{"id":50541,"guid":{"rendered":"https:\/\/graf.cat\/?post_type=event&#038;p=50541"},"modified":"2025-09-03T10:57:43","modified_gmt":"2025-09-03T08:57:43","slug":"paraules-damor","status":"publish","type":"event","link":"https:\/\/graf.cat\/es\/events\/event\/paraules-damor\/","title":{"rendered":"PARAULES D&#8217;AMOR"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":172,"featured_media":50542,"template":"","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0},"event-venues":[750],"event-tags":[],"class_list":["post-50541","event","type-event","status-publish","has-post-thumbnail","hentry","event-venue-acvic","event-category-inauguracio"],"acf":{"title_ca":"PARAULES D'AMOR","title_es":"PARAULES D'AMOR (PALABRAS DE AMOR)","title_en":"PARAULES D'AMOR ( WORDS OF LOVE)","desc_ca":"<strong>N\u00faria G\u00fcell <\/strong>\r\n\r\n<strong>PROPERA EXPOSICI\u00d3<\/strong>\r\nDel 4 de setembre al 18 d\u2019octubre de 2025\r\n\r\n<strong>Inauguraci\u00f3 4 de setembre de 2025 a les 19 h.<\/strong>\r\n\r\n<a href=\"https:\/\/www.acvic.org\/ca\/projectes-expositius\/4300-paraules-d%E2%80%99amor#activitats\"><strong>&gt; Activitats vinculades<\/strong><\/a>\r\n\r\nLa llista de representacions culturals occidentals al voltant de l\u2019amor i les passions seria inacabable: des de la mitologia grega i les seves trag\u00e8dies, passant per l\u2019escol\u00e0stica cristiana, l\u2019amor cort\u00e8s, el Segle d\u2019Or i el romanticisme del XVIII i part del XIX, fins a les expressions culturals m\u00e9s populars o alternatives dels nostres dies. Totes elles han donat testimoni dels estralls causats per alguna idea d\u2019amor.\r\n\r\nEn el pla d\u2019all\u00f2 real, seguim patint els creients que exterminen l\u2019altre en nom de l\u2019amor a un D\u00e9u; tots els nacionalistes que continuen llan\u00e7ant-se a la seva m\u00fatua destrucci\u00f3 per amor a alguna p\u00e0tria o m\u00e0tria; adolescents que entenen els trets zelot\u00edpics com a signes d\u2019amor verdader; la mare que mata els seus fills perqu\u00e8 no pateixin; revolucionaris que donen la vida o la treuen per amor a alguna idea de revoluci\u00f3 social; o l\u2019amant que decideix matar l\u2019estimada (o a l\u2019inrev\u00e9s) en veure que perd el seu amor.\r\n\r\nQuina \u00e9s la responsabilitat de la cultura en totes aquestes paradoxes? Quantes situacions dramat\u00fargicament preestablertes hem viscut en les nostres hist\u00f2ries d\u2019amor? Quins gaudis o fantasmes s\u2019oculten darrere de la m\u00e0scara de les creences al voltant de l\u2019ideal de l\u2019amor? Podria ser que la principal causa dels conflictes socials no fos l\u2019odi sin\u00f3 un exc\u00e9s d\u2019amor cec? Quins efectes tindria sobre l\u2019ordre social la desidealitzaci\u00f3 de l\u2019amor? I sobre nosaltres?\r\n\r\nA l\u2019obra <strong><em>Paraules d\u2019amor. Un assaig sobre les passions<\/em><\/strong>, N\u00faria G\u00fcell es q\u00fcestiona les representacions institu\u00efdes i els mandats culturals apresos entorn de l\u2019amor passional i les seves conseq\u00fc\u00e8ncies.\r\n\r\n\u00c9s el projecte guanyador de la <strong>desena edici\u00f3 del Premi de Videocreaci\u00f3<\/strong>. Coproducci\u00f3 d\u2019un projecte de videocreaci\u00f3 entre els <strong>Centres Territorials del Sistema P\u00fablic d\u2019Equipaments d\u2019Arts Visuals de Catalunya<\/strong>*, <strong>Santa M\u00f2nica<\/strong>, <strong>Departament de Cultura de la Generalitat de Catalunya<\/strong> i <strong>LOOP Barcelona<\/strong>. El Premi promou el treball d'artistes que destaquen pels seus plantejaments innovadors en el proc\u00e9s de creaci\u00f3.\r\n\r\n*Centres Territorials del Sistema P\u00fablic d\u2019Equipaments d\u2019Arts Visuals de Catalunya: ACVIC. Centre d\u2019Arts Contempor\u00e0nies, Vic; B\u00f2lit. Centre d\u2019Art Contemporani, Girona; La Fabra Centre d\u2019Art Contemporani, Barcelona; M|A|C Matar\u00f3 Art Contemporani; M\u00e8dol - Centre d\u2019Arts Contempor\u00e0nies de Tarragona; Centre d\u2019Art la Panera, Lleida; Lo Pati Centre d\u2019Art - Terres de l\u2019Ebre, Amposta, i Centre d\u2019Art Tecla Sala, L\u2019Hospitalet de Llobregat.\r\n\r\n<hr \/>\r\n\r\n<strong>N\u00daRIA G\u00dcELL<\/strong>\r\n\r\nN\u00faria G\u00fcell (1981, Vidreres) es va llicenciar en Belles Arts a la Universitat de Barcelona, en l\u2019especialitat d\u2019escultura, i va continuar els seus estudis a la C\u00e0tedra Art de Conducta de l\u2019Havana (Cuba). La seva pr\u00e0ctica art\u00edstica es caracteritza per la confrontaci\u00f3 i el q\u00fcestionament d\u2019evid\u00e8ncies i convencions morals. Una pr\u00e0ctica que ella ent\u00e9n com a necess\u00e0ria des del punt de vista social i pol\u00edtic, i en la qual es posa en joc all\u00f2 cultural i all\u00f2 establert.\r\n\r\nEntre les seves exposicions individuals cal esmentar Confinements, Escape Plans and a Various Kinds of Jouissance, a Salle Principale (Par\u00eds, 2023); Tot ordre es vol pur. Una exposici\u00f3 retrospectiva, a Fabra i Coats (Barcelona, 2021); Nation State. Four Escape Strategies, a la Biennale Warszawa (Pol\u00f2nia, 2019); Au nom du P\u00e8re, de la Patrie et du Patriarcat, a CAC Br\u00e9tigny (Fran\u00e7a, 2018); i Troika Fiscal Disobedience Consultancy, a Project Arts Centre (Dubl\u00edn, 2016).\r\n\r\nHa col\u00b7laborat en exposicions col\u00b7lectives com The Museum of Arte \u00datil, a Van Abbemuseum (Eindhoven, 2013); Un saber realmente \u00fatil, al Museo Nacional Centro de Arte Reina Sof\u00eda (Madrid, 2014); Today Is Our Tomorrow, a PUBLICS (H\u00e8lsinki, 2019); Coreografies del g\u00e8nere, al CCCB (Barcelona, 2019); Un m\u00eame monde, a la Maison des Arts Georges &amp; Claude Pompidou (Fran\u00e7a, 2021); \u201cEveryone is an Artist\u201d: Cosmopolitical Exercises with Joseph Beuys, a Kunstsammlung Nordrhein-Westfalen (D\u00fcsseldorf, 2021); i Palestina libre. Exposici\u00f3n de Apoyo al Pueblo Palestino y por el Fin de la Ocupaci\u00f3n, a Espacio Tangente (Burgos, 2024).\r\n\r\nHa rebut, tamb\u00e9, diversos premis i beques al llarg de la seva traject\u00f2ria, i col\u00b7labora regularment amb centres socials i educatius.\r\n\r\nM\u00e9s informaci\u00f3: <a href=\"https:\/\/www.nuriaguell.com\/\">www.nuriaguell.com<\/a>","desc_es":"<strong>N\u00faria G\u00fcell<\/strong>\r\n\r\n<strong>PROXIMA EXPOSICI\u00d3N\r\n<\/strong>Del 4 de septiembre al 18 de octubre de 2025\r\n\r\n<strong>Inauguraci\u00f3n 4 de septiembre de 2025 a las 19 h.<\/strong>\r\n\r\n<strong><a href=\"https:\/\/www.acvic.org\/es\/proyectos-expositivos\/4301-paraules-d%E2%80%99amor-2#actividades\">&gt; actividades vinculadas<\/a><\/strong>\r\n\r\nLa lista de representaciones culturales occidentales alrededor del amor y las pasiones ser\u00eda inacabable: desde la mitolog\u00eda griega y sus tragedias, pasando por la escol\u00e1stica cristiana, el amor cort\u00e9s, el Siglo de Oro y el romanticismo del XVIII y parte del XIX, hasta las expresiones culturales m\u00e1s populares o alternativas de nuestros d\u00edas; la idea de amor a menudo ha causado estragos.\r\n\r\nEn el plano de lo real, seguimos sufriendo por los creyentes que exterminan a otro en nombre del amor a un Dios; todos los nacionalistas que contin\u00faan lanz\u00e1ndose a su mutua destrucci\u00f3n por amor a alguna patria o matria; adolescentes que entienden los rasgos celot\u00edpicos como signos de amor verdadero; la madre que mata a sus hijos para que no sufran; revolucionarios que dan la vida o la quitan por amor a alguna idea o revoluci\u00f3n social; o el amante que decide matar a su querida (o a rev\u00e9s) al ver que pierde su amor.\r\n\r\n\u00bfCu\u00e1l es la responsabilidad de la cultura en todas esas paradojas? \u00bfCu\u00e1ntas situaciones dramat\u00fargicamente preestablecidas hemos vivido en nuestras historias de amor? \u00bfQu\u00e9 placeres o fantasmas se ocultan tras la m\u00e1scara de las creencias alrededor del ideal del amor? \u00bfPodr\u00eda ser que la principal causa de los conflictos sociales no fuese el odio sino un exceso de amor ciego? \u00bfQu\u00e9 efectos tendr\u00eda sobre el orden social la desidealizaci\u00f3n del amor? \u00bfY sobre nosotros?\r\n\r\nEn<strong> <em>Paraules d\u2019amor. Un assaig sobre les passions<\/em><\/strong>, N\u00faria G\u00fcell se cuestiona las representaciones instituidas y los mandatos culturales aprendidos acerca del amor pasional y sus consecuencias.\r\n\r\nEs el proyecto ganador de la <strong>d\u00e9cima edici\u00f3n del Premio de Videocreaci\u00f3n<\/strong>. Coproducci\u00f3n de un proyecto de videocreaci\u00f3n entre los <strong>Centros Territoriales del Sistema P\u00fablico de Equipamientos de Artes Visuales de Catalunya<\/strong>*, <strong>Santa M\u00f2nica<\/strong>, <strong>Departamento de Cultura de la Generalitat de Catalunya<\/strong> y <strong>LOOP Barcelona<\/strong>. El Premio promueve el trabajo de artistas que destacan por sus planteamientos innovadores en el proceso de creaci\u00f3n.\r\n\r\n*Centros Territoriales del Sistema P\u00fablico de Equipamientos de Artes Visuales de Catalunya: ACVIC. Centre d\u2019Arts Contempor\u00e0nies, Vic; B\u00f2lit. Centre d\u2019Art Contemporani, Girona; La Fabra Centre d\u2019Art Contemporani, Barcelona; M|A|C Matar\u00f3 Art Contemporani; M\u00e8dol - Centre d\u2019Arts Contempor\u00e0nies de Tarragona; Centre d\u2019Art la Panera, Lleida; Lo Pati Centre d\u2019Art - Terres de l\u2019Ebre, Amposta, y Centre d\u2019Art Tecla Sala, L\u2019Hospitalet de Llobregat.\r\n\r\n<hr \/>\r\n\r\n<strong>N\u00daRIA G\u00dcELL<\/strong>\r\n\r\nNuria G\u00fcell (1981, Vidreres) se licenci\u00f3 en Bellas Artes en la Universitat de Barcelona, en la especialidad de escultura, y continuo sus estudios en la C\u00e1tedra Arte de Conducta de La Habana (Cuba). Su pr\u00e1ctica art\u00edstica se caracteriza por la confrontaci\u00f3n y el cuestionamiento de evidencias y convenciones morales. Una pr\u00e1ctica que ella entiende como necesaria desde el punto de vista social y pol\u00edtico, y en la cual se pone en juego lo cultural y lo establecido.\r\n\r\nEntre sus exposiciones individuales cabe destacar Confinements, Escape Plans and a Various Kinds of Jouissance, en Salle Principale (Par\u00eds, 2023); Tot ordre es vol pur. Una exposici\u00f3 retrospectiva, en Fabra i Coats (Barcelona, 2021); Nation State. Four Escape Strategies, en la Biennale Warszawa (Polonia, 2019); Au nom du P\u00e8re, de la Patrie et du Patriarcat, en CAC Br\u00e9tigny (Francia, 2018); y Troika Fiscal Disobedience Consultancy, en Project Arts Centre (Dubl\u00edn, 2016).\r\n\r\nHa colaborado en exposiciones colectivas como The Museum of Arte \u00datil, en Van Abbemuseum (Eindhoven, 2013); Un saber realmente \u00fatil, en el Museo Nacional Centro de Arte Reina Sof\u00eda (Madrid, 2014); Today Is Our Tomorrow, en PUBLICS (Helsinki, 2019); Coreografies del g\u00e8nere, al CCCB (Barcelona, 2019); Un m\u00eame monde, en la Maison des Arts Georges &amp; Claude Pompidou (Francia, 2021); \u201cEveryone is an Artist\u201d: Cosmopolitical Exercises with Joseph Beuys, en Kunstsammlung Nordrhein-Westfalen (D\u00fcsseldorf, 2021); y Palestina libre. Exposici\u00f3n de Apoyo al Pueblo Palestino y por el Fin de la Ocupaci\u00f3n, en Espacio Tangente (Burgos, 2024). Ha recibido, tambi\u00e9n, diversos premios y becas a lo largo de su trayectoria, y colabora regularmente con centros sociales y educativos. M\u00e1s informaci\u00f3n: <a href=\"https:\/\/www.nuriaguell.com\/\">www.nuriaguell.com<\/a>","desc_en":"<strong>Exhibition of\u00a0N\u00faria G\u00fcell<\/strong>\r\n\r\n<strong>NEXT EXHIBITION<\/strong>\r\nFrom September 4th to October 18th, 2025\r\n\r\n<strong>Opening September 4th, 2025 at 7 p.m.<\/strong>\r\n\r\n<a href=\"https:\/\/www.acvic.org\/en\/exhibition-projects\/4302-paraules-d%E2%80%99amor-2#activities\"><strong>&gt; Parallel activities<\/strong><\/a>\r\n\r\nThe list of Western cultural representations around love and passions would be endless: from Greek mythology and its tragedies, through Christian scholasticism, courtly love, the Golden Age and the Romanticism of the 18th and part of the 19th centuries, to the most popular or alternative cultural expressions of our day. All of these cultural representations are a testament to the caos caused by certain ideals of love.\r\n\r\nOn our plane of reality, we still endure the beliefs of those who would exterminate others out of love for a God; we endure nationalists who still throw themselves into mutual destruction for the love of homeland or motherland; young adults who confuse jealusy with signs of true love; the mother who kills her children so that they do not suffer; revolutionaries who sacrifice their lives or sacrifice the lives of others for the love of an idea of social revolution; or the lover who would kill their object of love, when they believe their love to be lost.\r\n\r\nIs our present-day culture responsible for these paradoxes? How many dramaturgic archetypes have we experienced in our stories of love? Behind the mask of the ideals of love, what pleasures or illusions are hidden? Could the main cause of social conflict be, not hatred, but an excess of blind love? What effects would the de-idealisation of love have upon the social order? And what effect would have upon us?\r\n\r\nIn Words of Love. An essay on the passions, N\u00faria G\u00fcell questions the institutionalised representations and learned cultural mandates around passionate love and its consequences.\r\n\r\n<strong>Words of Love<\/strong>, is the winning project of the tenth edition of the <strong>Premi de Videocreaci\u00f3 Video-Art Award<\/strong>. Co-production of a video project between the <strong>Centres Territorials del Sistema P\u00fablic d\u2019Equipaments d\u2019Arts Visuals de Catalunya<\/strong>*, <strong>Santa M\u00f2nica<\/strong>, <strong>Departament de Cultura de la Generalitat de Catalunya<\/strong> and <strong>LOOP Barcelona<\/strong>. The Award promotes the work of artists who stand out for their innovative approaches in the creative process.\r\n\r\n*Centres Territorials del Sistema P\u00fablic d\u2019Equipaments d\u2019Arts Visuals de Catalunya (Regional Centres, Public Visual Arts Facilities in Catalonia):\r\nACVIC. Centre for Contemporary Arts, Vic; B\u00f2lit. Centre for Contemporary Art, Girona; La Fabra Centre for Contemporary Art, Barcelona; M|A|C Matar\u00f3 Art Contemporani; M\u00e8dol - Centre for Contemporary Arts of Tarragona; La Panera Art Centre, Lleida; Lo Pati Centre for Art - Terres de l\u2019Ebre, Amposta, and Tecla Sala Art Centre, L\u2019Hospitalet de Llobregat.\r\n\r\n<hr \/>\r\n\r\n<strong>N\u00daRIA G\u00dcELL<\/strong>\r\n\r\nN\u00faria G\u00fcell (1981, Vidreres) graduated in Fine Arts at the University of Barcelona, specialising in sculpture, and continued her studies at the C\u00e1tedra Arte de Conducta (School of Behavioural Art) in Havana (Cuba). Her artistic practice is characterised by the confrontation and questioning of evidence and moral conventions, a practice which she understands as necessary from the social and political points of view, a practice in which the cultural and the established are brought into play.\r\n\r\nAmong her individual exhibitions, it is worth mentioning Confinements, Escape Plans, and Various Kinds of Jouissance, in Salle Principale (Paris, 2023); Tot ordre es vol pur. A retrospective exhibition, at Fabra i Coats (Barcelona, 2021); Nation State.Four Escape Strategies, at the Warszawa Biennale (Poland, 2019); Au nom du P\u00e8re, de la Patrie et du Patriarchate, at CAC Br\u00e9tigny (France, 2018); and Troika Fiscal Disobedience Consultancy, at Project Arts Centre (Dublin, 2016).\r\n\r\nShe has collaborated in group exhibitions such as The Museum of Arte \u00datil, at Van Abbemuseum (Eindhoven, 2013); Un saber realmente \u00fatil, at the Museo Nacional Centro de Arte Reina Sof\u00eda (Madrid, 2014); Today Is Our Tomorrow, in PUBLICS (Helsinki, 2019); Coreografies del g\u00e8nere, at the CCCB (Barcelona, 2019); Un m\u00eame monde, at the Maison des Arts Georges &amp; Claude Pompidou (France, 2021); \u201cEveryone is an Artist\u201d: Cosmopolitical Exercises with Joseph Beuys, at Kunstsammlung Nordrhein-Westfalen (D\u00fcsseldorf, 2021); and Palestina libre. Exhibition in support of the Palestinian People and for the end of the Occupation, at Espacio Tangente (Burgos, 2024).\r\n\r\nShe has also received several prizes and scholarships throughout her career, and regularly collaborates with social and educational centres.\r\n\r\nMore information: <a href=\"https:\/\/www.nuriaguell.com\/\">www.nuriaguell.com<\/a>","event_category":189,"event_show_only_own_date":true,"_event_confirmed":true,"_event_public":true,"_event_free":true,"_event_price-min":"","_event_price-max":"","_event_web_ca":"https:\/\/www.acvic.org\/ca\/projectes-expositius\/4300-paraules-d\u2019amor","_event_web_es":"","_event_web_en":"","event_contact_email":"info@acvic.org","event_apply_email":"","is_online_event":false,"is_art_nou_event":false,"is_bgw_event":false,"date_text":"","register_deadline":null,"altres_organitzadors":""},"abe_event_venue":"ACVIC","abe_event_category":"Inauguraci\u00f3","start":"2025-09-04 19:00:00","end":"2025-09-04 21:00:00","schedule":"daily","schedule_meta":"","frequency":1,"all_day":0,"until":"2025-09-04 19:00:00","include":[],"exclude":[],"_links":{"self":[{"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/events\/50541","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/events"}],"about":[{"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/types\/event"}],"author":[{"embeddable":true,"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/users\/172"}],"occurrences":[{"embeddable":true,"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/events\/50541\/occurrences"}],"acf:term":[{"embeddable":true,"taxonomy":"event-category","href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/event-category\/189"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/media\/50542"}],"wp:attachment":[{"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/media?parent=50541"}],"wp:term":[{"taxonomy":"event-venue","embeddable":true,"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/event-venues?post=50541"},{"taxonomy":"event-tag","embeddable":true,"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/event-tags?post=50541"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}