{"id":52153,"date":"2025-10-29T01:47:39","date_gmt":"2025-10-28T23:47:39","guid":{"rendered":"https:\/\/graf.cat\/?p=52153"},"modified":"2025-10-29T02:41:21","modified_gmt":"2025-10-29T00:41:21","slug":"sara-manubens-on-symphony-of-the-seas-a-translation-of-what-happens-to-us-in-life","status":"publish","type":"post","link":"https:\/\/graf.cat\/en\/sara-manubens-on-symphony-of-the-seas-a-translation-of-what-happens-to-us-in-life\/","title":{"rendered":"Sara Manubens on Symphony of the Seas, a translation of what happens to us in life."},"content":{"rendered":"

Symphony of the Seas<\/em>, inspired by the name of a luxury cruise ship, is the alter ego of the transvestite performance that Sara Manubens brings to the stage, both in theatre and in everyday life, in a perpetual dialogue between the public and the intimate. This proposal is part of a broader investigation into the different aspects of transvestism applied to performance, in which wigs, high heels and parody are the common thread running through everything else.<\/p>\n

In this Apropos, the third in a series of three, we have been talking with three creators from the Hacer historia(s)VI Festival<\/em><\/a> organised by La Poderosa<\/a> at the Mercat de les flors. On 2 November, Symphony of the Seas<\/em> will be presented, in which Sara Manubens offers us an interpretation of the systemic violence that drag queens experience in public spaces and its relationship with privacy.<\/p>\n

\"\"<\/h6>\n

LINK TO THE FULL INTERVIEW IN CATALAN<\/a><\/p>\n

______
\nAPROPOS<\/a> is content created in response to something happening in our artistic context. On this occasion, in collaboration with Mercat de les flors, we present a trilogy of interviews related to Hacer historia(s) VI<\/em> <\/a>cycle organised by La Poderosa<\/a>.<\/p>\n

Photographs: Alessia Bombacci y Albert Uriach<\/p>\n","protected":false},"excerpt":{"rendered":"

A Symphony of the Seas I translated the systemic violence we experience in public spaces and its relationship with privacy.<\/p>\n","protected":false},"author":95,"featured_media":55492,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[550],"class_list":["post-52153","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-apropos-en"],"acf":[],"_links":{"self":[{"href":"https:\/\/graf.cat\/en\/wp-json\/wp\/v2\/posts\/52153","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/graf.cat\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/graf.cat\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/graf.cat\/en\/wp-json\/wp\/v2\/users\/95"}],"replies":[{"embeddable":true,"href":"https:\/\/graf.cat\/en\/wp-json\/wp\/v2\/comments?post=52153"}],"version-history":[{"count":5,"href":"https:\/\/graf.cat\/en\/wp-json\/wp\/v2\/posts\/52153\/revisions"}],"predecessor-version":[{"id":52217,"href":"https:\/\/graf.cat\/en\/wp-json\/wp\/v2\/posts\/52153\/revisions\/52217"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/graf.cat\/en\/wp-json\/wp\/v2\/media\/55492"}],"wp:attachment":[{"href":"https:\/\/graf.cat\/en\/wp-json\/wp\/v2\/media?parent=52153"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/graf.cat\/en\/wp-json\/wp\/v2\/categories?post=52153"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}