{"id":46229,"guid":{"rendered":"https:\/\/graf.cat\/?post_type=event&#038;p=46229"},"modified":"2025-03-18T13:13:05","modified_gmt":"2025-03-18T11:13:05","slug":"inauguracio-de-lexposicio-sense-sortida","status":"publish","type":"event","link":"https:\/\/graf.cat\/es\/events\/event\/inauguracio-de-lexposicio-sense-sortida\/","title":{"rendered":"Inauguraci\u00f3 de l&#8217;exposici\u00f3 \u00abSense sortida\u00bb"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":160,"featured_media":46230,"template":"","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0},"event-venues":[],"event-tags":[],"class_list":["post-46229","event","type-event","status-publish","has-post-thumbnail","hentry","event-category-exposicio"],"acf":{"title_ca":"Inauguraci\u00f3 de l'exposici\u00f3 \"Sense sortida\"","title_es":"Inauguraci\u00f3n de la exposici\u00f3n \"Sense sortida\"","title_en":"Opening of the exhibition No Exit","desc_ca":"<em>Sense sortida. L\u2019embat de les economies depredadores\u00a0<\/em>\u00e9s el resultat d\u2019una investigaci\u00f3 sobre les viol\u00e8ncies actuals i la seva representaci\u00f3. Revisa el comprom\u00eds de les imatges amb els fets i analitza algunes estrat\u00e8gies emprades per artistes i fot\u00f2grafs per fer visibles aquestes viol\u00e8ncies i fer reaccionar els receptors.\r\n\r\nEl punt de partida \u00e9s el concepte de necropol\u00edtica desenvolupat pel pensador camerun\u00e8s Achile Mbembe, que ha estudiat les formes que adopten les viol\u00e8ncies extremes en els nostres temps a trav\u00e9s dels sistemes pol\u00edtics i burocr\u00e0tics que gestionen la mort de les persones com un actiu, i decideixen qui ha de morir. Les descriu com formes de viol\u00e8ncia que tenen per objectiu les massacres de civils i l\u2019explotaci\u00f3 prim\u00e0ria de coses; com l\u2019embat del capitalisme neoliberal que actua a trav\u00e9s de les ordres dels mercats, els quals operen destruint el planeta i els seus habitants, comen\u00e7ant per les persones excloses.\r\n\r\nSi a mitjan segle XX l\u2019Holocaust va suposar una crisi de representaci\u00f3 per a la fotografia i el cinema, que van haver de revisar la seva relaci\u00f3 amb la hist\u00f2ria i la seva funci\u00f3 com a mem\u00f2ria, avui, arran de les viol\u00e8ncies del segle XXI, artistes i fot\u00f2grafs busquen estrat\u00e8gies per connectar amb l\u2019espectador i mantenir una mirada cr\u00edtica sobre els fets que els impliqui i no els faci retirar la mirada.\r\n\r\nLa mostra inclou el documental experimental <em>Insurgent Flows. Trans*Decolonial and Black Marxist Futures<\/em>, de Marina Gr\u017eini\u0107 i Tja\u0161a Kancler, aix\u00ed com els treballs <em>Virus<\/em> (2020), d\u2019Antoine d\u2019Agata; <em>Mar de luto<\/em> (2022), d\u2019Anna Surinyach, <em>Our Bodies Have Turned to Gold<\/em> (2018), de Kristiina Koskentola; <em>Affannosa lotta per strappare alla morte<\/em> (2022), d\u2019Al\u00e1n Carrasco i <em>One in three women<\/em> (2022), de Nieves Mingueza.\r\n\r\n<strong>Dates de l\u2019exposici\u00f3: 10 d\u2019abril - 8 de juny\u00a0<\/strong>\r\n\r\n<strong>A cura de Merc\u00e8 Alsina.<\/strong>\r\n\r\n<strong>Amb la participaci\u00f3 de: <\/strong>Al\u00e1n Carrasco, Antoine d\u2019Agata, Nieves Mingueza, Anna Surinyach, Kristiina Koskentola, Marina Gr\u017eini\u0107 i Tja\u0161a Kancler.","desc_es":"<p data-start=\"25\" data-end=\"360\"><em>Sin salida. El embate de las econom\u00edas depredadoras<\/em> es el resultado de una investigaci\u00f3n sobre las violencias actuales y su representaci\u00f3n. Revisa el compromiso de las im\u00e1genes con los hechos y analiza algunas estrategias empleadas por artistas y fot\u00f3grafos para hacer visibles estas violencias y hacer reaccionar a los receptores.<\/p>\r\n<p data-start=\"362\" data-end=\"1002\">El punto de partida es el concepto de necropol\u00edtica desarrollado por el pensador camerun\u00e9s Achille Mbembe, quien ha estudiado las formas que adoptan las violencias extremas en nuestros tiempos a trav\u00e9s de los sistemas pol\u00edticos y burocr\u00e1ticos que gestionan la muerte de las personas como un activo, y deciden qui\u00e9n debe morir. Las describe como formas de violencia que tienen como objetivo las masacres de civiles y la explotaci\u00f3n primaria de cosas; como el embate del capitalismo neoliberal que act\u00faa a trav\u00e9s de las \u00f3rdenes de los mercados, los cuales operan destruyendo el planeta y sus habitantes, comenzando por las personas excluidas.<\/p>\r\n<p data-start=\"1004\" data-end=\"1404\">Si a mediados del siglo XX el Holocausto supuso una crisis de representaci\u00f3n para la fotograf\u00eda y el cine, que tuvieron que revisar su relaci\u00f3n con la historia y su funci\u00f3n como memoria, hoy, a ra\u00edz de las violencias del siglo XXI, artistas y fot\u00f3grafos buscan estrategias para conectar con el espectador y mantener una mirada cr\u00edtica sobre los hechos que los implique y no los haga apartar la vista.<\/p>\r\n<p data-start=\"1406\" data-end=\"1833\">La muestra incluye el documental experimental <em data-start=\"1452\" data-end=\"1476\">Insurgent Flows. Trans<\/em>Decolonial and Black Marxist Futures*, de Marina Gr\u017eini\u0107 y Tja\u0161a Kancler, as\u00ed como los trabajos <em data-start=\"1572\" data-end=\"1579\">Virus<\/em> (2020), de Antoine d\u2019Agata; <em data-start=\"1608\" data-end=\"1621\">Mar de luto<\/em> (2022), de Anna Surinyach, <em data-start=\"1649\" data-end=\"1681\">Our Bodies Have Turned to Gold<\/em> (2018), de Kristiina Koskentola; <em data-start=\"1715\" data-end=\"1757\">Affannosa lotta per strappare alla morte<\/em> (2022), de Al\u00e1n Carrasco y <em data-start=\"1785\" data-end=\"1805\">One in three women<\/em> (2022), de Nieves Mingueza.<\/p>\r\n<p data-start=\"1835\" data-end=\"1884\"><strong>Fechas de la exposici\u00f3n: 10 de abril - 8 de junio<\/strong><\/p>\r\n<p data-start=\"1886\" data-end=\"1915\"><strong>Comisariada por Merc\u00e8 Alsina.<\/strong><\/p>\r\n<p data-start=\"1917\" data-end=\"2060\"><strong>Con la participaci\u00f3n de:<\/strong> Al\u00e1n Carrasco, Antoine d\u2019Agata, Nieves Mingueza, Anna Surinyach, Kristiina Koskentola, Marina Gr\u017eini\u0107 y Tja\u0161a Kancler.<\/p>","desc_en":"<p data-start=\"2089\" data-end=\"2407\"><em>No Exit. The Impact of Predatory Economies<\/em> is the result of a research project on current violences and their representation. It examines the commitment of images to events and analyzes some of the strategies employed by artists and photographers to make these violences visible and provoke reactions from viewers.<\/p>\r\n<p data-start=\"2409\" data-end=\"2971\">The starting point is the concept of necropolitics developed by Cameroonian thinker Achille Mbembe, who has studied the forms extreme violences take in our times through political and bureaucratic systems that manage the death of people as an asset and decide who must die. He describes them as forms of violence aimed at massacring civilians and the primary exploitation of things; such as the onslaught of neoliberal capitalism that operates through market orders, which function by destroying the planet and its inhabitants, starting with the excluded people.<\/p>\r\n<p data-start=\"2973\" data-end=\"3387\">If in the mid-20th century the Holocaust represented a crisis of representation for photography and cinema, which had to reassess their relationship with history and their role as memory, today, in light of the violences of the 21st century, artists and photographers are seeking strategies to connect with viewers and maintain a critical perspective on the events that involve them, without making them look away.<\/p>\r\n<p data-start=\"3389\" data-end=\"3825\">The exhibition includes the experimental documentary <em data-start=\"3442\" data-end=\"3466\">Insurgent Flows. Trans<\/em>Decolonial and Black Marxist Futures* by Marina Gr\u017eini\u0107 and Tja\u0161a Kancler, as well as works such as <em data-start=\"3566\" data-end=\"3573\">Virus<\/em> (2020) by Antoine d\u2019Agata; <em data-start=\"3601\" data-end=\"3614\">Mar de luto<\/em> (2022) by Anna Surinyach, <em data-start=\"3641\" data-end=\"3673\">Our Bodies Have Turned to Gold<\/em> (2018) by Kristiina Koskentola; <em data-start=\"3706\" data-end=\"3748\">Affannosa lotta per strappare alla morte<\/em> (2022) by Al\u00e1n Carrasco, and <em data-start=\"3778\" data-end=\"3798\">One in three women<\/em> (2022) by Nieves Mingueza.<\/p>\r\n<p data-start=\"3827\" data-end=\"3862\"><strong>Exhibition dates: April 10 - June 8<\/strong><\/p>\r\n<p data-start=\"3864\" data-end=\"3888\"><strong>Curated by Merc\u00e8 Alsina.<\/strong><\/p>\r\n<p data-start=\"3890\" data-end=\"4038\" data-is-last-node=\"\" data-is-only-node=\"\"><strong>With the participation of:<\/strong> Al\u00e1n Carrasco, Antoine d\u2019Agata, Nieves Mingueza, Anna Surinyach, Kristiina Koskentola, Marina Gr\u017eini\u0107, and Tja\u0161a Kancler.<\/p>","event_category":103,"event_show_only_own_date":false,"_event_free":true,"_event_price-min":"","_event_price-max":"","_event_web_ca":"https:\/\/www.rocaumbert.com\/ca\/agenda\/c\/3408-inauguracio-de-lexposicio-sense-sortida.html","_event_web_es":"","_event_web_en":"","event_contact_email":"","event_apply_email":"","is_online_event":false,"is_art_nou_event":false,"is_bgw_event":false,"date_text":"","register_deadline":null,"altres_organitzadors":""},"abe_event_venue":null,"abe_event_category":"Exposici\u00f3","start":"2025-04-10 00:00:00","end":"2025-04-10 23:59:00","schedule":"once","schedule_meta":"","frequency":1,"all_day":1,"until":"2025-04-10 00:00:00","include":[],"exclude":[],"_links":{"self":[{"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/events\/46229","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/events"}],"about":[{"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/types\/event"}],"author":[{"embeddable":true,"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/users\/160"}],"occurrences":[{"embeddable":true,"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/events\/46229\/occurrences"}],"acf:term":[{"embeddable":true,"taxonomy":"event-category","href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/event-category\/103"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/media\/46230"}],"wp:attachment":[{"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/media?parent=46229"}],"wp:term":[{"taxonomy":"event-venue","embeddable":true,"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/event-venues?post=46229"},{"taxonomy":"event-tag","embeddable":true,"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/event-tags?post=46229"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}