{"id":50893,"guid":{"rendered":"https:\/\/graf.cat\/?post_type=event&#038;p=50893"},"modified":"2025-09-19T19:22:32","modified_gmt":"2025-09-19T17:22:32","slug":"com-pedres-als-palmells-brases-i-flama","status":"publish","type":"event","link":"https:\/\/graf.cat\/es\/events\/event\/com-pedres-als-palmells-brases-i-flama\/","title":{"rendered":"Com pedres als palmells, brases i flama"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":32,"featured_media":50894,"template":"","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0},"event-venues":[679],"event-tags":[],"class_list":["post-50893","event","type-event","status-publish","has-post-thumbnail","hentry","event-venue-fabra-i-coats","event-category-exposicio"],"acf":{"title_ca":"Com pedres als palmells, brases i flama","title_es":"Como piedras en las palmas de las manos, ascuas y llamas","title_en":"As Stones on their Palms, Embers and Flame","desc_ca":"<b>Artistes: Marianne Fahmy, Joyce Joumaa, Huda Takriti, Hasan \u00d6zg\u00fcr Top<\/b>\r\n\r\n<b>Comiss\u00e0ria: Chiara Cartuccia<\/b>\r\n\r\nL'obra\u00a0<em><b>As Stones on Their Palms, Embers and Flame<\/b><\/em><b> (Com pedres als palmells, brases i flama)<\/b>, \u2014t\u00edtol inspirat en Fadwa Tuqan\u2014 explora l'entrella\u00e7ament entre la destrucci\u00f3 i les hist\u00f2ries de resist\u00e8ncia anticolonialista, l\u2019al\u00e7ament, la revoluci\u00f3 i el radicalisme pol\u00edtic arreu del Mediterrani. Les ru\u00efnes no s'entenen aqu\u00ed com a vestigis inerts del passat, sin\u00f3 com a terrenys carregats on convergeixen la capitulaci\u00f3 i la resili\u00e8ncia; \u00abcomuns negatius\u00bb que, tot i marcats pel rastre de la decad\u00e8ncia i el desposse\u00efment, nodreixen tamb\u00e9 la promesa del ressorgiment, de manera que formen un camp de lluita on s'entrecreuen la mem\u00f2ria, la imaginaci\u00f3 i el desig. S\u00f3n inseparables dels gestos que les van generar i d'aquells que en sorgeixen: actes de desobedi\u00e8ncia i const\u00e0ncia que porten dins seu el doble dest\u00ed de la derrota i la vict\u00f2ria.\r\n\r\nL'exposici\u00f3 reuneix quatre artistes el treball dels quals aborda aquestes condicions a trav\u00e9s d'estrat\u00e8gies diferents i, alhora, convergents: consideren les ru\u00efnes llocs mnemot\u00e8cnics i dispositius especulatius, on el record suscita projeccions de futurs m\u00e9s enll\u00e0 de la cat\u00e0strofe; tracen cicles de ru\u00efna social a la llum de passats i presents revolucionaris, demostrant que l'esfondrament i la germinaci\u00f3 van de bracet; interroguen l'arqueologia i la pr\u00e0ctica arxiv\u00edstica com a tecnologies de dominaci\u00f3, disciplines que fabriquen la legitimitat, monumentalitzen la derrota i esborren la mem\u00f2ria insurgent. Les ru\u00efnes es prenen com a terreny de confrontaci\u00f3, en el qual la viol\u00e8ncia ni s'oculta ni es nega, sin\u00f3 que es reconeix com a part integral de la for\u00e7a generativa de la transformaci\u00f3 pol\u00edtica. Aix\u00ed mateix, el l\u00e8xic de l'exposici\u00f3 trastoca la figura de l\u2019\u00abheroi\u00bb, redirigint l'atenci\u00f3 cap a gestos col\u00b7lectius de rebel\u00b7lia, sacrifici i repetici\u00f3. La resist\u00e8ncia es replanteja, ja no com a gest continu i triomfal, sin\u00f3 com a ritme recurrent, obstinat; la persist\u00e8ncia de cossos que s'aixequen, cauen i s'alcen de nou.\r\n\r\n<em><b>Com pedres als palmells, brases i flama <\/b><\/em>presenta les ru\u00efnes com a ferida i com a arma, com a cicatriu i com a arsenal. Aix\u00ed, des d'aquest terreny inestable, entre pols i ignici\u00f3, sorgeixen solidaritats i estructures de lluita. En els intersticis entre la destrucci\u00f3 i la creaci\u00f3, la imaginaci\u00f3 pol\u00edtica perdura.","desc_es":"<p dir=\"ltr\"><b>Artistas: Marianne Fahmy, Joyce Joumaa, Huda Takriti, Hasan \u00d6zg\u00fcr Top<\/b><\/p>\r\n<p dir=\"ltr\"><b>Comisaria: Chiara Cartuccia<\/b><\/p>\r\nLa obra\u00a0<em><b>As Stones on Their Palms, Embers and Flame\u00a0<\/b><\/em><b>(Como piedras en las palmas de las manos, ascuas y llamas)\u00a0<\/b>\u2014t\u00edtulo inspirado en la obra de Fadwa Tuqan\u2014 explora el entrelazamiento entre la destrucci\u00f3n y las historias de la resistencia anticolonialista, el levantamiento, la revoluci\u00f3n y el radicalismo pol\u00edtico a lo largo del Mediterr\u00e1neo. Las ruinas no se entienden aqu\u00ed como vestigios inertes del pasado, sino como terrenos cargados donde convergen la capitulaci\u00f3n y la resiliencia; \u00abcomunes negativos\u00bb que, aunque marcados por el rastro de la decadencia y la desposesi\u00f3n, nutren tambi\u00e9n la promesa del resurgimiento, formando as\u00ed un campo de lucha donde se entrecruzan la memoria, la imaginaci\u00f3n y el deseo. Resultan inseparables de los gestos que los generaron y de aquellos que surgen de ellos: actos de desobediencia y constancia que portan dentro en su interior el doble sino de la derrota y la victoria.\r\n\r\nLa exposici\u00f3n re\u00fane a cuatro artistas cuyo trabajo aborda estas condiciones a trav\u00e9s de estrategias diferentes y a la vez convergentes: consideran que las ruinas son lugares mnemot\u00e9cnicos y dispositivos especulativos donde el recuerdo suscita proyecciones de futuros m\u00e1s all\u00e1 de la cat\u00e1strofe; trazan ciclos de ruina social a la luz de pasados y presentes revolucionarios, mostrando as\u00ed c\u00f3mo el derrumbamiento y la germinaci\u00f3n van de la mano; interrogan a la arqueolog\u00eda y a la pr\u00e1ctica archiv\u00edstica como tecnolog\u00edas de dominaci\u00f3n, disciplinas que fabrican la legitimidad, monumentalizan la derrota y borran la memoria insurgente. Las ruinas se toman como terreno de confrontaci\u00f3n, en el que la violencia ni se oculta ni se niega, sino que se reconoce como parte integral de la fuerza generativa de la transformaci\u00f3n pol\u00edtica. Asimismo, el l\u00e9xico de la exposici\u00f3n trastoca la figura del \u00abh\u00e9roe\u00bb, redirigiendo la atenci\u00f3n hacia gestos colectivos de rebeld\u00eda, sacrificio y repetici\u00f3n. La resistencia se replantea, ya no como gesto continuo y triunfal, sino como ritmo recurrente, obstinado; la persistencia de cuerpos que se levantan, caen y se alzan de nuevo.\r\n<p dir=\"ltr\"><em><b>Como piedras en las palmas de las manos, ascuas y llamas<\/b><\/em> presenta las ruinas como herida y como arma, como cicatriz y como arsenal. As\u00ed, desde este terreno inestable, entre polvo e ignici\u00f3n, manan solidaridades y configuraciones de lucha. En los intersticios entre la destrucci\u00f3n y la creaci\u00f3n, la imaginaci\u00f3n pol\u00edtica perdura.<\/p>","desc_en":"<b>Artists: Marianne Fahmy, Joyce Joumaa, Huda Takriti, Hasan \u00d6zg\u00fcr Top <\/b>\r\n\r\n<b>Curated by Chiara Cartuccia<\/b>\r\n\r\n<em><b>As Stones on Their Palms, Embers and Flame<\/b>\u00a0<\/em>(after Fadwa Tuqan)\u00a0explores the entanglement of ruination with histories of anticolonial resistance, uprising, revolution, and political radicalism across the Mediterranean. Ruins are not understood here as inert remnants of the past, but as charged terrains where capitulation and endurance meet \u2014 \u201cnegative commons\u201d that, while bearing the traces of decay and dispossession, also harbour the promise of resurgence, inscribing a field of struggle where memory, imagination, and desire intersect. They are inseparable from the gestures that produced them and from those that rise in their wake: acts of disobedience and steadfastness, carrying within them the dual fate of defeat and victory.\r\n\r\nThe exhibition brings together four artists whose work integrates these concepts through distinct yet convergent strategies: addressing ruins as mnemonic sites and speculative devices, where remembrance sparks projections of futures beyond catastrophe; tracing cycles of social ruination in the light of revolutionary pasts and presents, exposing how collapse and germination fold into one another; interrogating archaeology and the archival as technologies of domination, disciplines that fabricate legitimacy, monumentalise defeat, and erase insurgent memory. Ruin is seized as a terrain of confrontation, where violence is neither concealed nor disavowed, but recognised as integral to the generative force of political transformation. The exhibition\u2019s lexicon also unsettles the figure of the \u201chero,\u201d shifting the viewer\u2019s attention toward collective gestures of defiance, sacrifice, and repetition. Resistance is reframed not as a singular, continuous triumphal gesture, but as a recurring, obstinate rhythm \u2014 the persistence of bodies standing, falling, and rising again.\r\n\r\n<em><b>As Stones on Their Palms, Embers and Flame<\/b>\u00a0<\/em>positions ruin as both wound and weapon, at once scar and arsenal. From this unstable ground, between dust and ignition, new solidarities and configurations of struggle erupt. In the interstices of destruction and creation, political imagination endures.","event_category":103,"event_show_only_own_date":true,"_event_confirmed":true,"_event_public":true,"_event_free":true,"_event_price-min":"","_event_price-max":"","_event_web_ca":"https:\/\/www.barcelona.cat\/lafabracac\/ca\/content\/com-pedres-als-palmells-brases-i-flama","_event_web_es":"https:\/\/www.barcelona.cat\/lafabracac\/es\/content\/como-piedras-en-las-palmas-de-las-manos-ascuas-y-llamas","_event_web_en":"https:\/\/www.barcelona.cat\/lafabracac\/en\/content\/stones-their-palms-embers-and-flame","event_contact_email":"","event_apply_email":"","is_online_event":false,"is_art_nou_event":false,"is_bgw_event":false,"date_text":"","register_deadline":null,"altres_organitzadors":""},"abe_event_venue":"La Fabra Centre d'Art Contemporani","abe_event_category":"Exposici\u00f3","start":"2026-02-07 00:00:00","end":"2026-05-31 23:59:00","schedule":"once","schedule_meta":"","frequency":1,"all_day":1,"until":"2026-02-07 00:00:00","include":[],"exclude":[],"_links":{"self":[{"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/events\/50893","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/events"}],"about":[{"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/types\/event"}],"author":[{"embeddable":true,"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/users\/32"}],"occurrences":[{"embeddable":true,"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/events\/50893\/occurrences"}],"acf:term":[{"embeddable":true,"taxonomy":"event-category","href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/event-category\/103"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/media\/50894"}],"wp:attachment":[{"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/media?parent=50893"}],"wp:term":[{"taxonomy":"event-venue","embeddable":true,"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/event-venues?post=50893"},{"taxonomy":"event-tag","embeddable":true,"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/event-tags?post=50893"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}