{"id":54166,"guid":{"rendered":"https:\/\/graf.cat\/?post_type=event&p=54166"},"modified":"2026-01-21T13:05:03","modified_gmt":"2026-01-21T11:05:03","slug":"tacet","status":"publish","type":"event","link":"https:\/\/graf.cat\/es\/events\/event\/tacet\/","title":{"rendered":"Tacet"},"content":{"rendered":"

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   <\/p>\n","protected":false},"author":19,"featured_media":54167,"template":"","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0},"event-venues":[],"event-tags":[],"class_list":["post-54166","event","type-event","status-publish","has-post-thumbnail","hentry","event-category-arts-in-viu"],"acf":{"title_ca":"Tacet","title_es":"Tacet","title_en":"Tacet","desc_ca":"DIMECRES DE SO I COS amb Selam Ortega<\/strong>\r\n

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\r\n\r\nSessi\u00f3 performativa de\u00a0Selam\u00a0Ortega<\/b>\u00a0amb la col\u00b7laboraci\u00f3 de\u00a0Javier\u00a0Pedreira<\/b>.\r\n\r\nPartint de la idea de la impossibilitat del silenci (John Cage), la pe\u00e7a proposa una escolta radical i col\u00b7lectiva en qu\u00e8 cossos, sala i so es fonen en una mateixa mat\u00e8ria.\r\n\r\nAquesta intervenci\u00f3 forma part d\u2019una recerca que\u00a0Selam\u00a0Ortega est\u00e0 desenvolupant per a la seva nova obra esc\u00e8nica, per a la qual est\u00e0 entrevistant persones adoptades origin\u00e0ries d\u2019Eti\u00f2pia en diferents pa\u00efsos i generacions. Veus i mem\u00f2ries que, encara que profundament personals, comparteixen una arrel comuna travessada pel desarrelament, la transformaci\u00f3 i la cerca d\u2019identitat.\r\n\r\nL\u2019obra ent\u00e9n la mem\u00f2ria com a mat\u00e8ria esc\u00e8nica i emocional, i posa el focus en la dist\u00e0ncia entre all\u00f2 que s\u2019ha viscut i la seva reconstrucci\u00f3 posterior. En aquest interval, l\u2019escena es converteix en un espai d\u2019escolta activa i pres\u00e8ncia compartida, on cada cos i cada resson\u00e0ncia participen d\u2019un mateix pols.\r\n\r\n<\/div>\r\n<\/div>\r\n
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<\/div>\r\n<\/div>\r\n<\/div>","desc_es":"MI\u00c9RCOLES DE SONIDO Y CUERPO con Selam Ortega<\/strong>\r\n
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\r\n\r\nSesi\u00f3n performativa de\u00a0Selam\u00a0Ortega<\/b>\u00a0con la colaboraci\u00f3n de\u00a0Javier Pedreira<\/b>.\r\n\r\nPartiendo de la idea de la imposibilidad del silencio (John Cage), la pieza propone una escucha radical y colectiva\u00a0en la que\u00a0cuerpos, sala y sonido se funden en una misma materia.\r\n\r\nEsta intervenci\u00f3n forma parte de una investigaci\u00f3n que\u00a0Selam\u00a0Ortega est\u00e1 desarrollando para su nueva obra esc\u00e9nica, para la que est\u00e1 entrevistando a personas adoptadas originarias de Etiop\u00eda en distintos pa\u00edses y generaciones. Voces y memorias que, aunque profundamente personales, comparten una ra\u00edz com\u00fan atravesada por el desarraigo, la transformaci\u00f3n y la b\u00fasqueda de identidad.\r\n\r\nLa obra entiende la memoria como materia esc\u00e9nica y emocional, y pone el foco en la distancia entre lo vivido y su reconstrucci\u00f3n posterior. En ese intervalo, la escena se convierte en un espacio de escucha activa y presencia compartida, donde cada cuerpo y cada resonancia participan de un mismo pulso.\r\n\r\n<\/div>\r\n<\/div>\r\n
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<\/div>\r\n<\/div>\r\n<\/div>","desc_en":"WEDNESDAYS OF SOUND AND BODY with Selam Ortega<\/strong>\r\n
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\r\n\r\nA performative session by\u00a0Selam Ortega<\/b>\u00a0with the collaboration of\u00a0Javier Pedreira<\/b>.\r\n\r\nDrawing on John Cage\u2019s idea of the impossibility of silence, the piece proposes a form of radical, collective listening in which bodies,\u00a0space\u00a0and sound merge into a single substance.\r\n\r\nThis intervention forms part of a wider research project that Selam Ortega is developing for her new stage work, for which she is interviewing adoptees originally from Ethiopia across different countries and generations. These voices and memories, though deeply personal, share a common root marked by uprooting,\u00a0transformation\u00a0and the search for identity.\r\n\r\nThe work understands memory as both scenic and emotional material, focusing on the distance between what was lived and its later reconstruction. In that interval, the stage becomes a space of active listening and shared presence, where\u00a0every body\u00a0and every resonance moves to a common pulse.\r\n\r\n<\/div>\r\n<\/div>\r\n
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