{"id":54703,"guid":{"rendered":"https:\/\/graf.cat\/?post_type=event&#038;p=54703"},"modified":"2026-02-13T15:45:16","modified_gmt":"2026-02-13T13:45:16","slug":"bayos-negros-dormidos-3","status":"publish","type":"event","link":"https:\/\/graf.cat\/en\/events\/event\/bayos-negros-dormidos-3\/","title":{"rendered":"Bayos negros dormidos"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":188,"featured_media":54707,"template":"","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0},"event-venues":[],"event-tags":[],"class_list":["post-54703","event","type-event","status-publish","has-post-thumbnail","hentry","event-category-exposicio"],"acf":{"title_ca":"Bayos negros dormidos","title_es":"Bayos negros dormidos","title_en":"Bayos negros dormidos","desc_ca":"<span style=\"font-weight: 400\">Des de fa alguns anys, Agustina\u00a0Fioretti\u00a0realitza estranys objectes i imatges que dificulten el seu reconeixement i organitzaci\u00f3 taxon\u00f2mica. No sols pels materials utilitzats\u2014p\u00e8l de cavall i plomes d'ocells\u2014que doten a les seves obres de formes incertes de l'animalitat, sin\u00f3 tamb\u00e9 per la reutilitzaci\u00f3 d'elements provinents del m\u00f3n de la construcci\u00f3.\u00a0Fioretti\u00a0mou les coses del seu lloc d'origen, realitza un despla\u00e7ament que li permet produir nous acoblaments\u00a0maquinics-animals: ni cavalls ni ocells, els uns i els altres al mateix temps, el c\u00edborg emergeix de la fusi\u00f3 entre el t\u00e8cnic i all\u00f2 animal, de la vida dels objectes. Quins futurs podrien emergir de nius constru\u00efts amb p\u00e8l de cavall? Quines promeses de monstres s'anuncien en aquests futurs?<\/span>\r\n\r\n<i><span style=\"font-weight: 400\">Exposici\u00f3 comissariada per Jesu Antu\u00f1a.<\/span><\/i>\r\n\r\n<span style=\"font-weight: 400\">La pr\u00e0ctica art\u00edstica d\u2019Agustina Fioretti (1991, Argentina) pot pensar-se a trav\u00e9s dels despla\u00e7aments, de les mutacions i transformacions, on conflueixen una preocupaci\u00f3 pels arxius, des de familiars fins a institucionals, com un inter\u00e8s per les migracions, pels despla\u00e7aments m\u00e9s o menys for\u00e7ats dels qui moltes vegades s\u00f3n portats a l'extrem d'abandonar la forma humana.<\/span><span style=\"font-weight: 400\">\r\n<\/span><span style=\"font-weight: 400\">A trav\u00e9s de diferents t\u00e8cniques i materials (instal\u00b7laci\u00f3, v\u00eddeo, fotografia, textos i\u00a0performance)\u00a0s'interessa per explorar diferents conceptes com els vincles\u00a0<\/span><i><span style=\"font-weight: 400\">interesp\u00e8cies<\/span><\/i><span style=\"font-weight: 400\">, els relats orals, els rituals de pas, el que Victor Turner va anomenar <\/span><i><span style=\"font-weight: 400\">liminaridad<\/span><\/i><span style=\"font-weight: 400\">, com espai intermedi o de tr\u00e0nsit; la metamorfosi, des del nord cap al sud potser, i la seva pr\u00f2pia migraci\u00f3 en connexi\u00f3 amb les realitzades en d\u00e8cades anteriors per la seva fam\u00edlia.<\/span>","desc_es":"<article class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [&amp;:has([data-writing-block])&gt;*]:pointer-events-auto scroll-mt-(--header-height)\" dir=\"auto\" data-turn-id=\"905dfec7-3699-4442-9d7b-8122e9b268e3\" data-testid=\"conversation-turn-1\" data-scroll-anchor=\"false\" data-turn=\"user\"><\/article><article class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [&amp;:has([data-writing-block])&gt;*]:pointer-events-auto [content-visibility:auto] supports-[content-visibility:auto]:[contain-intrinsic-size:auto_100lvh] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"request-WEB:fd3d4963-c7a0-4f34-ae99-881a30096ab2-0\" data-testid=\"conversation-turn-2\" data-scroll-anchor=\"true\" data-turn=\"assistant\">\r\n<div class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:--spacing(4)] @w-sm\/main:[--thread-content-margin:--spacing(6)] @w-lg\/main:[--thread-content-margin:--spacing(16)] px-(--thread-content-margin)\">\r\n<div class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\">\r\n<div class=\"flex max-w-full flex-col grow\">\r\n<div class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+&amp;]:mt-1\" dir=\"auto\" data-message-author-role=\"assistant\" data-message-id=\"dc2f74a8-a7b5-4fbb-ba6c-89bf54f1166f\" data-message-model-slug=\"gpt-5-2\">\r\n<div class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[1px]\">\r\n<div class=\"markdown prose dark:prose-invert w-full wrap-break-word light markdown-new-styling\">\r\n<p data-start=\"0\" data-end=\"744\">Desde hace algunos a\u00f1os, Agustina Fioretti realiza extra\u00f1os objetos e im\u00e1genes que dificultan su reconocimiento y organizaci\u00f3n taxon\u00f3mica. No solo por los materiales utilizados \u2014pelo de caballo y plumas de aves\u2014 que otorgan a sus obras formas inciertas de animalidad, sino tambi\u00e9n por la reutilizaci\u00f3n de elementos procedentes del mundo de la construcci\u00f3n. Fioretti desplaza las cosas de su lugar de origen, realiza un movimiento que le permite producir nuevos acoplamientos maqu\u00ednico-animales: ni caballos ni aves, ambos a la vez; el c\u00edborg emerge de la fusi\u00f3n entre lo t\u00e9cnico y lo animal, de la vida de los objetos. \u00bfQu\u00e9 futuros podr\u00edan surgir de nidos construidos con pelo de caballo? \u00bfQu\u00e9 promesas de monstruos se anuncian en esos futuros?<\/p>\r\n<p data-start=\"746\" data-end=\"811\">Exposici\u00f3n comisariada por <span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">Jesu Antu\u00f1a<\/span><\/span>.<\/p>\r\n<p data-start=\"813\" data-end=\"1232\">La pr\u00e1ctica art\u00edstica de <span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">Agustina Fioretti<\/span><\/span> (1991, Argentina) puede pensarse a trav\u00e9s de los desplazamientos, las mutaciones y transformaciones, donde confluyen una preocupaci\u00f3n por los archivos \u2014desde los familiares hasta los institucionales\u2014 y un inter\u00e9s por las migraciones, por los desplazamientos m\u00e1s o menos forzados de quienes muchas veces son llevados al extremo de abandonar la forma humana.<\/p>\r\n<p data-start=\"1234\" data-end=\"1686\" data-is-last-node=\"\" data-is-only-node=\"\">A trav\u00e9s de diferentes t\u00e9cnicas y materiales (instalaci\u00f3n, v\u00eddeo, fotograf\u00eda, textos y performance) se interesa por explorar conceptos como los v\u00ednculos interespecies, los relatos orales, los rituales de paso, lo que <span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">Victor Turner<\/span><\/span> denomin\u00f3 liminalidad como espacio intermedio o de tr\u00e1nsito; la metamorfosis, quiz\u00e1 del norte hacia el sur, y su propia migraci\u00f3n en conexi\u00f3n con las realizadas en d\u00e9cadas anteriores por su familia.<\/p>\r\n\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/article>","desc_en":"<p data-start=\"0\" data-end=\"724\">For several years now, Agustina Fioretti has been creating strange objects and images that resist recognition and taxonomic classification. Not only because of the materials she uses\u2014horsehair and bird feathers\u2014which lend her works uncertain forms of animality, but also due to her reuse of elements drawn from the world of construction. Fioretti displaces things from their original context, enacting a shift that enables her to produce new machinic-animal assemblages: neither horses nor birds, yet both at once. The cyborg emerges from the fusion of the technical and the animal, from the life of objects. What futures might arise from nests built with horsehair? What promises of monsters are announced in these futures?<\/p>\r\n<p data-start=\"726\" data-end=\"786\">Exhibition curated by <span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">Jesu Antu\u00f1a<\/span><\/span>.<\/p>\r\n<p data-start=\"788\" data-end=\"1173\">The artistic practice of <span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">Agustina Fioretti<\/span><\/span> (1991, Argentina) can be understood through the lens of displacement, mutation, and transformation, where a concern with archives\u2014ranging from familial to institutional\u2014converges with an interest in migration and in the more or less forced displacements of those who are often pushed to the point of abandoning human form.<\/p>\r\n<p data-start=\"1175\" data-end=\"1599\" data-is-last-node=\"\" data-is-only-node=\"\">Through various techniques and materials (installation, video, photography, text, and performance), she explores concepts such as interspecies bonds, oral narratives, rites of passage, what <span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">Victor Turner<\/span><\/span> termed liminality as an intermediate or transitional space; metamorphosis, perhaps from north to south, and her own migration in connection with those undertaken by her family in previous decades.<\/p>","event_category":103,"event_show_only_own_date":false,"_event_confirmed":true,"_event_public":true,"_event_free":true,"_event_price-min":"","_event_price-max":"","_event_web_ca":"https:\/\/ajuntament.barcelona.cat\/ccivics\/guinardo\/bayos-negros-dormidos\/","_event_web_es":"https:\/\/ajuntament.barcelona.cat\/ccivics\/guinardo\/bayos-negros-dormidos\/","_event_web_en":"https:\/\/ajuntament.barcelona.cat\/ccivics\/guinardo\/bayos-negros-dormidos\/","event_contact_email":"","event_apply_email":"","is_online_event":false,"is_art_nou_event":false,"is_bgw_event":false,"date_text":"","register_deadline":null,"altres_organitzadors":""},"abe_event_venue":null,"abe_event_category":"Exposici\u00f3","start":"2026-02-05 00:00:00","end":"2026-03-06 23:59:00","schedule":"once","schedule_meta":"","frequency":1,"all_day":1,"until":"2026-02-05 00:00:00","include":[],"exclude":[],"_links":{"self":[{"href":"https:\/\/graf.cat\/en\/wp-json\/wp\/v2\/events\/54703","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/graf.cat\/en\/wp-json\/wp\/v2\/events"}],"about":[{"href":"https:\/\/graf.cat\/en\/wp-json\/wp\/v2\/types\/event"}],"author":[{"embeddable":true,"href":"https:\/\/graf.cat\/en\/wp-json\/wp\/v2\/users\/188"}],"occurrences":[{"embeddable":true,"href":"https:\/\/graf.cat\/en\/wp-json\/wp\/v2\/events\/54703\/occurrences"}],"acf:term":[{"embeddable":true,"taxonomy":"event-category","href":"https:\/\/graf.cat\/en\/wp-json\/wp\/v2\/event-category\/103"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/graf.cat\/en\/wp-json\/wp\/v2\/media\/54707"}],"wp:attachment":[{"href":"https:\/\/graf.cat\/en\/wp-json\/wp\/v2\/media?parent=54703"}],"wp:term":[{"taxonomy":"event-venue","embeddable":true,"href":"https:\/\/graf.cat\/en\/wp-json\/wp\/v2\/event-venues?post=54703"},{"taxonomy":"event-tag","embeddable":true,"href":"https:\/\/graf.cat\/en\/wp-json\/wp\/v2\/event-tags?post=54703"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}