{"id":34591,"guid":{"rendered":"https:\/\/graf.cat\/?post_type=event&p=34591"},"modified":"2023-11-16T14:56:14","modified_gmt":"2023-11-16T12:56:14","slug":"whats-past-is-not-prologue-shirin-salehi","status":"publish","type":"event","link":"https:\/\/graf.cat\/es\/events\/event\/whats-past-is-not-prologue-shirin-salehi\/","title":{"rendered":"What’s past is (not) prologue. Shirin Salehi"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":84,"featured_media":34592,"template":"","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0},"event-venues":[684],"event-tags":[],"class_list":["post-34591","event","type-event","status-publish","has-post-thumbnail","hentry","event-venue-fuga-gallery","event-category-exposicio"],"acf":{"title_ca":"What's past is (not) prologue. Shirin Salehi","title_es":"What's past is (not) prologue. Shirin Salehi","title_en":"What's past is (not) prologue. Shirin Salehi","desc_ca":"Per mitj\u00e0 d'una pe\u00e7a autobiogr\u00e0fica l'autora explora la po\u00e8tica de la imatge oculta en una espai de tensi\u00f3 que debat el desig de recordar front el desig a l'oblit en relaci\u00f3 als esdeveniements pol\u00edtics del seu pa\u00eds d'origen, Iran. Amb un llenguatge extremadament auster i amb un video acompanyat de dibuixos, l'autora porta les imatges als seus limits, questionant all\u00f2 exposat amb all\u00f2 ocult. Tant en les dibuixos esborrats com en el video-testimoni sobre les fotografies familiars no exposades, el dens buit es tradueix en una materia d'alta c\u00e0rrega simb\u00f2lica.","desc_es":"Por medio de una pieza autobiogr\u00e1fica la autora explora la po\u00e9tica de la imagen oculta \u2013ocultada\u2013 en un espacio de tensi\u00f3n que debate el deseo de recordar frente al derecho al olvido en relaci\u00f3n a los acontecimientos pol\u00edticos de su pa\u00eds de origen, Ir\u00e1n. Con un lenguaje extremadamente austero, en un v\u00eddeo acompa\u00f1ado de dibujos, la autora lleva la imagen a sus l\u00edmites, interrog\u00e1ndola entre lo expuesto y lo que se oculta. Tanto en los dibujos borrados, como en el videotestimonio sobre las fotograf\u00edas familiares no expuestas, el denso vac\u00edo se traduce en una materia de alta carga simb\u00f3lica.","desc_en":"

Through an autobiographical piece, the author explores the poetics of the hidden image in a space of tension that debates the desire to remember as opposed to the right to forget, in relation to the political events of her country of birth, Iran. With an extremely austere language, in a video accompanied by drawings, the author pushes the image to its limits, questioning it between what is exposed and what is hidden. Both in the erased drawings and in the video testimony on the unexposed family photographs, the dense emptiness is translated into a highly symbolic matter.<\/p>\r\n\r\n

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