{"id":51579,"guid":{"rendered":"https:\/\/graf.cat\/?post_type=event&#038;p=51579"},"modified":"2025-10-17T18:44:51","modified_gmt":"2025-10-17T16:44:51","slug":"susanna-inglada-turn-the-tables","status":"publish","type":"event","link":"https:\/\/graf.cat\/es\/events\/event\/susanna-inglada-turn-the-tables\/","title":{"rendered":"Susanna Inglada. Turn the tables"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":145,"featured_media":51581,"template":"","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0},"event-venues":[603],"event-tags":[],"class_list":["post-51579","event","type-event","status-publish","has-post-thumbnail","hentry","event-venue-palmadotze","event-category-exposicio"],"acf":{"title_ca":"Susanna Inglada. Turn the tables","title_es":"Susanna Inglada. Turn the tables","title_en":"Susanna Inglada. Turn the tables","desc_ca":"PALMADOTZE inicia la temporada amb <em data-start=\"35\" data-end=\"52\">Turn the tables<\/em>, la primera exposici\u00f3 individual de Susanna Inglada a la galeria. Amb aquesta mostra, l'artista s'incorpora al grup d'artistes representats per la Galeria Palmadotze, iniciant aix\u00ed una nova etapa de col\u00b7laboraci\u00f3. L\u2019obra de Susanna Inglada (Banyeres Pened\u00e8s, 1983) examina les relacions de poder, l\u2019autoritat, la corrupci\u00f3, la complicitat i la desigualtat de g\u00e8nere, amb una mirada cr\u00edtica i compromesa. Inspirant-se en la cultura, la hist\u00f2ria i la pol\u00edtica de Catalunya i Espanya que l\u2019envolten, l\u2019artista crea instal\u00b7lacions i dibuixos que funcionen com cap\u00edtols d\u2019una hist\u00f2ria en qu\u00e8 aquests temes es desenvolupen a trav\u00e9s de cossos atape\u00efts, en tensi\u00f3 i lluita constant. Amb una formaci\u00f3 en arts visuals (a Barcelona, els Pa\u00efsos Baixos i B\u00e8lgica) i en teatre (a l\u2019Escola La Casona, Barcelona), la seva obra posseeix una forta qualitat esc\u00e8nica. Les figures que dibuixa \u2014sovint a mida real\u2014 es retallen, es munten i s\u2019instal\u00b7len en l\u2019espai com si fossin actors en un escenari. L\u2019espectador es veu immers en escenes teatrals de gran intensitat emocional, convertint-se gaireb\u00e9 en un actor m\u00e9s o en un lector que recorre un llibre il\u00b7lustrat que pren vida al seu voltant. Els temes que tracta s\u00f3n concrets, per\u00f2 els personatges romanen an\u00f2nims i gen\u00e8rics. A trav\u00e9s dels gestos i postures, representen rols de poder, jerarquies i observacions sobre el costat fosc del comportament hum\u00e0. No hi ha bons ni dolents definits: tots els personatges tenen m\u00faltiples capes i reflecteixen la complexitat de les relacions humanes. L\u2019entrella\u00e7ament dels cossos indica que tots formem part del mateix sistema i dels mateixos conflictes, fent dif\u00edcil distingir entre v\u00edctimes i botxins. La seva t\u00e8cnica principal \u00e9s el collage sobre paper: utilitza papers de diferents colors, dibuixa les figures amb carbonet, les retalla i les munta per donar cos a composicions expressives i din\u00e0miques. En els \u00faltims anys, ha aprofundit especialment en q\u00fcestions de g\u00e8nere, maternitat i el paper de la dona en la hist\u00f2ria de l\u2019art. El 2020, durant una resid\u00e8ncia a Roma, va investigar la representaci\u00f3 femenina en l\u2019art barroc i els rols que se li assignaven. Aquesta recerca es va iniciar el 2019 amb la seva interpretaci\u00f3 del relat de <em data-start=\"2264\" data-end=\"2285\">Susanna i els vells<\/em>, presentada al Museu de Dordrecht, coincidint amb l\u2019obtenci\u00f3 del Premi De Scheffer, i tot seguit amb la comissi\u00f3 del Museu de Gouda per fer les animacions. L\u2019exposici\u00f3 actual inclou tamb\u00e9 dues noves animacions, presentades per primera vegada, que amplien la seva recerca formal i conceptual sobre el moviment, el cos i la narrativa visual.","desc_es":"PALMADOTZE inicia la temporada con <em data-start=\"53\" data-end=\"70\" data-is-only-node=\"\">Turn the tables<\/em>, la primera exposici\u00f3n individual de Susanna Inglada en la galer\u00eda. Con esta muestra, la artista se incorpora al grupo de artistas representados por la Galer\u00eda Palmadotze, iniciando as\u00ed una nueva etapa de colaboraci\u00f3n. La obra de Susanna Inglada (Banyeres Pened\u00e8s, 1983) examina las relaciones de poder, la autoridad, la corrupci\u00f3n, la complicidad y la desigualdad de g\u00e9nero, con una mirada cr\u00edtica y comprometida. Inspir\u00e1ndose en la cultura, la historia y la pol\u00edtica de Catalu\u00f1a y Espa\u00f1a que la rodean, la artista crea instalaciones y dibujos que funcionan como cap\u00edtulos de una historia en la que estos temas se desarrollan a trav\u00e9s de cuerpos apretados, en tensi\u00f3n y en constante lucha. Con formaci\u00f3n en artes visuales (en Barcelona, Pa\u00edses Bajos y B\u00e9lgica) y en teatro (en la Escuela La Casona, Barcelona), su obra posee una fuerte calidad esc\u00e9nica. Las figuras que dibuja \u2014a menudo a tama\u00f1o real\u2014 se recortan, se ensamblan y se instalan en el espacio como si fueran actores en un escenario. El espectador se ve inmerso en escenas teatrales de gran intensidad emocional, convirti\u00e9ndose casi en un actor m\u00e1s o en un lector que recorre un libro ilustrado que cobra vida a su alrededor. Los temas que aborda son concretos, pero los personajes permanecen an\u00f3nimos y gen\u00e9ricos. A trav\u00e9s de gestos y posturas, representan roles de poder, jerarqu\u00edas y observaciones sobre el lado oscuro del comportamiento humano. No hay buenos ni malos definidos: todos los personajes tienen m\u00faltiples capas y reflejan la complejidad de las relaciones humanas. El entrelazamiento de los cuerpos indica que todos formamos parte del mismo sistema y de los mismos conflictos, lo que dificulta distinguir entre v\u00edctimas y verdugos. Su t\u00e9cnica principal es el collage sobre papel: utiliza papeles de diferentes colores, dibuja las figuras con carboncillo, las recorta y las ensambla para dar forma a composiciones expresivas y din\u00e1micas. En los \u00faltimos a\u00f1os, ha profundizado especialmente en cuestiones de g\u00e9nero, maternidad y el papel de la mujer en la historia del arte. En 2020, durante una residencia en Roma, investig\u00f3 la representaci\u00f3n femenina en el arte barroco y los roles que se le asignaban. Esta investigaci\u00f3n comenz\u00f3 en 2019 con su interpretaci\u00f3n del relato de <em data-start=\"2322\" data-end=\"2343\">Susana y los viejos<\/em>, presentada en el Museo de Dordrecht, coincidiendo con la obtenci\u00f3n del Premio De Scheffer, y continu\u00f3 con el encargo del Museo de Gouda para realizar las animaciones. La exposici\u00f3n actual incluye tambi\u00e9n dos nuevas animaciones, presentadas por primera vez, que ampl\u00edan su investigaci\u00f3n formal y conceptual sobre el movimiento, el cuerpo y la narrativa visual.","desc_en":"<article class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [&amp;:has([data-writing-block])&gt;*]:pointer-events-auto [content-visibility:auto] supports-[content-visibility:auto]:[contain-intrinsic-size:auto_100lvh] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" tabindex=\"-1\" data-turn-id=\"request-WEB:0846a30f-9686-4dfe-93ac-131fdb1d669e-1\" data-testid=\"conversation-turn-4\" data-scroll-anchor=\"true\" data-turn=\"assistant\">\r\n<div class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:--spacing(4)] thread-sm:[--thread-content-margin:--spacing(6)] thread-lg:[--thread-content-margin:--spacing(16)] px-(--thread-content-margin)\">\r\n<div class=\"[--thread-content-max-width:40rem] thread-lg:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" tabindex=\"-1\">\r\n<div class=\"flex max-w-full flex-col grow\">\r\n<div class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+&amp;]:mt-1\" dir=\"auto\" data-message-author-role=\"assistant\" data-message-id=\"2b01c9f2-b03a-46cb-a34a-fea0ae9adbd9\" data-message-model-slug=\"gpt-4o\">\r\n<div class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[1px]\">\r\n<div class=\"markdown prose dark:prose-invert w-full break-words light markdown-new-styling\">\r\n<p data-start=\"2713\" data-end=\"5275\" data-is-last-node=\"\" data-is-only-node=\"\">PALMADOTZE opens the season with <em data-start=\"2761\" data-end=\"2778\" data-is-only-node=\"\">Turn the tables<\/em>, the first solo exhibition by Susanna Inglada at the gallery. With this show, the artist joins the group of artists represented by Galeria Palmadotze, marking the beginning of a new stage of collaboration. The work of Susanna Inglada (Banyeres Pened\u00e8s, 1983) examines power relations, authority, corruption, complicity, and gender inequality with a critical and committed gaze. Drawing inspiration from the culture, history, and politics of Catalonia and Spain, the artist creates installations and drawings that function as chapters of a story in which these themes unfold through tightly packed bodies in tension and constant struggle. With a background in visual arts (in Barcelona, the Netherlands, and Belgium) and in theatre (at La Casona School, Barcelona), her work has a strong theatrical quality. The figures she draws \u2014often life-size\u2014 are cut out, assembled, and installed in space as if they were actors on a stage. The viewer is immersed in theatrical scenes of great emotional intensity, becoming almost another actor or a reader walking through an illustrated book that comes to life around them. The subjects she addresses are specific, but the characters remain anonymous and generic. Through gestures and postures, they represent roles of power, hierarchies, and observations about the darker sides of human behavior. There are no clearly defined heroes or villains: all characters have multiple layers and reflect the complexity of human relationships. The intertwining of bodies suggests that we are all part of the same system and the same conflicts, making it difficult to distinguish between victims and perpetrators. Her main technique is collage on paper: she uses papers of different colors, draws the figures with charcoal, cuts them out, and assembles them to create expressive and dynamic compositions. In recent years, she has delved especially into issues of gender, motherhood, and the role of women in art history. In 2020, during a residency in Rome, she investigated female representation in Baroque art and the roles assigned to women. This research began in 2019 with her interpretation of the story of <em data-start=\"4920\" data-end=\"4944\">Susanna and the Elders<\/em>, presented at the Dordrecht Museum, coinciding with the De Scheffer Prize, and continued with a commission from the Gouda Museum to create animations. The current exhibition also includes two new animations, presented for the first time, which expand her formal and conceptual research on movement, the body, and visual narrative.<\/p>\r\n\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/article>","event_category":103,"event_show_only_own_date":false,"_event_free":true,"_event_price-min":"","_event_price-max":"","_event_web_ca":"https:\/\/www.palmadotze.com\/susanna-inglada-2025-cat-expo","_event_web_es":"https:\/\/www.palmadotze.com\/castellano-","_event_web_en":"https:\/\/www.palmadotze.com\/english-","event_contact_email":"","event_apply_email":"","is_online_event":false,"is_art_nou_event":false,"is_bgw_event":false,"date_text":"","register_deadline":null,"altres_organitzadors":""},"abe_event_venue":"Palmadotze","abe_event_category":"Exposici\u00f3","start":"2025-09-20 00:00:00","end":"2025-11-30 23:59:00","schedule":"once","schedule_meta":"","frequency":1,"all_day":1,"until":"2025-09-20 00:00:00","include":[],"exclude":[],"_links":{"self":[{"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/events\/51579","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/events"}],"about":[{"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/types\/event"}],"author":[{"embeddable":true,"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/users\/145"}],"occurrences":[{"embeddable":true,"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/events\/51579\/occurrences"}],"acf:term":[{"embeddable":true,"taxonomy":"event-category","href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/event-category\/103"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/media\/51581"}],"wp:attachment":[{"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/media?parent=51579"}],"wp:term":[{"taxonomy":"event-venue","embeddable":true,"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/event-venues?post=51579"},{"taxonomy":"event-tag","embeddable":true,"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/event-tags?post=51579"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}