{"id":51251,"guid":{"rendered":"https:\/\/graf.cat\/?post_type=event&p=51251"},"modified":"2025-10-03T16:12:28","modified_gmt":"2025-10-03T14:12:28","slug":"finissage-linies-de-fuga-fabrizio-contarino","status":"publish","type":"event","link":"https:\/\/graf.cat\/es\/events\/event\/finissage-linies-de-fuga-fabrizio-contarino\/","title":{"rendered":"Finissage: L\u00ednies de Fuga – Fabrizio Contarino"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":186,"featured_media":51252,"template":"","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0},"event-venues":[509],"event-tags":[],"class_list":["post-51251","event","type-event","status-publish","has-post-thumbnail","hentry","event-venue-espai-souvenir","event-category-finissage"],"acf":{"title_ca":"Finissage: L\u00ednies de Fuga - Fabrizio Contarino","title_es":"Finissage: L\u00edneas de Fuga - Fabrizio Contarino","title_en":"Finissage: Lines of Flight - Fabrizio Contarino","desc_ca":"

Finissage i vermut \u00b7 L\u00ednies de fuga<\/strong>
En conversa amb Adriana Monroy Galindo<\/em><\/p>\r\n

Una cloenda de l\u2019exposici\u00f3 a trav\u00e9s d\u2019un di\u00e0leg sobre imatge, percepci\u00f3 i mem\u00f2ria del paisatge. Una lectura cr\u00edtica i sensorial de la instal\u00b7laci\u00f3.<\/p>\r\n

L\u00ednies de Fuga<\/strong> \u00e9s una instal\u00b7laci\u00f3 fotogr\u00e0fica que sorgeix d\u2019una deriva visual i geogr\u00e0fica entorn de l\u2019illa de Pantelleria, enclavament entre Europa i \u00c0frica al Mediterrani. A trav\u00e9s d\u2019imatges superposades, l\u2019obra explora un horitz\u00f3 que es fragmenta i es reimagina constantment, allunyant-se de tota idea d\u2019estabilitat.\r\nLa carretera perimetral de l\u2019illa, constru\u00efda origin\u00e0riament amb finalitats de vigil\u00e0ncia militar, funciona avui de manera ambigua: com a tra\u00e7a de control i com a plataforma d\u2019exploraci\u00f3 visual. En el seu recorregut circumscrit, l\u2019horitz\u00f3 \u00e9s abordat, interromput i recombinat una vegada i una altra.\r\nLes fotografies, concebudes com una \u00fanica seq\u00fc\u00e8ncia cont\u00ednua i realitzades mitjan\u00e7ant doble exposici\u00f3 anal\u00f2gica, interrompen la continu\u00eftat esperada del mar obert i condensen diferents moviments i perspectives en un mateix pla. Aix\u00ed, la linealitat es converteix en circularitat, i l\u2019aparent continu\u00eftat es dissol en fragments inaprensibles.\r\nL\u2019obra remet a la noci\u00f3 de Deleuze i Guattari d\u2019una desterritorialitzaci\u00f3 creativa: un proc\u00e9s que genera fractures i obre la possibilitat d\u2019esdevenir d\u2019una altra manera. All\u00f2 que fou concebut com a mecanisme de supervisi\u00f3 es transforma en un espai de deriva perceptiva, on es dilueixen els l\u00edmits entre observaci\u00f3 i ensonyaci\u00f3, entre cartografia i deambulaci\u00f3.\r\nL\u00ednies de Fuga proposa un horitz\u00f3 inestable i vibrant, travessat per fractures i perspectives divergents.<\/p>\r\nExtracte del text curatorial d\u2019Adriana Monroy Galindo<\/em>\r\n\r\nL\u2019obra forma part del projecte Paisatges de control<\/strong>, una investigaci\u00f3 sobre les infraestructures al Mediterrani com a expressions materials de poder, domesticaci\u00f3 i perman\u00e8ncia.\r\n\r\nAquest treball ha estat realitzat gr\u00e0cies a la beca de recerca de La Escocesa<\/strong>, F\u00e0brica de Creaci\u00f3, Barcelona.\r\n\r\nAmb el suport de l\u2019Institut de Cultura de Barcelona (ICUB)<\/strong>.\r\n\r\nFabrizio Contarino<\/strong> (It\u00e0lia, 1976) \u00e9s artista visual i investigador resident a Barcelona. El seu treball explora la intersecci\u00f3 entre el documental i l\u2019especulatiu, per reflexionar sobre la pertinen\u00e7a, la identitat i la mem\u00f2ria, aix\u00ed com sobre la relaci\u00f3 entre imatge i espai, mirada i escena. Ha participat en el programa Temporals<\/strong> de Barcelona Cultura (2024) i ha exposat a Europa, \u00c0sia i Am\u00e8rica Llatina, en espais com el Vilnius Graphic Art Centre<\/strong>, Monumental Callao<\/strong> a Lima, Studio Weil<\/strong> a Mallorca i el LOOP Festival<\/strong> a Barcelona. L\u2019octubre de 2025 formar\u00e0 part de Talent Latent<\/strong> al Festival SCAN Tarragona<\/strong>. Actualment dirigeix Espai Souvenir<\/strong> i \u00e9s membre de La Escocesa<\/strong>, f\u00e0brica de creaci\u00f3.","desc_es":"

Finissage y vermut \u00b7 L\u00edneas de fuga<\/strong>
En conversaci\u00f3n con Adriana Monroy Galindo<\/em><\/p>\r\n

Un cierre de la exposici\u00f3n a trav\u00e9s de un di\u00e1logo en torno a imagen, percepci\u00f3n y memoria del paisaje. Una lectura cr\u00edtica y sensorial de la instalaci\u00f3n.<\/p>\r\nL\u00edneas de Fuga<\/strong> explora la imagen como proceso de investigaci\u00f3n y el horizonte como construcci\u00f3n dis-continua y reconfigurable. La obra se despliega en torno a la isla de Pantelleria, enclave estrat\u00e9gicamente situado entre Europa y \u00c1frica en el Mediterr\u00e1neo central. Es una instalaci\u00f3n que re\u00fane una secuencia de fotograf\u00edas anal\u00f3gicas, realizadas a lo largo de la carretera perimetral que rodea la isla, construida original-mente para la vigilancia militar. La exploraci\u00f3n visual circunscrita al trazado de cemento ofrece un trayecto continuo a trav\u00e9s del cual el horizonte es constantemente abordado, fragmentado y reimaginado.\r\n\r\nLo que en origen fue mecanismo de supervisi\u00f3n se transforma en deriva perceptiva, donde se difumina la frontera entre observaci\u00f3n y experiencia, entre cartograf\u00eda y deambulaci\u00f3n. Las capturas resisten la idea de un paisaje estable y presentan capas superpuestas que interrumpen la prolongaci\u00f3n esperada del mar abierto. En las im\u00e1genes de aparente continuidad laten discontinuidades; cada toma es un retorno distinto al horizonte, y las huellas de luz revelan la superposici\u00f3n de tiempos que nunca se repiten. De este modo, la linealidad se transforma en circularidad; la continuidad en fragmentos fugaces.\r\n\r\nLa obra remite a la noci\u00f3n formulada por Gilles Deleuze y F\u00e9lix Guattari en Mil mesetas1: un proceso de desterritorializaci\u00f3n creativa que no se conforma con el orden preestablecido y, por tanto, genera fracturas que abren la posibilidad de devenir de otro modo. Aqu\u00ed, el horizonte, habitualmente concebido como promesa de apertura, aparece ligado a un trayecto cerrado, y es a trav\u00e9s de la repetici\u00f3n y el solapamiento de exposiciones que se subvierte esa mirada autoritaria inscrita en la infraestructura circular.\r\n\r\nLas im\u00e1genes ensambladas se presentan como un \u00fanico fragmento continuo que da cuerpo a la insta-laci\u00f3n. El resultado es una superficie de 13.40 metros de largo por 24 cm de alto, montada linealmente en 9 puntales que evocan el per\u00edmetro de la isla dentro de la sala de exhibici\u00f3n. El visitante puede recor-rer su interior, siguiendo una l\u00ednea suspendida a 155 cm del suelo, tendida entre mar y cemento, entre interior y exterior. Cada puntal se convierte en umbral: interrupci\u00f3n material que fragmenta la continui-dad de la imagen y, al mismo tiempo, la mantiene viva en su tensi\u00f3n.\r\n\r\nEn di\u00e1logo con la instalaci\u00f3n se presentan tambi\u00e9n las cer\u00e1micas Hoja de contacto. El t\u00edtulo remite al mate-rial de contacto fotogr\u00e1fico, pero aqu\u00ed se traslada a la arcilla como superficie de inscripci\u00f3n. Lejos de repro-ducir literalmente el territorio, estas piezas funcionan como huellas t\u00e1ctiles donde lo vivido y lo recordado se superponen, plasmando en la textura lo que excede a la vista y pide otra forma de atenci\u00f3n, la del tacto. Los fragmentos cer\u00e1micos, dispuestos detr\u00e1s del ensamblaje fotogr\u00e1fico, fueron concebidos a partir de una memoria t\u00e1ctil y visual, funcionando como evocaciones de la experiencia corporal del paisaje. De este modo, la obra no queda restringida a la mirada, sino que se ampl\u00eda hacia el cuerpo y la memoria material.\r\n\r\nTexto curatorial de Adriana Monroy Galindo<\/em>\r\n\r\nEste trabajo forma parte del proyecto Paisajes de Control, una investigaci\u00f3n sobre las infraestructuras en el Mediterr\u00e1neo como expresiones materiales de poder, domesticaci\u00f3n y permanencia.\r\nRealizado gracias a la Beca de Investigaci\u00f3n de La Escocesa<\/strong>, F\u00e0brica de Creaci\u00f3, Barcelona.\r\nCon el apoyo del Institut de Cultura de Barcelona.<\/strong>\r\nGracias a Fuji wonderphotoshop.es<\/strong>","desc_en":"

Finissage & Vermouth \u00b7 L\u00edneas de fuga<\/strong>
In conversation with Adriana Monroy Galindo<\/em><\/p>\r\n

A closing of the exhibition through a dialogue on image, perception, and memory of the landscape. A critical and sensorial reading of the installation.<\/p>\r\nLines of Flight<\/strong><\/em> explores the image as a process of research and the horizon as a discontinuous, ever-shift-ing construction. The artwork unfolds around the island of Pantelleria, strategically positioned between Europe and Africa in the central Mediterranean. Conceived as an installation, it brings together a sequence of analog photographs taken along the perimeter road that encircles the island, a road originally built for military surveillance. Framed by this concrete path, the visual journey becomes a continuous encounter with the horizon\u2014fragmented, disrupted, and reimagined.\r\n\r\nWhat began as a mechanism of control turns into a perceptual drift, where the boundary between obser-vation and experience, between cartography and wandering, gradually dissolves. The photographs resist the idea of a stable landscape, layering interruptions that unsettle the expected continuity of the open sea. Beneath apparent uniformity, discontinuities pulse; each image returns to the horizon differently, while traces of light reveal overlapping times that never recur. Linearity bends into circularity, and continuity into fleeting fragments.\r\n\r\nThe piece draws on the notion introduced by Gilles Deleuze and F\u00e9lix Guattari in A Thousand Plateaus1: a process of creative deterritorialization that refuses pre-established order and instead generates fractures opening the possibility of becoming otherwise. Here, the horizon\u2014usually conceived as a promise of open-ness\u2014appears bound to a closed circuit. Through repetition and overlapping exposures, the authoritarian gaze inscribed in the circular infrastructure is overturned.\r\n\r\nThe assembled photographs are presented as a single continuous fragment. The installation extends 13.40 meters in length and 24 centimeters in height, mounted in a linear sequence on nine pillars that evoke the island\u2019s perimeter within the exhibition space. Visitors are invited to walk its interior, following a suspended line 155 centimeters above the ground\u2014drawn between sea and concrete, between inside and outside. Each pillar becomes a threshold: a material interruption that fractures the image\u2019s continuity while at the same time keeping it alive in tension.\r\n\r\nAccompanying the installation are the ceramics titled Contact Sheet, a reference to the photographic proof sheet, here transposed into clay as a medium of inscription. Each piece carries tactile imprints of lived experience, overlapping with what memory brings to the surface. The ceramic fragments, placed behind the photographic assemblage, were conceived through both tactile and visual memory, evoking the body\u2019s encounter with the landscape. In this way, the work is not bound to sight alone, but extends into the body and material memory.\r\n\r\ncuratorial text by Adriana Monroy Galindo<\/em>\r\n\r\nThe work is part of the project Landscapes of Control<\/strong>, an investigation into infrastructures in the Mediterranean as material expressions of power, domestication, and permanence.\r\nProduced thanks to the Research Grant from La Escocesa<\/strong>, F\u00e0brica de Creaci\u00f3, Barcelona.\r\nAmb el suport de l\u2019Institut de Cultura de Barcelona<\/strong> (ICUB).\r\n\r\nFabrizio Contarino (Italy, 1976) is a visual artist and researcher based in Barcelona. His work explores the intersection between the documentary and the speculative, reflecting on belonging, identity, and memory, as well as the relationship between image and space, gaze, and scene. He has participated in the Temporals<\/strong> program by Barcelona Cultura (2024) and has exhibited in Europe, Asia, and Latin America, in spaces such as Vilnius Graphic Art Centre<\/strong>, Monumental Callao<\/strong> in Lima, Studio Weil<\/strong> in Mallorca, and LOOP Festival<\/strong> in Barcelona. In October 2025, he will take part in Talent Latent<\/strong> at the SCAN Tarragona Festival<\/strong>. He currently directs Espai Souvenir<\/strong> and is a member of La Escocesa<\/strong>, a creative factory.","event_category":471,"event_show_only_own_date":false,"_event_free":true,"_event_price-min":"","_event_price-max":"","_event_web_ca":"https:\/\/espaisouvenir.com\/portfolio\/fabrizio-contarino","_event_web_es":"https:\/\/espaisouvenir.com\/portfolio\/fabrizio-contarino","_event_web_en":"https:\/\/espaisouvenir.com\/portfolio\/fabrizio-contarino","event_contact_email":"","event_apply_email":"","is_online_event":false,"is_art_nou_event":false,"is_bgw_event":false,"date_text":"","register_deadline":null,"altres_organitzadors":""},"abe_event_venue":"Espai Souvenir","abe_event_category":"Finissage","start":"2025-10-18 12:00:00","end":"2025-10-18 15:00:00","schedule":"once","schedule_meta":"","frequency":1,"all_day":0,"until":"2025-10-18 12:00:00","include":[],"exclude":[],"_links":{"self":[{"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/events\/51251","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/events"}],"about":[{"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/types\/event"}],"author":[{"embeddable":true,"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/users\/186"}],"occurrences":[{"embeddable":true,"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/events\/51251\/occurrences"}],"acf:term":[{"embeddable":true,"taxonomy":"event-category","href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/event-category\/471"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/media\/51252"}],"wp:attachment":[{"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/media?parent=51251"}],"wp:term":[{"taxonomy":"event-venue","embeddable":true,"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/event-venues?post=51251"},{"taxonomy":"event-tag","embeddable":true,"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/event-tags?post=51251"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}