{"id":46255,"guid":{"rendered":"https:\/\/graf.cat\/?post_type=event&#038;p=46255"},"modified":"2025-04-07T13:07:22","modified_gmt":"2025-04-07T11:07:22","slug":"lhabitacio-gris-escenari-1-cabello-carceller","status":"publish","type":"event","link":"https:\/\/graf.cat\/es\/events\/event\/lhabitacio-gris-escenari-1-cabello-carceller\/","title":{"rendered":"L&#8217;habitaci\u00f3 gris: Escenari 1. Cabello\/Carceller"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":177,"featured_media":46256,"template":"","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0},"event-venues":[704],"event-tags":[],"class_list":["post-46255","event","type-event","status-publish","has-post-thumbnail","hentry","event-venue-prats-nogueras-blanchard","event-category-exposicio"],"acf":{"title_ca":"L'habitaci\u00f3 gris: Escenari 1. Cabello\/Carceller","title_es":"La habitaci\u00f3n gris: Escenario 1. Cabello\/Carceller","title_en":"The grey room: Scenario 1. Cabello\/Carceller","desc_ca":"Prats Nogueras Blanchard es complau a presentar\u00a0<em>L\u2019habitaci\u00f3 gris: Escenari 1<\/em>, exposici\u00f3 de Cabello\/Carceller en el seu espai de Barcelona.\r\n\r\n<strong><em>Algunes paraules sobre L\u2019habitaci\u00f3 gris: Escenari 1<\/em><\/strong>\r\n\r\nEn teoria del color, el gris \u00e9s el seu propi complementari; el gris mig es fagocita a ell mateix, els clars complementen els obscurs i viceversa. Depenent dels matisos dominants, la gamma de grisos podria ser infinita. Per\u00f2 quan pensem en les possibilitats que els grisos ens ofereixen, anem molt m\u00e9s enll\u00e0 d'un m\u00f3n crom\u00e0tic, pensem en moltes, moltes coses m\u00e9s...\r\n\r\nSegons Peter Sloterdijk, Paul C\u00e9zanne havia afirmat que \u201cmentre no s'hagi pintat un gris no s'\u00e9s pintor\u201d. I, parafrasejant el pintor, ell mateix afirma que \u201cmentre no s'hagi pensat en el gris no s'\u00e9s fil\u00f2sof\u201d. No ens van fer molta falta ells; pensem i pintem en els grisos fa ja molt temps, per\u00f2 en gammes de grisos profundament connotades, en tots els matisos que s'oculten sota una taxonomia expandida que englobaria m\u00faltiples colors indeterminats: els inclassificables, aquells que s\u00f3n la suma de moltxs en une, les barreges estranyes, l'inesperat i fins i tot all\u00f2 que \u00e9s molest.\r\n\r\n\u201cParlo de mi, naturalment\u201d (Alejandra Pizarnik).\r\n\r\nEl gris tamb\u00e9 \u00e9s el color de la melancolia.\u00a0<em>L\u2019habitaci\u00f3 gris: Escenari 1<\/em>\u00a0es pensa aleshores com un estat d'\u00e0nim. L'estar melanc\u00f2lic \u00e9s la conseq\u00fc\u00e8ncia d'una sensaci\u00f3 ambivalent, de pensar en les possibilitats d'un futur que el present esgota i el passat enyora. Semblaria, talment, que la utopia hagu\u00e9s desaparegut (que ja no estigu\u00e9s al nostre abast). La melancolia s'expandeix com un\u00a0<em>imp\u00e0s<\/em>\u00a0necessari per a pensar en els perqu\u00e8s i, sobretot, per a reflexionar sobre les maneres que podem trobar per a avortar la promesa violenta que amena\u00e7a els cossos dissidents, els cossos minoritaris, els cossos afeblits... I tamb\u00e9 aquells que semblarien no dissentir, perqu\u00e8 l'odi i el menyspreu cap a l'altre generen addicci\u00f3 i no tenen final.\r\n\r\nDavant aquest paisatge, la ment del subjecte melanc\u00f2lic s\u2019omple de pensaments parasit\u00e0riament recurrents, per\u00f2 que l\u2019impulsen lentament cap a una reacci\u00f3 meditada. La indisciplina de la melancolia, la seva lassitud, la seva inutilitat en un entorn progr\u00e9s hiperactiu i infantilitzant permet estacionar-se, encara que sigui temporalment, en espais intermedis que funcionen com a observatoris des dels quals analitzar el moment intempestiu actual.\r\n\r\n\u201cComprendre alguna cosa \u00e9s comprendre la seva topografia, saber com tra\u00e7ar el seu mapa. I saber com perdre's-hi\u201d (Susan Sontag)\r\n\r\nEl subjecte es troba en una posici\u00f3 ambivalent. D'una banda, rebutja una socialitzaci\u00f3 travessada per un sistema que el constreny, que moltes vegades li impedeix confrontar i recon\u00e8ixer els seus propis desitjos. D\u2019altra banda, la seva emerg\u00e8ncia com a subjecte es produeix necess\u00e0riament dins dels jocs de llenguatge que el sistema mateix articula, la seva pertinen\u00e7a al sistema \u00e9s la seva condici\u00f3 mateixa de possibilitat. El subjecte emergeix subjecte, emergeix subjectada, emergeix travessade pels mecanismes de subjecci\u00f3 i reconeix que no hi ha sortida si no \u00e9s capa\u00e7 d'apostar en el joc.\r\n\r\n\u201cLes categories socials comporten simult\u00e0niament subordinaci\u00f3 i exist\u00e8ncia\u201d (Judith Butler)\r\n\r\nCabello\/Carceller","desc_es":"Prats Nogueras Blanchard se complace en presentar\u00a0<em>La habitaci\u00f3n gris: Escenario 1<\/em>, exposici\u00f3n de Cabello\/Carceller (1963, Par\u00eds, FR \/ 1964, Madrid, ES) en su espacio de Barcelona.\r\n\r\n<strong><em>Algunas palabras sobre La habitaci\u00f3n gris: Escenario 1<\/em><\/strong>\r\n\r\nEn teor\u00eda del color, el gris es su propio complementario, el gris medio se fagocita a s\u00ed mismo, los claros complementan a los oscuros y viceversa. Dependiendo de los matices dominantes, la gama de grises podr\u00eda ser infinita. Pero cuando pensamos en las posibilidades que los grises nos ofrecen, vamos mucho m\u00e1s all\u00e1 de un mundo crom\u00e1tico, pensamos en muchas, muchas cosas m\u00e1s... Seg\u00fan Peter Sloterdijk, Paul C\u00e9zanne hab\u00eda afirmado que \u201cmientras no se haya pintado un gris no se es pintor\u201d. Y, parafraseando al pintor, \u00e9l mismo afirma que \u201cmientras no se haya pensado en el gris no se es fil\u00f3sofo\u201d. No nos hicieron mucha falta ellos; pensamos y pintamos en los grises hace ya mucho tiempo, pero en gamas de grises profundamente connotadas, en todos los matices que se ocultan bajo una taxonom\u00eda expandida que englobar\u00eda m\u00faltiples colores indeterminados, los inclasificables, aquellos que son la suma de muchxs en une, las mezclas extra\u00f1as, lo inesperado e incluso lo molesto.\r\n\r\n\u201cHablo de m\u00ed, naturalmente\u201d (Alejandra Pizarnik).\r\n\r\nEl gris es tambi\u00e9n el color de la melancol\u00eda.\u00a0<em>La habitaci\u00f3n gris: Escenario 1<\/em>\u00a0se piensa entonces como un estado de \u00e1nimo. El estar melanc\u00f3lico es la consecuencia de una sensaci\u00f3n ambivalente, de pensar en las posibilidades de un futuro que el presente agota y el pasado a\u00f1ora. Parecer\u00eda que la utop\u00eda hubiera desaparecido (que ya no estuviera a nuestro alcance). La melancol\u00eda se expande como un\u00a0<em>impasse<\/em>\u00a0necesario para pensar en los porqu\u00e9s y, sobre todo, reflexionar sobre las maneras que podemos encontrar para abortar la promesa violenta que amenaza a los cuerpos disidentes, a los cuerpos minoritarios, a los cuerpos debilitados... Y tambi\u00e9n a quienes parecer\u00edan no disentir, porque el odio y el desprecio hacia el otro generan adicci\u00f3n y no tienen final. Ante este paisaje, la mente del sujeto melanc\u00f3lico se puebla de pensamientos parasitariamente recurrentes, pero que impulsan lentamente hacia una reacci\u00f3n meditada. La indisciplina de la melancol\u00eda, su lasitud, su inutilidad en un entorno de infantilizante progreso hiperactivo, permite estacionarse, aunque sea temporalmente, en espacios intermedios, en observatorios desde los que analizar lo intempestivo del momento actual.\r\n\r\n\u201cComprender algo es comprender su topograf\u00eda, saber c\u00f3mo trazar su mapa. Y saber c\u00f3mo perderse\u201d (Susan Sontag)\r\n\r\nEl sujeto se halla en una posici\u00f3n ambivalente. Por un lado, rechaza una socializaci\u00f3n atravesada por un sistema que lo constri\u00f1e, que le impide muchas veces confrontar y reconocer sus propios deseos. Por otro, su emergencia como sujeto se produce necesariamente dentro de los juegos de lenguaje que el propio sistema articula, su pertenencia al sistema es su propia condici\u00f3n de posibilidad. El sujeto emerge sujeto, emerge sujetada, emerge atravesade por los mecanismos de sujeci\u00f3n y reconoce que no hay salida si no es capaz de apostar en el juego.\r\n\r\n\u201cLas categor\u00edas sociales conllevan simult\u00e1neamente subordinaci\u00f3n y existencia\u201d<strong>\u00a0<\/strong>(Judith Butler)\r\n\r\n&nbsp;\r\n\r\nCabello\/Carceller","desc_en":"Prats Nogueras Blanchard is delighted to present\u00a0<em>The grey room: Scenario 1,\u00a0<\/em>an exhibition by Cabello\/Carceller (1963, Paris, FR \/ 1964, Madrid, ES) at our space in Barcelona.\r\n\r\n<strong>A few words about The Grey Room: Scenario 1<\/strong>\r\n\r\nIn colour theory, grey is its own complementary, medium grey is self-absorbed, while lighter shades complement darker ones, and vice versa. Depending on the dominant shades, the range of greys could be infinite. But when we think of the possibilities that greys offer us, we go far beyond a chromatic world, we think of many, many more things... According to Peter Sloterdijk, Paul C\u00e9zanne had said that \u2018as long as you have not painted a grey you are not a painter\u2019. And, paraphrasing the painter, he himself affirms that \u2018as long as you have not thought in grey, you are not a philosopher\u2019. We didn't need them very much; we thought and painted in greys a long time ago, but in deeply connoted ranges of greys, in all the shades that are hidden under an expanded taxonomy that would encompass multiple indeterminate colours, the unclassifiable, those that are the sum of many in unison, the strange mixtures, the unexpected or even disconcerting.\r\n\r\n\"I am talking about myself, naturally\" (Alejandra Pizarnik)\r\n\r\nGrey is also the colour of melancholy.\u00a0<em>The grey room: Scenario 1<\/em>\u00a0is thus thought of as a state of mind. The experience of melancholy arises from an ambivalent sensation, of thinking about the possibilities of a future that the present exhausts and the past yearns for. It would seem that utopia has disappeared (that it is no longer within our reach). Melancholy expands as a necessary\u00a0<em>impasse<\/em>\u00a0to think about the reasons and, above all, to reflect on the ways we can find to abort the violent promise that threatens dissident bodies, minority bodies, weakened bodies? And also those who do not seem to dissent, because hatred and contempt for the other generate addiction and have no end. Faced with this landscape, the mind of the melancholic subject is populated by parasitically recurrent thoughts, but which slowly push towards a meditated reaction. The indiscipline of melancholy, its lassitude, its futility in an environment of infantilising hyperactive progress, allows us to inhabit, albeit temporarily, in intermediate spaces, in observatories from which to analyse the untimeliness of the present moment.\r\n\r\n\"To understand something is to understand its topography, to know how to chart it. And to know how to get lost\" (Susan Sontag)\r\n\r\nThe individual occupies an ambivalent position. On one hand, he repudiates a socialization influenced by a system that constrains him, often hindering his ability to confront and acknowledge his own desires. On the other hand, his emergence as a subject inevitably occurs within the linguistic frameworks articulated by the system itself; his affiliation with the system constitutes his own condition of possibility. The subject emerges as a subject, emerges as subjected, and is traversed by the mechanisms of subjugation, ultimately recognizing that there is no escape unless he is willing to engage with the game.\r\n\r\nThe subject is in an ambivalent position. On the one hand, he rejects a socialisation traversed by a system that constrains him, that often prevents him from confronting and recognising his own desires. On the other hand, his emergence as a subject necessarily takes place within within the linguistic frameworks articulated by the system itself; his belonging to the system is his own condition of possibility. The subject emerges subject, emerges subjected, emerges traversed by the mechanisms of subjection and recognises that there is no way out unless he is willing to engage with the game.\r\n\r\n\"Social categories signify subordination and existence at once\" (Judith Butler)\r\n\r\nCabello\/Carceller","event_category":103,"event_show_only_own_date":true,"_event_confirmed":true,"_event_public":true,"_event_free":true,"_event_price-min":"","_event_price-max":"","_event_web_ca":"https:\/\/pratsnoguerasblanchard.com\/ca\/exhibitions\/la-habitacion-gris-escenario-1","_event_web_es":"https:\/\/pratsnoguerasblanchard.com\/es\/exhibitions\/la-habitacion-gris-escenario-1","_event_web_en":"https:\/\/pratsnoguerasblanchard.com\/en\/exhibitions\/la-habitacion-gris-escenario-1","event_contact_email":"","event_apply_email":"","is_online_event":false,"is_art_nou_event":false,"is_bgw_event":false,"date_text":"","register_deadline":null,"altres_organitzadors":""},"abe_event_venue":"Prats Nogueras Blanchard","abe_event_category":"Exposici\u00f3","start":"2025-03-25 00:00:00","end":"2025-05-24 23:59:00","schedule":"once","schedule_meta":"","frequency":1,"all_day":1,"until":"2025-03-25 00:00:00","include":[],"exclude":[],"_links":{"self":[{"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/events\/46255","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/events"}],"about":[{"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/types\/event"}],"author":[{"embeddable":true,"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/users\/177"}],"occurrences":[{"embeddable":true,"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/events\/46255\/occurrences"}],"acf:term":[{"embeddable":true,"taxonomy":"event-category","href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/event-category\/103"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/media\/46256"}],"wp:attachment":[{"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/media?parent=46255"}],"wp:term":[{"taxonomy":"event-venue","embeddable":true,"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/event-venues?post=46255"},{"taxonomy":"event-tag","embeddable":true,"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/event-tags?post=46255"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}