{"id":50367,"guid":{"rendered":"https:\/\/graf.cat\/?post_type=event&p=50367"},"modified":"2025-08-28T11:51:33","modified_gmt":"2025-08-28T09:51:33","slug":"cop-de-cor-tobias-arndt","status":"publish","type":"event","link":"https:\/\/graf.cat\/es\/events\/event\/cop-de-cor-tobias-arndt\/","title":{"rendered":"Cop de Cor. Tobias Arndt"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":112,"featured_media":50364,"template":"","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0},"event-venues":[],"event-tags":[],"class_list":["post-50367","event","type-event","status-publish","has-post-thumbnail","hentry","event-category-altres"],"acf":{"title_ca":"Cop de Cor. Tobias Arndt","title_es":"Cop de Cor. Tobias Arndt","title_en":"Cop de Cor. Tobias Arndt","desc_ca":"

Tobias Arndt, col\u00b7leccionista.<\/h3>\r\nVeus rellevants del m\u00f3n de l\u2019art comparteixen quines exposicions no es volen perdre aquest Barcelona Gallery Weekend: aquelles que, d\u2019entrada, els han fet sentir un cop de cor.\r\n\r\nEn el recorregut, m\u2019agradaria proposar l\u2019obra de\u00a0Ken Sortais (Galer\u00eda Alegria)<\/b><\/a>, que potser \u00e9s la que s\u2019acosta m\u00e9s a la pintura. Conec b\u00e9 les seves obres escult\u00f2riques, que sovint incorporen un element l\u00fadic i exploren la relaci\u00f3 entre el color i la forma, evocant confusions sobre la materialitat. Tinc molta curiositat per veure les seves peces murals.\r\n\r\nAix\u00f2 em porta a\u00a0Raisa Maudit (House of Chappaz)<\/b><\/a>, que sovint se centra en el v\u00eddeo (o potser \u00e9s nom\u00e9s la meva mirada com a col\u00b7leccionista de v\u00eddeo?), tot interactuant amb altres mitjans com la performance, l\u2019escenografia, el text i elements tridimensionals, i que tampoc manquen de joc i ironia. La seva mirada transfeminista i les diferents narratives que construeix posen sobre la taula q\u00fcestions que exigeixen, imperativament, un posicionament.\r\n\r\nRegina Jos\u00e9 Galindo i Avelino Sala (ADN Galeria)<\/b><\/a>\u00a0proposen un di\u00e0leg en qu\u00e8 el feminisme \u2014tamb\u00e9 el transfeminisme\u2014 esdev\u00e9, o millor dit \u00e9s, existencial. La brutalitat inimaginable dels feminicidis a Guatemala, pa\u00eds natal de Jos\u00e9 Galindo, marca profundament la seva obra. Recentment em va commoure profundament la seva performance i s\u00e8rie fotogr\u00e0fica Jardins de flors (2021), on 25 dones trans estaven cobertes amb teles de colors i romanien imm\u00f2bils, formant virtualment un jard\u00ed de flors. Tinc moltes ganes de veure el seu di\u00e0leg amb l\u2019obra d\u2019Avelino Sala, \u00abThis Machine Kills Fascism\u00bb.<\/a>\r\n\r\nItziar Okariz (Flash\u26a1\/ethall)\u00a0<\/b><\/a>tamb\u00e9 explora la immobilitat en la seva pe\u00e7a en v\u00eddeo a\u00a0ethall<\/a>. Mostra un fragment d\u2019un cos amb un text escrit a m\u00e0 amb bol\u00edgraf. La persona intenta romandre imm\u00f2bil, simulant una imatge fixa. Per a mi, aquesta obra constitueix una pe\u00e7a clau en la pr\u00e0ctica d\u2019Okariz, que genera significat a trav\u00e9s de reiteracions emf\u00e0tiques de signes o llenguatge. Tot i que no fa seva l\u2019etiqueta de \u201cfeminista\u201d per considerar-la massa restrictiva, la seva obra investiga les cr\u00edtiques a les construccions normatives de g\u00e8nere.\r\n\r\nTot aix\u00f2 condueix inevitablement a\u00a0Eva F\u00e0bregas (Bombon Projects)<\/b><\/a>, que tracta temes de g\u00e8nere de la manera, literalment, m\u00e9s l\u00fadica possible. Les seves escultures de gran format, que representen dispositius sexuals o restes (com condons usats), conviden a adoptar una actitud m\u00e9s relaxada, com asseure\u2019s o estirar-se damunt d\u2019elles, i preparar-se per fer una copa despr\u00e9s d\u2019un llarg dia d\u2019art.","desc_es":"

Tobias Arndt, coleccionista<\/h3>\r\nVoces relevantes del mundo del arte comparten qu\u00e9 exposiciones no quieren perderse este Barcelona Gallery Weekend: aquellas que, de entrada, les han hecho sentir un golpe de coraz\u00f3n.\r\n\r\nEn la ruta, me gustar\u00eda proponer la obra de\u00a0Ken Sortais (Galer\u00eda Alegr\u00eda)<\/b><\/a>, que quiz\u00e1 se acerque m\u00e1s a la pintura. Estoy familiarizado con sus obras escult\u00f3ricas, que a menudo tienen un elemento l\u00fadico y exploran la relaci\u00f3n entre el color y la forma, y evocan confusiones en torno a la materialidad. Siento mucha curiosidad por experimentar las piezas murales.\r\n\r\nEsto me lleva a\u00a0Raisa Maudit (House of Chappaz)<\/b><\/a>, que a menudo se centra en el v\u00eddeo (\u00bfo es simplemente mi perspectiva como coleccionista de v\u00eddeo?) interactuando con otros medios: performance, escenograf\u00eda, texto y elementos tridimensionales, y que tampoco carecen de sentido l\u00fadico. Su mirada transfeminista y sus distintas narrativas ponen de relieve cuestiones que imperativamente exigen posicionarse.\r\n\r\nRegina Jos\u00e9 Galindo<\/b>\u00a0y\u00a0Avelino Sala (ADN Galeria)<\/b><\/a>\u00a0<\/b>proponen un di\u00e1logo donde el feminismo, incluido el transfeminismo, se vuelve \u2014o mejor dicho, es\u2014 existencial. La inimaginable brutalidad de los feminicidios en el pa\u00eds natal de Jos\u00e9 Galindo, Guatemala, marca su obra. Recientemente me conmovi\u00f3 profundamente su performance y obra fotogr\u00e1fica Jardins de flores (2021), donde 25 mujeres trans estaban cubiertas bajo telas de colores y permanec\u00edan inm\u00f3viles, formando virtualmente un jard\u00edn de flores. Espero con inter\u00e9s su di\u00e1logo con Avelino Sala en \u00abThis Machine Kills Fascism\u00bb<\/a>.\r\n\r\nItziar Okariz (Flash\u26a1\/ethall)<\/b><\/a>\u00a0tambi\u00e9n manifiesta inmovilidad en su obra en v\u00eddeo en\u00a0ethall<\/a>. Muestra un fragmento de un cuerpo con un signo escrito a mano con bol\u00edgrafo. La persona trata de permanecer inm\u00f3vil, simulando una imagen fija. Para m\u00ed, esta obra constituye una pieza clave en la pr\u00e1ctica de Okariz, produciendo significado mediante reiteraciones enf\u00e1ticas de signos o del lenguaje. Aunque no se apropia de la etiqueta del feminismo por considerarla demasiado estrecha, su trabajo investiga cr\u00edticas a las construcciones normativas de g\u00e9nero.\r\n\r\nEsto conduce inevitablemente a\u00a0Eva F\u00e0bregas (Bombon Projects)<\/b><\/a>, quien une temas de g\u00e9nero de la forma literalmente m\u00e1s l\u00fadica. Sus esculturas oversize, que representan dispositivos de sexuales o restos (condones usados), invitan a adoptar una actitud m\u00e1s relajada, por ejemplo, sent\u00e1ndose o estir\u00e1ndose sobre ellos y prepar\u00e1ndose para tomar algo tras un largo d\u00eda de arte.","desc_en":"

Tobias Arndt, collector.<\/h3>\r\nRelevant voices from the art world share the exhibitions they won\u2019t miss at this year\u2019s Barcelona Gallery Weekend \u2014 the ones that captured their hearts at first sight.\r\n\r\nOn the parcours, I would like to propose the work of\u00a0Ken Sortais (Galer\u00eda Alegria)<\/b><\/a>, that perhaps gets closest to painting. I am familiar with his sculptural works that often have a playful element and research the relationship between colour and shape and evoke confusions about materiality. I am very curious to experience the wall pieces.\r\n\r\nThis leads me to\u00a0Raisa Maudit (House of Chappaz)<\/b><\/a>\u00a0that often centres around video (or is it simply my view as a video collector?) interacting with other media performance, scenography, text and 3-dimensional elements and also do not lack playfulness. Her trans-feminist view and different narratives highlight questions that imperatively demand a positioning.\r\n\r\nRegina Jos\u00e9 Galindo and Avelino Sala (ADN Galeria)<\/a><\/b>\u00a0propose a dialogue where feminism including trans-feminism becomes or better is existential. The unimaginable brutality of femicides in Jos\u00e9 Galindo\u2019s home country Guatemala mark her work. I was recently deeply touched by her performance and photo works jardins de flores (2021) where 25 trans women were covered under colourful fabrics and kept motionless virtually forming a flower garden. I am looking forward to her dialogue with Avelino Sala\u2019s 'this machine kills fascism<\/a>'.\r\n\r\nItziar Okariz (Flash\u26a1\/ethall)<\/a><\/b>\u00a0also manifests motionless in her video work at\u00a0ethall<\/a>. It shows a fragment of a body with a pen written sign. The person tries to remain motionless simulating a still image. For me this work constitutes a key piece in Okariz practice producing meaning through emphatic reiterations of signs or language. While not appropriating the label feminism as too tight, her work does research critiques of normative gender constructions.\r\n\r\nThis inevitably leads to\u00a0Eva F\u00e0bregas (Bombon Projects)<\/a><\/b>\u00a0who unites gender topics in literally the most playful way. Her oversize sculptural depictions of intercourse devices or remains (used condoms) invite to take a more relaxed approach e.g. by sitting or stretching out on them and getting ready for drinks after a long art day.","event_category":191,"event_show_only_own_date":true,"_event_confirmed":true,"_event_public":true,"_event_free":true,"_event_price-min":"","_event_price-max":"","_event_web_ca":"https:\/\/barcelonagalleryweekend.com\/route.php?lang=cat","_event_web_es":"https:\/\/barcelonagalleryweekend.com\/route.php?lang=esp","_event_web_en":"https:\/\/barcelonagalleryweekend.com\/route.php?type=3","event_contact_email":"","event_apply_email":"","is_online_event":false,"is_art_nou_event":false,"is_bgw_event":true,"date_text":"","register_deadline":null,"altres_organitzadors":""},"abe_event_venue":null,"abe_event_category":"Altres","start":"2025-09-18 09:00:00","end":"2025-09-28 20:00:00","schedule":"once","schedule_meta":"","frequency":1,"all_day":0,"until":"2025-09-18 09:00:00","include":[],"exclude":[],"_links":{"self":[{"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/events\/50367","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/events"}],"about":[{"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/types\/event"}],"author":[{"embeddable":true,"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/users\/112"}],"occurrences":[{"embeddable":true,"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/events\/50367\/occurrences"}],"acf:term":[{"embeddable":true,"taxonomy":"event-category","href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/event-category\/191"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/media\/50364"}],"wp:attachment":[{"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/media?parent=50367"}],"wp:term":[{"taxonomy":"event-venue","embeddable":true,"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/event-venues?post=50367"},{"taxonomy":"event-tag","embeddable":true,"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/event-tags?post=50367"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}