{"id":53746,"guid":{"rendered":"https:\/\/graf.cat\/?post_type=event&#038;p=53746"},"modified":"2026-01-07T19:24:23","modified_gmt":"2026-01-07T17:24:23","slug":"germaine-dulac-je-nai-plus-rien-2","status":"publish","type":"event","link":"https:\/\/graf.cat\/en\/events\/event\/germaine-dulac-je-nai-plus-rien-2\/","title":{"rendered":"Germaine Dulac. Je n\u2019ai plus rien"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":8,"featured_media":53747,"template":"","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0},"event-venues":[734],"event-tags":[],"class_list":["post-53746","event","type-event","status-publish","has-post-thumbnail","hentry","event-venue-museu-tapies","event-category-exposicio"],"acf":{"title_ca":"Germaine Dulac. Je n\u2019ai plus rien","title_es":"Germaine Dulac. Je n\u2019ai plus rien","title_en":"Germaine Dulac. Je n\u2019ai plus rien","desc_ca":"Comissariat per Imma Prieto, directora del Museu T\u00e0pies, i Imma Merino, cr\u00edtica de cine i professora universit\u00e0ria, el projecte sobre Germaine Dulac vol ser una reflexi\u00f3 sobre com les avantguardes van invisibilitzar certes artistes que posaven en tensi\u00f3 els discursos hegem\u00f2nics i heteropatriarcals que imposava la societat d\u2019entreguerres. Aquest \u00e9s un exercici de recuperaci\u00f3 de la mem\u00f2ria d\u2019un passat en qu\u00e8 moltes d\u2019elles van quedar relegades dins de la hist\u00f2ria de l\u2019art, Malgrat que les seves pr\u00e0ctiques van esdevenir fonamentals pel desenvolupament dels moviments art\u00edstics del segle xx.\r\n\r\nAmb la voluntat d\u2019obrir arxius i accentuant la idea de la import\u00e0ncia d\u2019un temps c\u00edclic \u2014tan caracter\u00edstic de la traject\u00f2ria tapiana\u2014, mirem enrere per tornar endavant fent recerca hist\u00f2rica i trobar veus silenciades, per\u00f2, alhora, buscant les possibles connexions amb la configuraci\u00f3 de les imatges des d\u2019aquesta perspectiva surrealista que tamb\u00e9 es treballar\u00e0 a l\u2019exposici\u00f3 dedicada a Antoni T\u00e0pies.\r\n\r\nEl 1927, Germaine Dulac va dirigir el migmetratge <em>La Coquille et le clergyman<\/em> (La petxina i el clergue), que no es va projectar fins un any m\u00e9s tard, el 1928; es considera el primer film surrealista, anterior al c\u00e8lebre <em>Un chien andalou<\/em> de Luis Bu\u00f1uel, de 1929.\u00a0La pel\u00b7l\u00edcula, basada en un gui\u00f3 del poeta Antonin Artaud, expressa l\u2019obsessi\u00f3 d\u2019un clergue per una dona casada amb un general.\r\n\r\nLa cineasta <span class=\"il\">Mercedes \u00c1lvarez<\/span> ha elaborat una pe\u00e7a de nova creaci\u00f3 amb el t\u00edtol \u201cGermaine Dulac. Qui tem al cinema?\u201d on a trav\u00e9s d\u2019una compilaci\u00f3 de diferents films de Dulac es desvetllen les mirades de l\u2019artista francesa al voltant de la representaci\u00f3 del cos femen\u00ed i la desarticulaci\u00f3 del desig.","desc_es":"Comisariado por Imma Prieto, directora del Museu T\u00e0pies, e Imma Merino, cr\u00edtica de cine y profesora universitaria, el proyecto sobre Germaine Dulac quiere ser una reflexi\u00f3n sobre c\u00f3mo las vanguardias invisibilizaron a ciertas artistas que pon\u00edan en tensi\u00f3n los discursos hegem\u00f3nicos y heteropatriarcales que impon\u00eda la sociedad de entreguerras. Se trata de un ejercicio de recuperaci\u00f3n de la memoria de un pasado en el que muchas de ellas quedaron relegadas dentro de la historia del arte, a pesar de que sus pr\u00e1cticas resultaron fundamentales para el desarrollo de los movimientos art\u00edsticos del siglo xx.\r\n\r\nCon la voluntad de abrir archivos y acentuando la idea de la importancia de un tiempo c\u00edclico \u2014tan caracter\u00edstico de la trayectoria tapiana\u2014, echamos la vista atr\u00e1s para volver adelante mediante la investigaci\u00f3n hist\u00f3rica y encontrar voces silenciadas, pero, a la vez, buscando las posibles conexiones con la configuraci\u00f3n de las im\u00e1genes desde esta perspectiva surrealista que tambi\u00e9n se trabajar\u00e1 en la exposici\u00f3n dedicada a Antoni T\u00e0pies.\r\n\r\nEn 1927, Germaine Dulac dirigi\u00f3 el mediometraje <em>La Coquille et le clergyman<\/em> (La concha y el cl\u00e9rigo), que no se proyect\u00f3 hasta un a\u00f1o m\u00e1s tarde, en 1928; se considera el primer film surrealista, un a\u00f1o anterior al c\u00e9lebre <em>Un chien andalou<\/em> de Luis Bu\u00f1uel, de 1929. La pel\u00edcula, basada en un gui\u00f3n del poeta Antonin Artaud, expresa la obsesi\u00f3n de un cl\u00e9rigo por una mujer casada con un general.\r\n\r\nLa cineasta Mercedes \u00c1lvarez ha elaborado una pieza de nueva creaci\u00f3n con el t\u00edtulo \u201cGermaine Dulac. \u00bfQui\u00e9n teme al cine?\u201d donde a trav\u00e9s de una compilaci\u00f3n de diferentes filmes de Dulac se desvelan las miradas de la artista francesa en torno a la representaci\u00f3n del cuerpo femenino y la desarticulaci\u00f3n del deseo.","desc_en":"Curated by Imma Prieto, director of the Museu T\u00e0pies, and Imma Merino, film critic and university lecturer, this exhibition dedicated to Germaine Dulac proposes a reflection on how the avantgardes reduced the profile of certain artists who challenged hegemonic and heteropatriarcal discourses, as imposed by society between the wars. This exercise involves reviving the memory of a period when many of these women were relegated to obscurity by art history, despite the fact that their practices were fundamental for the development of 20th-century artistic movements.\r\n\r\nWith the aim of exploring archives and accentuating the notion of the importance of cyclical time\u2014something that is very characteristic of T\u00e0pies\u2019 career as well\u2014we look to the past to return to the future, conducting historical research and discovering silenced voices, while at the same time seeking connections with the arrangement of imagery, from a surrealistic perspective shared with the exhibition on Antoni T\u00e0pies.\r\n\r\nIn 1927, Germaine Dulac directed the medium-length film<em> La Coquille et le clergyman<\/em> [The Seashell and the Clergyman], which was not shown until a year later, in 1928. It is considered the first surrealist film, preceding the famous <em>Un chien andalou<\/em> by Luis Bu\u00f1uel, from 1929. With a script created by the poet Antonin Artaud, the film depicted the obsession of a clergyman for a woman married to a general.\r\n\r\nFilmmaker Mercedes \u00c1lvarez has created a newly created piece entitled \u201cGermaine Dulac. Who\u2019s Afraid of Cinema?\u201d, a compilation of different Dulac films where the French artist\u2019s perspectives on the representation of the female body and the dismantling of desire are revealed.","event_category":103,"event_show_only_own_date":true,"_event_confirmed":true,"_event_public":true,"_event_free":false,"_event_price-min":8,"_event_price-max":12,"_event_web_ca":"https:\/\/museutapies.org\/exposicio\/germaine-dulac-je-nai-plus-rien\/","_event_web_es":"https:\/\/museutapies.org\/es\/exposicio\/germaine-dulac-je-nai-plus-rien\/","_event_web_en":"https:\/\/museutapies.org\/en\/exposicio\/germaine-dulac-je-nai-plus-rien\/","event_contact_email":"","event_apply_email":"","is_online_event":false,"is_art_nou_event":false,"is_bgw_event":false,"date_text":"","register_deadline":null,"altres_organitzadors":""},"abe_event_venue":"Museu T\u00e0pies","abe_event_category":"Exposici\u00f3","start":"2025-10-16 00:00:00","end":"2026-02-22 23:59:00","schedule":"once","schedule_meta":"","frequency":1,"all_day":1,"until":"2025-10-16 00:00:00","include":[],"exclude":[],"_links":{"self":[{"href":"https:\/\/graf.cat\/en\/wp-json\/wp\/v2\/events\/53746","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/graf.cat\/en\/wp-json\/wp\/v2\/events"}],"about":[{"href":"https:\/\/graf.cat\/en\/wp-json\/wp\/v2\/types\/event"}],"author":[{"embeddable":true,"href":"https:\/\/graf.cat\/en\/wp-json\/wp\/v2\/users\/8"}],"occurrences":[{"embeddable":true,"href":"https:\/\/graf.cat\/en\/wp-json\/wp\/v2\/events\/53746\/occurrences"}],"acf:term":[{"embeddable":true,"taxonomy":"event-category","href":"https:\/\/graf.cat\/en\/wp-json\/wp\/v2\/event-category\/103"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/graf.cat\/en\/wp-json\/wp\/v2\/media\/53747"}],"wp:attachment":[{"href":"https:\/\/graf.cat\/en\/wp-json\/wp\/v2\/media?parent=53746"}],"wp:term":[{"taxonomy":"event-venue","embeddable":true,"href":"https:\/\/graf.cat\/en\/wp-json\/wp\/v2\/event-venues?post=53746"},{"taxonomy":"event-tag","embeddable":true,"href":"https:\/\/graf.cat\/en\/wp-json\/wp\/v2\/event-tags?post=53746"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}