{"id":56046,"guid":{"rendered":"https:\/\/graf.cat\/?post_type=event&p=56046"},"modified":"2026-04-01T12:13:19","modified_gmt":"2026-04-01T10:13:19","slug":"cineclub-9","status":"publish","type":"event","link":"https:\/\/graf.cat\/en\/events\/event\/cineclub-9\/","title":{"rendered":"cineclub"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":65,"featured_media":56047,"template":"","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0},"event-venues":[304],"event-tags":[],"class_list":["post-56046","event","type-event","status-publish","has-post-thumbnail","hentry","event-venue-la-escocesa","event-category-screening"],"acf":{"title_ca":"cineclub","title_es":"cineclub","title_en":"cineclub","desc_ca":"
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El cineclub \u00e9s una trobada on mensualment presentarem una cuidada selecci\u00f3 de pel\u00b7l\u00edcules. Cada sessi\u00f3 inclour\u00e0 la projecci\u00f3 i un pica-pica vegetari\u00e0 preparat per uni artista invitadi, inspirada en l'obra projectada.\r\n\r\nA la sessi\u00f3 d'abril veurem les peces Puerta a puerta, Querida Chick, Sol de campinas<\/em> i Black Pond\u00a0<\/em>de Jessica Sarah Rinland.<\/div>\r\n
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Dimecres 22 d'abril<\/strong><\/h5>\r\n20h<\/strong>\r\n\r\nPuerta a puerta<\/strong><\/em> de Jessica Sarah Rinland i Lu\u00eds Arn\u00edas | 10 minuts | 2022 | Transfer\u00e8ncia digital de 16 mm\r\n\r\nUna caixa de mesures sim\u00e8triques s'omple d'aspirines, pr\u00e9ssecs en llauna, joguines, cereals, fesols i roba de segona m\u00e0. El Sr. Mario, de Venus Service Express, la recull en una porta de Boston, els EUA. La caixa s'acomoda entre altres com un tetris postal, que despr\u00e9s d'un llarg recorregut arribar\u00e0 a Falc\u00f3n, Vene\u00e7uela, a la porta de la tia Maya.\r\n\r\n \r\n\r\nQuerida Chick <\/strong><\/em>de Jessica Sarah Rinland | 7 minuts | 2021 | Mini DV, fotografies de 35 mm\r\n\r\nUna pel\u00b7l\u00edcula per a Chick Strand. Encarregada pel Festival Internacional de Cine Documental Punto de Vista i Garbi\u00f1e Ortega<\/em> \u00abLAS CARTAS QUE NO FUERON TAMBI\u00c9N SON\/THE LETTERS THAT WEREN'T AND ALSO ARE\u00bb\r\n\r\n \r\n\r\nSol de campinas<\/strong><\/em>\u00a0de Jessica Sarah Rinland | 26 minuts | 2021 | Transfer\u00e8ncia digital de pel\u00b7l\u00edcula de 16 mm, animaci\u00f3 renderitzada en 3D\r\n\r\nSol de campinas<\/em> segueix el treball dels arque\u00f2legs que, durant els \u00faltims deu anys, han estat excavant un anell de monticles que envolta una pla\u00e7a central en un territori conegut actualment com l'estat d'Acre, al Brasil. Passen del camp al laboratori, interpretant com es va construir el terreny, quins patrons es van emprar en l'\u00fas del s\u00f2l per a l'assentament i la composici\u00f3 de la terra antropog\u00e8nica que queda.\r\n\r\n \r\n\r\nBlack Pond<\/strong><\/em>\u00a0de Jessica Sarah Rinland | 42 minuts | 2018 | Transfer\u00e8ncia digital de pel\u00b7l\u00edcula de 16 mm, fotogrames de pel\u00b7l\u00edcula de 35 mm, arxiu\r\n\r\nBlack Pond<\/em> \u00e9s una odissea a trav\u00e9s d'un terreny comunal del sud d'Anglaterra narrada a trav\u00e9s dels membres de la Societat d'Hist\u00f2ria Natural que actualment l'ocupen.\r\n\r\n \r\n\r\n21:30h<\/strong>\r\n\r\nPica-pica a c\u00e0rrec de\u00a0Carlos V\u00e1squez.\r\n\r\n \r\n

bios<\/strong><\/h4>\r\nJessica Sarah Rinland<\/strong> cineasta argent\u00ed-brit\u00e0nica que proposa un cinema de la tactilitat. A trav\u00e9s d'una observaci\u00f3 minuciosa del treball d'arxivers, arque\u00f2legs, antrop\u00f2legs, naturalistes i altres professionals, les seves pel\u00b7l\u00edcules exploren la conservaci\u00f3 museol\u00f2gica i mediambiental com a proc\u00e9s creatiu. La hist\u00f2ria natural i la ci\u00e8ncia s\u00f3n temes recurrents, igual que l'\u00fas de formats anal\u00f2gics, concretament la pel\u00b7l\u00edcula de 16 mm. La materialitat de la pel\u00b7l\u00edcula de cel\u00b7luloide i els freq\u00fcents primers plans de mans emfatitzen el t\u00e0ctil, proposant una comparaci\u00f3 entre el treball de la cineasta i el dels investigadors amb els quals Rinland col\u00b7labora sovint.\r\n\r\nJessica Sarah Rinland ha rebut nombrosos premis, entre ells un Esment Especial en el Festival de Cinema de Locarno per Those That, at a Distance, Resemble Another (2019), i ha estat objecte de retrospectives en Anthology Film Archives, Doc\u2019s Kingdom, Curtocircuito, LSFF i Flaherty Film Seminar.\r\n\r\nCarlos V\u00e1squez M\u00e9ndez <\/strong>\u00e9s artista i investigador. Els mitjans que utilitza s\u00f3n el cinema i la fotografia des d'una perspectiva documental i experimental establint constants correspond\u00e8ncies entre la pr\u00e0ctica art\u00edstica, les ci\u00e8ncies socials, l'anal\u00f2gic i el digital. Els seus temes d'inter\u00e8s s\u00f3n la reescriptura hist\u00f2rica, l'estrat\u00e8gia documental, les representacions del real en l'art, el registre foto-f\u00edlmic com a producci\u00f3 d'arxiu i les t\u00e8cniques obsoletes com a discurs est\u00e8tic-pol\u00edtic. La seva base principal \u00e9s la ciutat de Barcelona i treballa sovint a Llatinoam\u00e8rica.\r\n\r\n \r\n\r\n
\r\n\r\nActividad coordinada per Catarina Botelho<\/a>, Carlos V\u00e1squez<\/a>, Marla Jacarilla<\/a>,\u00a0Valentina Alvarado Matos<\/a>\u00a0y\u00a0Elena Maravillas<\/a>.\r\n\r\n \r\n\r\n
\r\n\r\nSi tens alguna necessitat o pregunta en relaci\u00f3 a l'accessibilitat d'aquesta activitat, visita la nostra p\u00e0gina d\"acc\u00e9s a La Escocesa\" fent clic aqui<\/a>\r\n\r\n<\/div>\r\n<\/div>","desc_es":"
\r\n\r\nEl cineclub es un encuentro donde mensualmente presentaremos una cuidada selecci\u00f3n de pel\u00edculas. Cada sesi\u00f3n incluir\u00e1 la proyecci\u00f3n\u00a0y un\u00a0pica-pica vegetariano preparado\u00a0por una artista invitade, inspirada en la obra proyectada.\r\n\r\nEn la sesi\u00f3n de abril veremos las piezas\u00a0Puerta a puerta<\/em>, Querida Chick<\/em>, Sol de campinas<\/em> y Black Pond<\/em>\u00a0de Jessica Sarah Rinland.\r\n\r\n \r\n
Mi\u00e9rcoles 22 de abril<\/strong><\/h5>\r\n20h<\/strong>\r\n\r\nPuerta a puerta<\/strong><\/em> de Jessica Sarah Rinland y\u00a0Lu\u00eds Arn\u00edas | 10 minutos | 2022\r\nTransferencia digital de 16 mm\r\n\r\nUna caja de medidas sim\u00e9tricas se llena de aspirinas, melocotones en lata, juguetes, cereales, frijoles y ropa de segunda mano. El Sr. Mario, de Venus Service Express, la recoge en una puerta de Boston, EE. UU. La caja se acomoda entre otras como un tetris postal, que tras un largo recorrido llegar\u00e1 a Falc\u00f3n, Venezuela, a la puerta de la t\u00eda Maya.\r\n\r\n \r\n\r\nQuerida Chick<\/em><\/strong>\u00a0de Jessica Sarah Rinland | 7 minutos | 2021 | Mini DV, fotograf\u00edas de 35 mm\r\n\r\nUna pel\u00edcula para Chick Strand<\/em>. Encargada por el Festival Internacional de Cine Documental Punto de Vista y Garbi\u00f1e Ortega \u00abLAS CARTAS QUE NO FUERON TAMBI\u00c9N SON\/THE LETTERS THAT WEREN'T AND ALSO ARE\u00bb\r\n\r\n \r\n\r\nSol de campinas<\/em>\u00a0<\/strong>de Jessica Sarah Rinland | 26 minutos | 2021 | Transferencia digital de pel\u00edcula de 16 mm, animaci\u00f3n renderizada en 3D\r\n\r\nSol de campinas<\/em> sigue el trabajo de los arque\u00f3logos que, durante los \u00faltimos diez a\u00f1os, han estado excavando un anillo de mont\u00edculos que rodea una plaza central en un territorio conocido actualmente como el estado de Acre, en Brasil. Pasan del campo al laboratorio, interpretando c\u00f3mo se construy\u00f3 el terreno, qu\u00e9 patrones se emplearon en el uso del suelo para el asentamiento y la composici\u00f3n de la tierra antropog\u00e9nica que queda.\r\n\r\n \r\n\r\nBlack Pond<\/em>\u00a0<\/strong>de Jessica Sarah Rinland | 42 minutos | 2018 |\u00a0Transferencia digital de pel\u00edcula de 16 mm, fotogramas de pel\u00edcula de 35 mm, archivo\r\n\r\nBlack Pond<\/em> es una odisea a trav\u00e9s de un terreno comunal del sur de Inglaterra narrada a trav\u00e9s de los miembros de la Sociedad de Historia Natural que actualmente lo ocupan.\r\n\r\n \r\n\r\n21:30h<\/strong>\r\n\r\nPica-pica a cargo de\u00a0Carlos V\u00e1squez.\r\n\r\n \r\n

bios<\/strong><\/h4>\r\nJessica Sarah Rinland<\/strong> cineasta argentino-brit\u00e1nica que\u00a0propone un cine de la tactilidad. A trav\u00e9s de una observaci\u00f3n minuciosa del trabajo de archiveros, arque\u00f3logos, antrop\u00f3logos, naturalistas y otros profesionales, sus pel\u00edculas exploran la conservaci\u00f3n museol\u00f3gica y medioambiental como proceso creativo. La historia natural y la ciencia son temas recurrentes, al igual que el uso de formatos anal\u00f3gicos, concretamente la pel\u00edcula de 16 mm. La materialidad de la pel\u00edcula de celuloide y los frecuentes primeros planos de manos enfatizan lo t\u00e1ctil, proponiendo una comparaci\u00f3n entre el trabajo de la cineasta y el de los investigadores con los que Rinland colabora a menudo.\r\n\r\nJessica Sarah Rinland ha recibido numerosos premios, entre ellos una Menci\u00f3n Especial en el Festival de Cine de Locarno por Those That, at a Distance, Resemble Another (2019), y ha sido objeto de retrospectivas en Anthology Film Archives, Doc\u2019s Kingdom, Curtocircuito, LSFF y Flaherty Film Seminar.\r\n\r\nCarlos V\u00e1squez M\u00e9ndez<\/strong> es artista e investigador. Los medios que utiliza son el cine y la fotograf\u00eda desde una perspectiva documental y experimental estableciendo constantes correspondencias entre la pr\u00e1ctica art\u00edstica, las ciencias sociales, lo anal\u00f3gico y lo digital.\u00a0Sus temas de inter\u00e9s son la reescritura hist\u00f3rica, la estrategia documental, las representaciones de lo real en el arte, el registro foto-f\u00edlmico como producci\u00f3n de archivo y las t\u00e9cnicas obsoletas como discurso est\u00e9tico-pol\u00edtico. Su base principal es la ciudad de Barcelona y trabaja frecuentemente en Latinoam\u00e9rica.\r\n\r\n \r\n\r\n
\r\n\r\nActividad coordinada por Catarina Botelho<\/a>, Carlos V\u00e1squez<\/a>, Marla Jacarilla<\/a>,\u00a0Valentina Alvarado Matos<\/a>\u00a0y\u00a0Elena Maravillas<\/a>.\r\n\r\n \r\n\r\n
\r\n\r\nSi tienes alguna necesidad o pregunta en relaci\u00f3n a la accesibilidad de esta actividad, visita nuestra p\u00e1gina d\"acceso a La Escocesa\" haciendo clic aqui<\/a>\r\n\r\n<\/div>\r\n
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Fechas:\r\n
22 abril 2026 19:30 - 23:00<\/div>\r\n<\/div>\r\nActividad p\u00fablica y gratuita.<\/strong>\r\n\r\nPara asistir al cineclub, debes inscribirte mandando un mail a embresu@gmail.com<\/a><\/strong>\r\n\r\nPor favor, ya que hay aforo limitado, si finalmente no asistir\u00e1s a la sesi\u00f3n desinscr\u00edbete para que otras personas puedan asistir.\r\n\r\n<\/div>\r\n<\/div>","desc_en":"The film club is a monthly gathering where we will present a carefully curated selection of films. Each session will include a screening and vegetarian snacks prepared by a guest artist, inspired by the film being shown.\r\n\r\nAt the April session, we will watch Jessica Sarah Rinland\u2019s films Puerta a puerta<\/em>, Querida Chick<\/em>, Sol de campinas<\/em> and Black Pond<\/em>.\r\n\r\n \r\n
Wednesday, April 22<\/strong><\/h5>\r\n20h<\/strong>\r\n\r\nPuerta a puerta<\/strong><\/em> by Jessica Sarah Rinland & Lu\u00eds Arn\u00edas | 10 minutes | 2022 | 16 mm digital transfer\r\n\r\nA box of symmetrical dimensions is filled with aspirin, canned peaches, toys, cereal, beans, and secondhand clothing. Mr. Mario, from Venus Service Express, picks it up at a doorstep in Boston, USA. The box is stowed among others like a postal Tetris puzzle, and after a long journey, it will arrive in Falc\u00f3n, Venezuela, at Aunt Maya\u2019s doorstep.\r\n\r\n \r\n\r\nQuerida Chick<\/em><\/strong> by Jessica Sarah Rinland | 7 minutes | 2021 | Mini DV, 35mm photographs\r\n\r\nA film for Chick Strand<\/em>. Commissioned by the Encargada por el Festival Internacional de Cine Documental Punto de Vista and Garbi\u00f1e Ortega \u00abLAS CARTAS QUE NO FUERON TAMBI\u00c9N SON\/THE LETTERS THAT WEREN'T AND ALSO ARE\u00bb\r\n\r\n \r\n\r\nSol de campinas<\/em>\u00a0<\/strong>by Jessica Sarah Rinland | 26 minutes | 2021 | Digital transfer from 16mm film, 3D-rendered animation\r\n\r\nSol de campinas<\/em> follows the work of archaeologists who, over the past ten years, have been excavating a ring of mounds surrounding a central plaza in a region now known as the state of Acre, in Brazil. They move from the field to the laboratory, interpreting how the terrain was constructed, what patterns were employed in the use of the land for settlement, and the composition of the remaining anthropogenic soil.\r\n\r\n \r\n\r\nBlack Pond<\/em> <\/strong>by Jessica Sarah Rinland | 42 minutes | 2018 | Digital transfer from 16mm film, 35mm film stills, archive\r\n\r\nBlack Pond<\/em> is an odyssey through a common land in southern England, told through the eyes of the members of the Natural History Society who currently occupy it.\r\n\r\n \r\n\r\n21:30h<\/strong>\r\n\r\nSnacks & drinks by Carlos V\u00e1squez.\r\n\r\n \r\n

bios<\/strong><\/h4>\r\nJessica Sarah Rinland<\/strong> is an Argentine-British filmmaker who creates cinema centered on tactility. Through a meticulous observation of the work of archivists, archaeologists, anthropologists, naturalists, and other professionals, her films explore museum and environmental conservation as a creative process. Natural history and science are recurring themes, as is the use of analog formats, specifically 16mm film. The materiality of celluloid film and the frequent close-ups of hands emphasize the tactile, drawing a comparison between the filmmaker\u2019s work and that of the researchers with whom Rinland often collaborates.\r\n\r\nJessica Sarah Rinland has received numerous awards, including a Special Mention at the Locarno Film Festival for Those That, at a Distance, Resemble Another (2019), and has been the subject of retrospectives at Anthology Film Archives, Doc\u2019s Kingdom, Curtocircuito, LSFF, and the Flaherty Film Seminar.\r\n\r\nCarlos V\u00e1squez M\u00e9ndez<\/strong> is an artist and researcher. He works with film and photography from a documentary and experimental perspective, establishing constant connections between artistic practice, the social sciences, and the analog and digital realms. His areas of interest include historical rewriting, documentary strategy, representations of reality in art, the photo-film record as archival production, and obsolete techniques as an aesthetic-political discourse. He is based primarily in Barcelona and frequently works in Latin America.\r\n\r\n \r\n\r\n
\r\n\r\nActivity coordinated by Catarina Botelho<\/a>, Carlos V\u00e1squez<\/a>, Marla Jacarilla<\/a>,\u00a0Valentina Alvarado Matos<\/a> and Elena Maravillas<\/a>.\r\n\r\n \r\n\r\n
\r\n\r\nIf you have any needs or questions regarding the accessibility of this activity, please visit our page on \"access to La Escocesa\" by clicking here<\/a>.","event_category":219,"event_show_only_own_date":false,"_event_confirmed":true,"_event_public":true,"_event_free":true,"_event_price-min":"","_event_price-max":"","_event_web_ca":"https:\/\/laescocesa.org\/ca\/view\/cineclub\/3984","_event_web_es":"https:\/\/laescocesa.org\/es\/view\/cineclub\/3984","_event_web_en":"https:\/\/laescocesa.org\/en\/view\/cineclub\/3984","event_contact_email":"embresu@gmail.com","event_apply_email":"embresu@gmail.com","is_online_event":false,"is_art_nou_event":false,"is_bgw_event":false,"date_text":"","register_deadline":null,"altres_organitzadors":""},"abe_event_venue":"La Escocesa","abe_event_category":"Screening","start":"2026-04-22 19:30:00","end":"2026-04-22 23:00:00","schedule":"once","schedule_meta":"","frequency":1,"all_day":0,"until":"2026-04-22 19:30:00","include":[],"exclude":[],"_links":{"self":[{"href":"https:\/\/graf.cat\/en\/wp-json\/wp\/v2\/events\/56046","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/graf.cat\/en\/wp-json\/wp\/v2\/events"}],"about":[{"href":"https:\/\/graf.cat\/en\/wp-json\/wp\/v2\/types\/event"}],"author":[{"embeddable":true,"href":"https:\/\/graf.cat\/en\/wp-json\/wp\/v2\/users\/65"}],"occurrences":[{"embeddable":true,"href":"https:\/\/graf.cat\/en\/wp-json\/wp\/v2\/events\/56046\/occurrences"}],"acf:term":[{"embeddable":true,"taxonomy":"event-category","href":"https:\/\/graf.cat\/en\/wp-json\/wp\/v2\/event-category\/219"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/graf.cat\/en\/wp-json\/wp\/v2\/media\/56047"}],"wp:attachment":[{"href":"https:\/\/graf.cat\/en\/wp-json\/wp\/v2\/media?parent=56046"}],"wp:term":[{"taxonomy":"event-venue","embeddable":true,"href":"https:\/\/graf.cat\/en\/wp-json\/wp\/v2\/event-venues?post=56046"},{"taxonomy":"event-tag","embeddable":true,"href":"https:\/\/graf.cat\/en\/wp-json\/wp\/v2\/event-tags?post=56046"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}