screenings)<\/span><\/span><\/span><\/span><\/strong>\r\n+ charity lounger (draw)\r\n11 pm<\/span> |\u00a0<\/span>Slow Connection <\/span><\/b>\u00a0<\/span> \u00a0 (music)<\/span>\r\n<\/strong>\r\n\r\n\r\nSCREENINGS | 9.45pm\r\n\r\nMax de Esteban<\/span><\/strong>| Seven minutes<\/em>, 2022 | 7' (loop)\r\n<\/span>A work of art challenges us, its audience, by making a confession: the museum has installed detectors that measure the time and attention that each of the works generates. This is a score: only the most attractive to the audience will continue to be exhibited to the public. The rest return to storage or, worse yet, are removed from the collection. With seven minutes, the maximum score is achieved. The piece, thus, keeps us in front of it for exactly that, seven minutes.\r\nThere is currently much discussion about the role of museums in the contemporary condition. Although this questioning is posed as the urgency of connecting with new social values, the real stress is driven by the need to satisfy the demands of the attention economy, the culture of spectacle and the ideology of productivity.<\/span>\r\n\r\nMax de Esteban<\/strong><\/span> |<\/strong><\/span>Barcelona, 1959\u00a0 <\/span>www.maxdeesteban.com<\/span><\/span><\/a>\r\n\r\n\r\nAlicia Framis<\/b>\u00a0|\u00a0Secret Strike.Tate Modern\u00a0<\/em>, 2006 | 10'57''\r\nThe 2000-person strike at the Tate Modern as a poetic performance. In Secret Strike the camera moves around the motionless figures and slowly approaches them in open sequences of shots. Slow and silent movements as if the normality of the scene could be disrupted. Even when human activities have come to a standstill, time has not, and Framis deliberately intensifies movements such as an automatic door, a ringing telephone or a flashing light...\r\n\r\nAlicia Framis<\/b> | <\/strong><\/span>Matar\u00f3, 1967\r\nwww.aliciaframis.com<\/a><\/u>\r\n\r\nRaquel Friera <\/b>| The Art of Selling, 2012 | 6'\r\nArtistic experiment in which Friera inserts his work into the commercial circuit of Figueres shops and does so using commercial language and its sales channels. This \u201cpromotional video\u201d presents his works, which at the time were put up for sale in the shop windows of the shops where he learned how to do it.\r\nRaquel Friera |<\/b>\r\nTarragona, 1978 <\/u>\r\nwww.raquelfriera.net<\/a><\/u>\r\n\r\n \r\n\r\nCHARITY LOUNGER DRAW<\/strong>\r\nRaffle among all the public who have bought numbers that day from one of the 9 charity loungers that 9 artists have altruistically participated in. If it\u2019s your turn, you take it home!\r\nThe participating artists have been: Josep M. Codina<\/strong>, Laia Arnau<\/strong>, Lola Solanilla<\/strong>, Magda Codina<\/strong>, Marc Salicr\u00fa<\/strong>, Neus Masdeu<\/strong>, Neil Harbisson<\/strong>, Pol U\u00f1\u00f3 G.<\/strong> and Regina Gim\u00e9nez<\/strong>.\r\n\r\n \r\n\r\nMUSIC | 11 p.m.<\/strong>\r\nSlow Connection<\/b> | Formed by Wild Lilac and Tyler Balaclava, 2020.\r\nThis is a completely DIY project based in Matar\u00f3 that fuses indie and shoegaze with more electronic and industrial sounds that create an atmosphere of their own.\r\nThey will present new songs accompanied by those included in the previous albums \"The Dog\" and \"Belmondo de Azul\".\r\nwww.instagram.com\/_slowconnection\/<\/a>\r\n\r\n
\r\n\r\nAdditional information<\/strong>\r\nFree admission (limited capacity)\r\nDoors open: 30 minutes before the start\r\nBar service (30 minutes before the start)\r\nThe solidarity lounger: purchase your participation at the entrance (10 \u20ac)\r\n\r\nFor more information: Matar\u00f3 Web|Art|Contemporary<\/a><\/strong>\r\n\r\n
\r\n\r\nMany things happen at patio time<\/strong>. It is not only a moment dedicated to rest or breakfast: it is a space in which we reveal our social skills (communication, cooperation, conflict resolution, exchange and negotiation) and also a space accessible to everyone, so that the same ones do not always impose themselves, those who have more space or have more power.\r\n\r\nThe patio of the M|A|C is a friendly, comfortable and warm place, for diverse audiences (including family audiences), to spend July evenings in company, in a patio converted into the art center\u2019s cinema and a summer meeting space, with a bar and live music.","event_category":481,"event_show_only_own_date":false,"_event_confirmed":true,"_event_public":true,"_event_free":true,"_event_price-min":"","_event_price-max":"","_event_web_ca":"https:\/\/www.mataroartcontemporani.cat\/posts_activitats\/lhora-del-pati-2\/","_event_web_es":"","_event_web_en":"","event_contact_email":"","event_apply_email":"","is_online_event":false,"is_art_nou_event":false,"is_bgw_event":false,"date_text":"","register_deadline":null,"altres_organitzadors":""},"abe_event_venue":"M|A|C Pres\u00f3","abe_event_category":"Festival","start":"2025-07-12 21:45:00","end":"2025-07-12 23:55:00","schedule":"once","schedule_meta":"","frequency":1,"all_day":0,"until":"2025-07-12 21:45:00","include":[],"exclude":[],"_links":{"self":[{"href":"https:\/\/graf.cat\/en\/wp-json\/wp\/v2\/events\/49686","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/graf.cat\/en\/wp-json\/wp\/v2\/events"}],"about":[{"href":"https:\/\/graf.cat\/en\/wp-json\/wp\/v2\/types\/event"}],"author":[{"embeddable":true,"href":"https:\/\/graf.cat\/en\/wp-json\/wp\/v2\/users\/159"}],"occurrences":[{"embeddable":true,"href":"https:\/\/graf.cat\/en\/wp-json\/wp\/v2\/events\/49686\/occurrences"}],"acf:term":[{"embeddable":true,"taxonomy":"event-category","href":"https:\/\/graf.cat\/en\/wp-json\/wp\/v2\/event-category\/481"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/graf.cat\/en\/wp-json\/wp\/v2\/media\/49646"}],"wp:attachment":[{"href":"https:\/\/graf.cat\/en\/wp-json\/wp\/v2\/media?parent=49686"}],"wp:term":[{"taxonomy":"event-venue","embeddable":true,"href":"https:\/\/graf.cat\/en\/wp-json\/wp\/v2\/event-venues?post=49686"},{"taxonomy":"event-tag","embeddable":true,"href":"https:\/\/graf.cat\/en\/wp-json\/wp\/v2\/event-tags?post=49686"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}