{"id":57531,"guid":{"rendered":"https:\/\/graf.cat\/?post_type=event&#038;p=57531"},"modified":"2026-05-23T21:13:13","modified_gmt":"2026-05-23T19:13:13","slug":"two-things-can-be-true-salvita-de-corte","status":"publish","type":"event","link":"https:\/\/graf.cat\/en\/events\/event\/two-things-can-be-true-salvita-de-corte\/","title":{"rendered":"Two Things can be true. Salvita De Corte"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":206,"featured_media":57532,"template":"","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0},"event-venues":[887],"event-tags":[],"class_list":["post-57531","event","type-event","status-publish","has-post-thumbnail","hentry","event-venue-escat-gallery-sarria","event-category-exposicio"],"acf":{"title_ca":"Two Things can be true. Salvita De Corte","title_es":"Two Things can be true. Salvita De Corte","title_en":"Two Things can be true. Salvita De Corte","desc_ca":"Nascuda en un entorn creatiu, de Corte va cr\u00e9ixer envoltada de la pintura com una pres\u00e8ncia quotidiana m\u00e9s que com una disciplina externa. Tots dos progenitors eren artistes, i l\u2019estudi no era nom\u00e9s un espai de treball, sin\u00f3 tamb\u00e9 un entorn compartit. En aquest ambient, la pintura es va experimentar per primera vegada com una cosa \u00edntima i cont\u00ednua. La mort del seu pare va marcar una ruptura decisiva en aquesta continu\u00eftat. Despr\u00e9s de la seva mort, de Corte va heretar el seu estudi juntament amb els pinzells i els llen\u00e7os en blanc; va ser llavors quan la seva pr\u00f2pia pr\u00e0ctica va comen\u00e7ar a prendre forma. La pintura va sorgir no com una decisi\u00f3 planificada, sin\u00f3 com un acte de resposta.\r\n\r\nA <em>Two things can be true<\/em>, l\u2019artista indon\u00e8sia continua explorant la naturalesa inestable de la pres\u00e8ncia: com alguna cosa pot sentir-se alhora propera i distant, sostinguda i dissolent-se al mateix temps. Les figures apareixen i es desdibuixen sobre la superf\u00edcie del llen\u00e7 de cot\u00f3 cru amb acr\u00edlic i pigments naturals, mantenint una superf\u00edcie que roman deliberadament porosa. Es permet que la pintura s\u2019infiltri, taqui i es dipositi gradualment, produint imatges que semblen emergir en lloc de ser constru\u00efdes. Aquest proc\u00e9s reflecteix una comprensi\u00f3 m\u00e9s \u00e0mplia de l\u2019experi\u00e8ncia com una cosa que s\u2019acumula en capes, mai del tot resolta, per\u00f2 constantment reconfigurada amb el temps.\r\n\r\nA trav\u00e9s de les obres, la identitat es desplega de forma relacional i les figures apareixen entrella\u00e7ades o subtilment duplicades, sorgides d\u2019experi\u00e8ncies viscudes. En moure\u2019s entre formes individuals i dobles, les pintures suggereixen tant l\u2019a\u00efllament com la pres\u00e8ncia de m\u00faltiples jo, personals i heretats, continguts dins d\u2019un mateix cos. Cada imatge cont\u00e9 un estat en transici\u00f3, definit a trav\u00e9s de la connexi\u00f3 i la redefinici\u00f3 cont\u00ednua. El que resta \u00e9s una pres\u00e8ncia que es resisteix a establir-se.","desc_es":"Nacida en un entorno creativo, de Corte creci\u00f3 rodeada de la pintura como una presencia cotidiana m\u00e1s que como una disciplina externa. Ambos de sus padres eran artistas, y el estudio no era solo un espacio de trabajo, sino tambi\u00e9n un entorno compartido. En este ambiente, la pintura se experiment\u00f3 por primera vez como algo \u00edntimo y continuo. La muerte de su padre marc\u00f3 una ruptura decisiva en esta continuidad. Tras su fallecimiento, de Corte hered\u00f3 su estudio junto con los pinceles y los lienzos en blanco; fue entonces cuando su propia pr\u00e1ctica comenz\u00f3 a tomar forma. La pintura surgi\u00f3 no como una decisi\u00f3n planificada, sino como un acto de respuesta.\r\n\r\nEn <em>Two things can be true<\/em>, la artista indonesia contin\u00faa explorando la naturaleza inestable de la presencia: c\u00f3mo algo puede sentirse a la vez cercano y distante, sostenido y disolvi\u00e9ndose al mismo tiempo. Las figuras aparecen y se desvanecen sobre la superficie del lienzo de algod\u00f3n crudo con acr\u00edlico y pigmentos naturales, manteniendo una superficie que permanece deliberadamente porosa. Se permite que la pintura se filtre, manche y se asiente gradualmente, produciendo im\u00e1genes que parecen emerger en lugar de ser construidas. Este proceso refleja una comprensi\u00f3n m\u00e1s amplia de la experiencia como algo que se acumula en capas, nunca completamente resuelto, pero constantemente reconfigurado con el tiempo.\r\n\r\nA trav\u00e9s de las obras, la identidad se despliega\u00a0 de forma relacional y las figuras aparecen entrelazadas o sutilmente duplicadas, surgidas de experiencias vividas. Al moverse entre formas individuales y dobles, las pinturas sugieren tanto el aislamiento como la presencia de m\u00faltiples yoes, personales y heredados, contenidos dentro de un mismo cuerpo. Cada imagen contiene un estado en transici\u00f3n, definido a trav\u00e9s de la conexi\u00f3n y la redefinici\u00f3n continua. Lo que permanece es una presencia que se resiste a asentarse.","desc_en":"Born into a creative household, de Corte grew up surrounded by painting as a daily presence rather than an external discipline. Both her parents were artists, and the studio was not only a workspace but a shared environment. Within this atmosphere, painting was first experienced as something intimate and continuous. The passing of her father marked a decisive rupture in this continuity. In the aftermath of his death, de Corte inherited his studio alongside the brushes and blank canvases, that\u2019s when her own practice began to take form. Painting emerged not as a planned decision, but as an act of response.\r\n\r\nIn <em>Two things can be true<\/em>, the Indonesian artist continues to explore the unstable nature of presence: how something can feel both close and distant, held and dissolving at the same time. Figures appear and fade across the surface of the raw cotton canvas with acrylic and natural pigments, maintaining a surface that remains deliberately porous. The paint is allowed to seep, stain, and settle gradually, producing images that seem to emerge rather than be constructed. This process reflects a broader understanding of experience as something that accumulates in layers, never fully resolved, but constantly reconfigured over time.\r\n\r\nAcross the artworks, identity unfolds as relational and the figures appear intertwined or subtly doubled, drawn from lived encounters. Moving between singular and doubled forms, the paintings suggest both isolation and the presence of multiple selves, personal and inherited, held within one body. Each image holds a state in transition, defined through connection and continuous redefinition. What remains is a presence that resists settling.","event_category":103,"event_show_only_own_date":true,"_event_confirmed":true,"_event_public":true,"_event_free":true,"_event_price-min":"","_event_price-max":"","_event_web_ca":"https:\/\/www.escatgallery.com\/exhibitions","_event_web_es":"https:\/\/www.escatgallery.com\/exhibitions","_event_web_en":"https:\/\/www.escatgallery.com\/exhibitions","event_contact_email":"","event_apply_email":"","is_online_event":false,"is_art_nou_event":false,"is_bgw_event":false,"date_text":"","register_deadline":null,"altres_organitzadors":""},"abe_event_venue":"Escat Gallery Sarri\u00e0","abe_event_category":"Exposici\u00f3","start":"2026-05-28 00:00:00","end":"2026-08-29 23:59:00","schedule":"once","schedule_meta":"","frequency":1,"all_day":1,"until":"2026-05-28 00:00:00","include":[],"exclude":[],"_links":{"self":[{"href":"https:\/\/graf.cat\/en\/wp-json\/wp\/v2\/events\/57531","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/graf.cat\/en\/wp-json\/wp\/v2\/events"}],"about":[{"href":"https:\/\/graf.cat\/en\/wp-json\/wp\/v2\/types\/event"}],"author":[{"embeddable":true,"href":"https:\/\/graf.cat\/en\/wp-json\/wp\/v2\/users\/206"}],"occurrences":[{"embeddable":true,"href":"https:\/\/graf.cat\/en\/wp-json\/wp\/v2\/events\/57531\/occurrences"}],"acf:term":[{"embeddable":true,"taxonomy":"event-category","href":"https:\/\/graf.cat\/en\/wp-json\/wp\/v2\/event-category\/103"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/graf.cat\/en\/wp-json\/wp\/v2\/media\/57532"}],"wp:attachment":[{"href":"https:\/\/graf.cat\/en\/wp-json\/wp\/v2\/media?parent=57531"}],"wp:term":[{"taxonomy":"event-venue","embeddable":true,"href":"https:\/\/graf.cat\/en\/wp-json\/wp\/v2\/event-venues?post=57531"},{"taxonomy":"event-tag","embeddable":true,"href":"https:\/\/graf.cat\/en\/wp-json\/wp\/v2\/event-tags?post=57531"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}