{"id":45852,"guid":{"rendered":"https:\/\/graf.cat\/?post_type=event&#038;p=45852"},"modified":"2025-03-01T19:04:39","modified_gmt":"2025-03-01T17:04:39","slug":"els-exilis-invisibles","status":"publish","type":"event","link":"https:\/\/graf.cat\/es\/events\/event\/els-exilis-invisibles\/","title":{"rendered":"Els exilis (in)visibles"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":8,"featured_media":45853,"template":"","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0},"event-venues":[734],"event-tags":[],"class_list":["post-45852","event","type-event","status-publish","has-post-thumbnail","hentry","event-venue-museu-tapies","event-category-altres"],"acf":{"title_ca":"Els exilis (in)visibles","title_es":"Los exilios (in)visibles","title_en":"The (In)visible Exiles","desc_ca":"L\u2019exili \u00e9s una realitat molt dif\u00edcil de visibilitzar, ja que \u00e9s, abans que res, una experi\u00e8ncia de desarrelament interior. Tanmateix, les artistes, entre elles les cineastes que es van exiliar, van intentar una vegada i una altra posar en escena la seva ferida.\r\n\r\nLa productora i directora de cinema T\u00e0nia Ball\u00f3 i el cineasta, te\u00f2ric i divulgador de cinema Luis E. Par\u00e9s ens proposen un cicle de cinema, vinculat a la mostra\u00a0<em>Marta Palau. Els meus camins s\u00f3n terrestres<\/em>, amb la voluntat de presentar tres aproximacions diferents a aquesta ferida i a la manera d\u2019encarnar-la. Aix\u00ed doncs, per mitj\u00e0 de projeccions, di\u00e0legs i confer\u00e8ncies generarem un espai de debat i reflexi\u00f3 sobre aquestes obres i sobre d\u2019altres, m\u00e9s contempor\u00e0nies, que han perm\u00e8s redescobrir avui aquestes creacions i les seves autores.\r\n\r\n<strong>\u00a0<\/strong>\r\n\r\n<strong>T\u00e0nia Ball\u00f3 Colell<\/strong>\u00a0\u00e9s cineasta, escriptora, divulgadora i investigadora cultural. \u00c9s l\u2019art\u00edfex i directora del projecte\u00a0<em>Las Sinsombrero<\/em>\u00a0(2014-actualitat) i de\u00a0<em>Las An\u00f3nimas. Obras sin relato en las colecciones de arte moderno de los museos espa\u00f1oles<\/em>\u00a0(Beca Leonardo a Investigadors i Creadors Culturals, Fundaci\u00f3n BBVA, 2023). Com a cineasta destaquen els seus films\u00a0<em>El Museo Invisible\u00a0<\/em>(2023) i la trilogia documental\u00a0<em>Las Sinsombrero<\/em>\u00a0(2015-2021). \u00c9s autora de la trilogia\u00a0<em>Las Sinsombrero<\/em>\u00a0(2016, 2018, 2022), de\u00a0<em>Querido Diario: hoy ha empezado la guerra\u00a0<\/em>(2017) i de\u00a0<em>Les Combatents. La hist\u00f2ria oblidada de les milicianes antifeixistes<\/em>\u00a0(2021). Ha estat comiss\u00e0ria de les exposicions\u00a0<em>Jorge Sempr\u00fan. El largo viaje<\/em>\u00a0(2024-2025),\u00a0<em>Las Sinsombrero<\/em>\u00a0(2022) i\u00a0<em>No Pasar\u00e1n. 16 d\u00edas Madrid 1936<\/em>, (2018).\r\n\r\n&nbsp;\r\n\r\n<strong>Luis E. Par\u00e9s<\/strong>\u00a0\u00e9s doctor en Comunicaci\u00f3 per la Universitat Pompeu Fabra i director art\u00edstic de Cineteca Matadero Madrid. Ha treballat al Departament de Programaci\u00f3 de la Filmoteca Espa\u00f1ola, al Consell de Redacci\u00f3 de\u00a0<em>Caim\u00e1n CDC\u00a0<\/em>i al comit\u00e8 de programaci\u00f3 del Festival de Cinema de Sevilla, i va ser coordinador del programa de RTVE\u00a0<em>Historia de nuestro cine<\/em>. Ha publicat els llibres\u00a0<em>Notes sur l\u2019\u00e9migration-Espagne 1960. Apunts per a una pel\u00b7l\u00edcula invisible<\/em>\u00a0(2011) i\u00a0<em>Filmar el exilio desde Francia<\/em>\u00a0(2012). Ha realitzat els curtmetratges\u00a0<em>Los conspiradores<\/em>\u00a0(2021) i\u00a0<em>El espectro pol\u00edtico<\/em>\u00a0(2023), aix\u00ed com el llargmetratge\u00a0<em>La primera mirada<\/em>\u00a0(2023).\r\n\r\n<strong>\u00a0<\/strong>\r\n\r\n<strong>Programaci\u00f3 prevista<\/strong>\r\n\r\n04.3.25\u00a0<a href=\"https:\/\/museutapies.org\/event\/filmar-reivindicar-les-memories-exiliades\/\">Filmar\/reivindicar les mem\u00f2ries exiliades<\/a>. Amb T\u00e0nia Ball\u00f3 i Meritxell Colell\r\n\r\n22.4.25\u00a0<a href=\"https:\/\/museutapies.org\/event\/lexili-com-a-motiu-visual\/\">L\u2019exili com a motiu visual<\/a>. Amb una confer\u00e8ncia de Luis E. Par\u00e9s\r\n\r\n20.5.25\u00a0<a href=\"https:\/\/museutapies.org\/event\/una-nova-humanitat\/\">Una nova humanitat.<\/a>\u00a0Amb T\u00e0nia Ball\u00f3, Lu\u00eds E. Par\u00e9s i Maria Cam\u00ed-Vela\r\n\r\n&nbsp;","desc_es":"El exilio es una realidad muy dif\u00edcil de visibilizar, ya que, ante todo, se trata de una experiencia de desarraigo interior. Sin embargo, las artistas, entre ellas las cineastas que se exiliaron, intentaron una y otra vez poner en escena su herida.\r\n\r\nLa productora y directora de cine T\u00e0nia Ball\u00f3 y el cineasta, te\u00f3rico y divulgador de cine Luis E. Par\u00e9s nos proponen un ciclo de cine, vinculado a la muestra\u00a0<em>Marta Palau. Mis caminos son terrestres<\/em>, con la voluntad de presentar tres aproximaciones diferentes a esta herida y a la manera de encarnarla. As\u00ed pues, mediante proyecciones, di\u00e1logos y conferencias generaremos un espacio de debate y reflexi\u00f3n sobre estas obras y otras, m\u00e1s contempor\u00e1neas, que han permitido redescubrir hoy estas creaciones y a sus autoras.\r\n\r\n<strong>\u00a0<\/strong>\r\n\r\n<strong>T\u00e0nia Ball\u00f3 Colell<\/strong>\u00a0es cineasta, escritora, divulgadora e investigadora cultural. Es la art\u00edfice y directora del proyecto\u00a0<em>Las Sinsombrero<\/em>\u00a0(2014-actualitat) y de\u00a0<em>Las An\u00f3nimas. Obras sin relato en las colecciones de arte moderno de los museos espa\u00f1oles<\/em>\u00a0(Beca Leonardo a Investigadores y Creadores Culturales, Fundaci\u00f3n BBVA, 2023). Como cineasta destacan sus films\u00a0<em>El Museo Invisible\u00a0<\/em>(2023) y la trilog\u00eda documental\u00a0<em>Las Sinsombrero<\/em>\u00a0(2015-2021). Es autora de la trilog\u00eda\u00a0<em>Las Sinsombrero<\/em>\u00a0(2016, 2018, 2022), de\u00a0<em>Querido Diario: hoy ha empezado la guerra\u00a0<\/em>(2017) y de\u00a0<em>Les Combatents. La hist\u00f2ria oblidada de les milicianes antifeixistes<\/em>\u00a0(2021). Ha sido comisaria de las exposiciones\u00a0<em>Jorge Sempr\u00fan. El largo viaje<\/em>\u00a0(2024-2025),\u00a0<em>Las Sinsombrero<\/em>\u00a0(2022) y\u00a0<em>No Pasar\u00e1n. 16 d\u00edas Madrid 1936<\/em>, (2018).\r\n\r\n&nbsp;\r\n\r\n<strong>Luis E. Par\u00e9s<\/strong>\u00a0es doctor en Comunicaci\u00f3n por la Universidad Pompeu Fabra y director art\u00edstico de Cineteca Matadero Madrid. Ha trabajado en el Departamento de Programaci\u00f3n de la Filmoteca Espa\u00f1ola, en el Consejo de Redacci\u00f3n de\u00a0<em>Caim\u00e1n CDC<\/em>\u00a0y en el comit\u00e9 de programaci\u00f3n del Festival de Cine de Sevilla, y fue coordinador del programa de RTVE\u00a0<em>Historia de nuestro cine<\/em>. Ha publicado los libros\u00a0<em>Notes sur l\u2019\u00e9migration-Espagne 1960. Apunts per a una pel\u00b7l\u00edcula invisible<\/em>\u00a0(2011) y\u00a0<em>Filmar el exilio desde Francia<\/em>\u00a0(2012). Ha realizado los cortometrajes\u00a0<em>Los conspiradores<\/em>\u00a0(2021) y\u00a0<em>El espectro pol\u00edtico<\/em>\u00a0(2023), as\u00ed como el largometraje\u00a0<em>La primera mirada<\/em>\u00a0(2023).\r\n\r\n<strong>\u00a0<\/strong>\r\n\r\n<strong>Programa previsto<\/strong>\r\n\r\n04.3.25\u00a0<a href=\"https:\/\/museutapies.org\/es\/event\/filmar-reivindicar-las-memorias-exiliadas\/\">Filmar\/reivindicar las memorias exiliadas.<\/a>\u00a0Con T\u00e0nia Ball\u00f3 y Meritxell Colell\r\n\r\n22.4.25\u00a0<a href=\"https:\/\/museutapies.org\/es\/event\/el-exilio-como-motivo-visual\/\">El exilio como motivo visual<\/a>. Con una conferencia de Luis E. Par\u00e9s\r\n\r\n20.5.25\u00a0<a href=\"https:\/\/museutapies.org\/es\/event\/una-nueva-humanidad\/\">Una nueva humanidad<\/a>. Con T\u00e0nia Ball\u00f3, Lu\u00eds E. Par\u00e9s y Maria Cam\u00ed-Vela\r\n\r\n&nbsp;","desc_en":"Exile is a reality that is very difficult to make visible, since it is, above all, an experience of internal uprooting. Nevertheless, women artists, among them the filmmakers who went into exile, tried time and again to stage and represent their woundedness.\r\n\r\nFilm producer and director T\u00e0nia Ball\u00f3 and filmmaker, theorist and film promoter Luis E. Par\u00e9s programme a film series linked to the exhibition\u00a0<em>Marta Palau: My Paths are Earthly<\/em>, with the aim of presenting three different approaches to this wound and the way it is incarnated. Thus, through screenings, talks and conferences, we will generate a space for debate and reflection on these films and on other, more contemporary ones, which have allowed us to rediscover these works and their authors in the present day.\r\n\r\n<strong>\u00a0<\/strong>\r\n\r\n<strong>T\u00e0nia Ball\u00f3 Colell<\/strong>\u00a0is a filmmaker, writer, cultural promoter and researcher. She is the creator and director of the project\u00a0<em>Las Sinsombrero<\/em>\u00a0(2014\u2013present) and\u00a0<em>Las An\u00f3nimas.\u00a0<\/em><em>Obras sin relato en las colecciones de arte moderno de los museos espa\u00f1oles<\/em>\u00a0(Leonardo Grant for Researchers and Cultural Creators, Fundaci\u00f3n BBVA, 2023). As a filmmaker, her films\u00a0<em>El Museo Invisible<\/em>\u00a0(2023) and the documentary trilogy\u00a0<em>Las Sinsombrero<\/em>\u00a0(2015\u20132021) stand out. She is the author of the\u00a0<em>Las Sinsombrero<\/em>\u00a0trilogy (2016, 2018, 2022), of\u00a0<em>Querido Diario: hoy ha empezado la guerra<\/em>\u00a0(2017) and of\u00a0<em>Les Combatents.\u00a0<\/em><em>La hist\u00f2ria oblidada de les milicianes antifeixistes<\/em>\u00a0(2021). She is also curator of the exhibitions\u00a0<em>Jorge Sempr\u00fan. El largo viaje<\/em>\u00a0(2024\u20132025),\u00a0<em>Las Sinsombrero<\/em>\u00a0(2022) and\u00a0<em>No Pasar\u00e1n.\u00a0<\/em><em>16 d\u00edas Madrid 1936<\/em>\u00a0(2018).\r\n\r\n&nbsp;\r\n\r\n<strong>Lu\u00eds E. Par\u00e9s<\/strong>\u00a0holds a PhD in Communication from the Pompeu Fabra University and is artistic director of Cineteca Matadero Madrid. He has worked as part of the programming department of the Filmoteca Espa\u00f1ola, the editorial board of\u00a0<em>Caim\u00e1n CDC<\/em>\u00a0and the programming committee of the Sevilla Film Festival, and was coordinator of the RTVE programme\u00a0<em>Historia de nuestro cine<\/em>. He has published the books\u00a0<em>Notes sur l\u2019\u00e9migration-Espagne 1960.\u00a0<\/em><em>Apunts per a una pel\u00b7l\u00edcula invisible<\/em>\u00a0(2011) and\u00a0<em>Filmar el exilio desde Francia<\/em>\u00a0(2012). He has directed the short films\u00a0<em>Los conspiradores<\/em>\u00a0(2021) and\u00a0<em>El espectro pol\u00edtico<\/em>\u00a0(2023), as well as the feature film\u00a0<em>La primera mirada<\/em>\u00a0(2023).\r\n\r\n<strong>\u00a0<\/strong>\r\n\r\n<strong>Programme<\/strong>\r\n\r\n4.March 25\r\n\r\n22 April 25\r\n\r\n20 May 25","event_category":191,"event_show_only_own_date":true,"_event_confirmed":true,"_event_public":true,"_event_free":false,"_event_price-min":0,"_event_price-max":8,"_event_web_ca":"https:\/\/museutapies.org\/event\/els-exilis-invisibles\/","_event_web_es":"https:\/\/museutapies.org\/es\/event\/los-exilios-invisibles\/","_event_web_en":"https:\/\/museutapies.org\/en\/event\/the-invisible-exiles\/","event_contact_email":"","event_apply_email":"","is_online_event":false,"is_art_nou_event":false,"is_bgw_event":false,"date_text":"","register_deadline":null,"altres_organitzadors":""},"abe_event_venue":"Museu T\u00e0pies","abe_event_category":"Altres","start":"2025-03-04 18:00:00","end":"2025-04-22 20:00:00","schedule":"once","schedule_meta":"","frequency":1,"all_day":0,"until":"2025-03-04 18:00:00","include":[],"exclude":[],"_links":{"self":[{"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/events\/45852","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/events"}],"about":[{"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/types\/event"}],"author":[{"embeddable":true,"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/users\/8"}],"occurrences":[{"embeddable":true,"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/events\/45852\/occurrences"}],"acf:term":[{"embeddable":true,"taxonomy":"event-category","href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/event-category\/191"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/media\/45853"}],"wp:attachment":[{"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/media?parent=45852"}],"wp:term":[{"taxonomy":"event-venue","embeddable":true,"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/event-venues?post=45852"},{"taxonomy":"event-tag","embeddable":true,"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/event-tags?post=45852"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}