{"id":56158,"guid":{"rendered":"https:\/\/graf.cat\/?post_type=event&#038;p=56158"},"modified":"2026-04-14T19:33:14","modified_gmt":"2026-04-14T17:33:14","slug":"permitted-vulnerability-gvantsa-jishkariani-2","status":"publish","type":"event","link":"https:\/\/graf.cat\/es\/events\/event\/permitted-vulnerability-gvantsa-jishkariani-2\/","title":{"rendered":"Permitted Vulnerability, Gvantsa Jishkariani"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":186,"featured_media":56479,"template":"","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0},"event-venues":[509],"event-tags":[],"class_list":["post-56158","event","type-event","status-publish","has-post-thumbnail","hentry","event-venue-espai-souvenir","event-category-inauguracio"],"acf":{"title_ca":"Permitted Vulnerability, Gvantsa Jishkariani","title_es":"Permitted Vulnerability, Gvantsa Jishkariani","title_en":"Permitted Vulnerability, Gvantsa Jishkariani","desc_ca":"Gvantsa Jishkariani \u00e9s una artista i comiss\u00e0ria de Ge\u00f2rgia, actualment establerta a Madrid. Aquesta exposici\u00f3, <i>Permitted Vulnerability<\/i>, marca la seva primera presentaci\u00f3 individual a Espanya. En la seva pr\u00e0ctica, fa anys que desenvolupa un llenguatge visual distintiu basat en l\u2019estudi de la cultura visual dels pa\u00efsos postsovi\u00e8tics, amb un enfocament particular en l\u2019Europa de l\u2019Est. Li interessen les formes est\u00e8tiques d\u2019una \u00e8poca passada: l\u2019art decoratiu, el paisatge urb\u00e0 configurat per les transformacions pol\u00edtiques dels anys noranta en qu\u00e8 va cr\u00e9ixer, incloent mosaics, murals de propaganda, el disseny d\u2019interiors quotidi\u00e0 i la joieria. L\u2019artista es relaciona deliberadament amb les categories del kitsch i el gust popular, recorrent a est\u00e8tiques sovint marginades o menystingudes. La seva pr\u00e0ctica inclou experiments amb t\u00e8cniques artesanals: treballa amb t\u00e8xtils, mosaics, fusta i metall.\r\n\r\nDurant diversos anys ha desenvolupat de manera constant una s\u00e8rie d\u2019obres t\u00e8xtils basades en tapissos decoratius de car\u00e0cter burg\u00e8s. Els sotmet a processos de destrucci\u00f3 i reconstrucci\u00f3: els estripa, els deconstrueix i despr\u00e9s els torna a muntar, afegint-hi consignes brodades. El llenguatge en si \u2014frases com <i>The Language of the Unheard<\/i>, <i>False Compassion<\/i>i <i>History of Shame<\/i>\u2014 constitueix el nucli de la seva pr\u00e0ctica. Aquestes consignes provenen de registres diversos: el llenguatge de la protesta pol\u00edtica, la cultura popular i el llenguatge acad\u00e8mic. Els seus significats romanen fluids i depenen del context en qu\u00e8 es presenten.\r\n\r\nLes obres de Jishkariani ressonen amb l\u2019actual panorama pol\u00edtic i medi\u00e0tic, marcat per l\u2019experi\u00e8ncia de la policrisi. Arrelades en les tradicions de l\u2019art basat en el text i en estrat\u00e8gies d\u2019apropiaci\u00f3, operen principalment a nivell afectiu, generant respostes intenses i sovint ambivalents. Es tracta d\u2019una pr\u00e0ctica amb un car\u00e0cter clarament punk, a vegades \u201ctrashy\u201d: sense concessions, humor\u00edstica i deliberadament disruptiva del confort est\u00e8tic. El seu objectiu \u00e9s generar tensi\u00f3 \u2014una sensaci\u00f3 de ruptura que posa en evid\u00e8ncia les contradiccions inscrites tant en el llenguatge com en la realitat social. Al mateix temps, aquest gest implica recuperar el control: apropiar-se dels temes i est\u00e8tiques que l\u2019han modelada i reconfigurar-los amb les seves pr\u00f2pies mans.\r\n\r\nComiss\u00e0ria: Michalina Sablik\r\n\r\n<b>BIOGRAFIES:<\/b>\r\n\r\nGvantsa Jishkariani \u00e9s una artista multim\u00e8dia i comiss\u00e0ria. Es va graduar a la Facultat d\u2019Arquitectura de l\u2019Acad\u00e8mia Estatal de Belles Arts de Tbilisi i posteriorment va completar un m\u00e0ster en Mediaci\u00f3 Creativa al CCA-Tbilisi. Ha presentat exposicions individuals a nivell internacional, incloent Nova York, Munic, Brussel\u00b7les, Vars\u00f2via, Viena, Praga, Zuric i N\u00e0pols, entre altres. El 2025 va rebre el CICA Vancouver Contemporary Art Award; el 2021 va obtenir el Prince Claus Foundation SEED Award. El 2020 va ser seleccionada a la llista Forbes 30 Under 30, i el 2017 va rebre el Premi Tsinandali en Arts Visuals. A m\u00e9s de la seva pr\u00e0ctica art\u00edstica, Jishkariani desenvolupa una intensa carrera curatorial. \u00c9s cofundadora de les galeries PATARA Gallery (2017) i The Why Not Gallery (2018) a Tbilisi. Ha comissariat el Tbilisi Photo Festival Night of Photography (2017, 2018, 2019). Tamb\u00e9 va ser fundadora de la primera revista contempor\u00e0nia georgiana dedicada a l\u2019art i el disseny, <i>Gar-Gar<\/i> (2013\u20132018). Les seves obres formen part de nombroses col\u00b7leccions destacades d\u2019art contemporani, tant privades com p\u00fabliques, a nivell internacional i a Ge\u00f2rgia, incloent la col\u00b7lecci\u00f3 Alain Servais, Collezione Taurisano, la col\u00b7lecci\u00f3 de la fam\u00edlia reial dels Emirats \u00c0rabs Units, TBC Bank Collection i el State Silk Museum de Ge\u00f2rgia, entre d\u2019altres.\r\n\r\nMichalina Sablik \u00e9s historiadora de l\u2019art i comiss\u00e0ria d\u2019exposicions i programes p\u00fablics, establerta entre Barcelona i Vars\u00f2via. La seva pr\u00e0ctica explora l\u2019art com a eina cr\u00edtica i especulativa, amb un enfocament en la pol\u00edtica del surreal i les narratives postidentit\u00e0ries. Des de 2018 ha organitzat m\u00e9s de 30 exposicions en institucions de Pol\u00f2nia, Alemanya, Espanya, Cro\u00e0cia i Kosovo. Va treballar com a coordinadora a l\u2019Institut Adam Mickiewicz (2018\u20132020), va ser responsable de Galeria Promocyjna a Vars\u00f2via (2020\u20132023) i va realitzar una resid\u00e8ncia de recerca al MACBA a Barcelona (2024). Des de 2023 col\u00b7labora amb Zach\u0119ta \u2013 Galeria Nacional d\u2019Art a Vars\u00f2via. Actualment \u00e9s doctoranda a la Universitat de Vars\u00f2via i membre d\u2019AICA i de l\u2019Identity Crisis Network.\r\n\r\n&nbsp;","desc_es":"Gvantsa Jishkariani es una artista y comisaria de Georgia, actualmente residente en Madrid. Esta exposici\u00f3n, <i>Permitted Vulnerability<\/i>, marca su primera presentaci\u00f3n individual en Espa\u00f1a. En su pr\u00e1ctica, lleva a\u00f1os desarrollando un lenguaje visual distintivo basado en el estudio de la cultura visual de los pa\u00edses postsovi\u00e9ticos, con un enfoque particular en Europa del Este. Le interesan las formas est\u00e9ticas de una \u00e9poca pasada: el arte decorativo, el paisaje urbano configurado por las transformaciones pol\u00edticas de los a\u00f1os noventa en las que creci\u00f3, incluyendo mosaicos, murales propagand\u00edsticos, el dise\u00f1o de interiores cotidiano y la joyer\u00eda. La artista se relaciona deliberadamente con las categor\u00edas del kitsch y el gusto popular, recurriendo a est\u00e9ticas que a menudo son marginadas o desestimadas. Su pr\u00e1ctica incluye experimentos con t\u00e9cnicas artesanales: trabaja con textiles, mosaicos, madera y metal.\r\n\r\nDurante varios a\u00f1os ha desarrollado de manera consistente una serie de obras textiles basadas en tapices decorativos de car\u00e1cter burgu\u00e9s. Los somete a procesos de destrucci\u00f3n y reconstrucci\u00f3n: los desgarra, los deconstruye y luego los vuelve a ensamblar, a\u00f1adiendo consignas bordadas. El lenguaje en s\u00ed \u2014frases como <i>The Language of the Unheard<\/i>, <i>False Compassion<\/i> y <i>History of Shame<\/i>\u2014 constituye el n\u00facleo de su pr\u00e1ctica. Estas consignas provienen de distintos registros: el lenguaje de la protesta pol\u00edtica, la cultura popular y la jerga acad\u00e9mica. Sus significados permanecen fluidos y dependen del contexto en el que se presentan.\r\n\r\nLas obras de Jishkariani resuenan con el actual panorama pol\u00edtico y medi\u00e1tico, marcado por la experiencia de la policrisis. Enraizadas en las tradiciones del arte basado en texto y en estrategias de apropiaci\u00f3n, operan principalmente a nivel afectivo, provocando respuestas intensas y a menudo ambivalentes. Se trata de una pr\u00e1ctica con un car\u00e1cter claramente punk, en ocasiones \u201ctrashy\u201d: sin concesiones, humor\u00edstica y deliberadamente disruptiva del confort est\u00e9tico. Su objetivo es generar tensi\u00f3n \u2014una sensaci\u00f3n de ruptura que pone en evidencia las contradicciones inscritas tanto en el lenguaje como en la realidad social. Al mismo tiempo, este gesto implica recuperar el control: apropiarse de los temas y est\u00e9ticas que la han moldeado y reconfigurarlos con sus propias manos.\r\n\r\nComisaria: Michalina Sablik\r\n\r\n<b>BIOGRAF\u00cdAS:<\/b>\r\n\r\nGvantsa Jishkariani es una artista multimedia y comisaria. Se gradu\u00f3 en la Facultad de Arquitectura de la Academia Estatal de Bellas Artes de Tbilisi y posteriormente complet\u00f3 un m\u00e1ster en Mediaci\u00f3n Creativa en el CCA-Tbilisi. Ha presentado exposiciones individuales a nivel internacional, incluyendo Nueva York, M\u00fanich, Bruselas, Varsovia, Viena, Praga, Z\u00farich y N\u00e1poles, entre otras ciudades. En 2025 recibi\u00f3 el CICA Vancouver Contemporary Art Award; en 2021 obtuvo el Prince Claus Foundation SEED Award. En 2020 fue incluida en la lista Forbes 30 Under 30, y en 2017 recibi\u00f3 el Premio Tsinandali en Artes Visuales. Adem\u00e1s de su pr\u00e1ctica art\u00edstica, Jishkariani desarrolla una intensa carrera curatorial. Es cofundadora de las galer\u00edas PATARA Gallery (2017) y The Why Not Gallery (2018) en Tbilisi. Ha comisariado el Tbilisi Photo Festival Night of Photography (2017, 2018, 2019). Tambi\u00e9n fue fundadora de la primera revista contempor\u00e1nea georgiana dedicada al arte y el dise\u00f1o, <i>Gar-Gar<\/i> (2013\u20132018). Sus obras forman parte de numerosas colecciones destacadas de arte contempor\u00e1neo, tanto privadas como p\u00fablicas, a nivel internacional y en Georgia, incluyendo la colecci\u00f3n Alain Servais, Collezione Taurisano, la colecci\u00f3n de la familia real de los Emiratos \u00c1rabes Unidos, TBC Bank Collection y el State Silk Museum de Georgia, entre otras.\r\n\r\nMichalina Sablik es historiadora del arte y comisaria de exposiciones y programas p\u00fablicos, residente entre Barcelona y Varsovia. Su pr\u00e1ctica explora el arte como herramienta cr\u00edtica y especulativa, con un enfoque en la pol\u00edtica de lo surreal y las narrativas post-identitarias. Desde 2018 ha organizado m\u00e1s de 30 exposiciones en instituciones de Polonia, Alemania, Espa\u00f1a, Croacia y Kosovo. Trabaj\u00f3 como coordinadora en el Instituto Adam Mickiewicz (2018\u20132020), fue directora de Galeria Promocyjna en Varsovia (2020\u20132023) y realiz\u00f3 una residencia de investigaci\u00f3n en MACBA en Barcelona (2024). Desde 2023 colabora con Zach\u0119ta \u2013 Galer\u00eda Nacional de Arte en Varsovia. Actualmente es doctoranda en la Universidad de Varsovia y miembro de AICA y de Identity Crisis Network.\r\n\r\n&nbsp;","desc_en":"Gvantsa Jishkariani is an artist and curator from Georgia, currently based in Madrid. This exhibition \u201cPermitted Vulnerability\u201d marks her first solo presentation in Spain. In her practice, she has for years developed a distinctive visual language grounded in the study of the visual culture of post-Soviet countries, with a particular focus on East European. She is interested in the aesthetic forms of a bygone era: decorative art, the urban landscape shaped by the political transformations of the 1990s in which she grew up, including mosaics, propaganda murals, everyday interior design, and jewelry. The artist deliberately engages with the categories of kitsch and popular taste, drawing on aesthetics that are often marginalized or dismissed. Her practice includes experiments with craft techniques\u2014working with textiles, mosaics, wood, and metal.\r\n\r\nFor several years, she has consistently developed a series of textile works based on decorative, bourgeois tapestries. She subjects them to processes of destruction and reconstruction: tearing, deconstructing, and then reassembling them, adding embroidered slogans. Language itself\u2014phrases such as <i>The Language of the Unheard<\/i>, <i>False Compassion<\/i>, and <i>History of Shame<\/i>\u2014forms the core of her practice. These slogans draw from different registers: the language of political protest, popular culture, and academic jargon. Their meanings remain fluid and contingent on the context in which they are presented.\r\n\r\nJishkariani\u2019s works resonate with the current political and media landscape, marked by the experience of polycrisis. Rooted in the traditions of text-based art and strategies of appropriation, they operate primarily on an affective level, triggering intense and often ambivalent responses. This is a practice with a distinctly punk, at times \u201ctrashy\u201d character: uncompromising, funny, and deliberately disruptive of aesthetic comfort. Its aim is to generate tension\u2014a sense of rupture that exposes the contradictions embedded both in language and in social reality. At the same time, this gesture is about reclaiming control: taking hold of the very topics and aesthetics that once shaped her, and reshaping them through her own hands.\r\n\r\nCurator: Michalina Sablik\r\n\r\nBIOS:\r\n\r\n<b>Gvantsa Jishkariani<\/b> is a multimedia artist and curator. She graduated from the Faculty of Architecture of the Tbilisi State Academy of the Fine Arts, then completed her master program in Creative Mediation at the CCA-Tbilisi. She exhibited solo shows internationally including New York, Munich, Brussels, Warsaw, Vienna, Prague, Zurich, Naples among others. In 2025 Gvantsa Received CICA Vancouver Contemporary Art Awards, In 2021 she received Prince Claus Foundation SEED Awards. In 2020 she was selected for the Forbes 30 under 30 list, in 2017 the artist received the Tsinandali Award in Visual Arts. Apart from her artistic practice, Jishkariani has an equally vibrant curatorial career. She is a co-founder of Tbilisi-based galleries PATARA Gallery (2017) and The Why Not Gallery (2018). She curated Tbilisi Photo Festival Night of Photography (2017, 2018, 2019). Jishkariani was the founder of the first contemporary Georgian magazine Gar-Gar on art and design (2013-18). Her works are part of numerous prominent private and public contemporary art collections internationally and in Georgian Including: Alain Servais Collection, Collezione Taurisano, Royal family of UAE collection, TBC Bank Collection, The State Silk Museum, Georgia, among others.\r\n\r\n&nbsp;\r\n\r\n<b>Michalina Sablik<\/b> is an art historian and curator of exhibitions and public programs, based between Barcelona and Warsaw. Her practice explores art as a critical and speculative tool, with a focus on the politics of the surreal and post-identity narratives. Since 2018, she has organized over 30 exhibitions in major institutions across Poland, Germany, Spain, Croatia, and Kosovo. She worked as a coordinator at the Adam Mickiewicz Institute (2018\u20132020), served as manager of Galeria Promocyjna in Warsaw (2020\u20132023), and was a researcher-in-residence at MACBA in Barcelona (2024). Since 2023, she has been collaborating with Zach\u0119ta \u2013 National Gallery of Art in Warsaw. She is currently a PhD candidate at the University of Warsaw and a member of AICA and the Identity Crisis Network.","event_category":189,"event_show_only_own_date":false,"_event_confirmed":true,"_event_public":true,"_event_free":true,"_event_price-min":"","_event_price-max":"","_event_web_ca":"https:\/\/espaisouvenir.com\/","_event_web_es":"https:\/\/espaisouvenir.com","_event_web_en":"https:\/\/espaisouvenir.com\/","event_contact_email":"","event_apply_email":"","is_online_event":false,"is_art_nou_event":false,"is_bgw_event":false,"date_text":"","register_deadline":null,"altres_organitzadors":""},"abe_event_venue":"Espai Souvenir","abe_event_category":"Inauguraci\u00f3","start":"2026-05-05 19:00:00","end":"2026-05-05 21:30:00","schedule":"once","schedule_meta":"","frequency":1,"all_day":0,"until":"2026-05-05 19:00:00","include":[],"exclude":[],"_links":{"self":[{"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/events\/56158","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/events"}],"about":[{"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/types\/event"}],"author":[{"embeddable":true,"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/users\/186"}],"occurrences":[{"embeddable":true,"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/events\/56158\/occurrences"}],"acf:term":[{"embeddable":true,"taxonomy":"event-category","href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/event-category\/189"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/media\/56479"}],"wp:attachment":[{"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/media?parent=56158"}],"wp:term":[{"taxonomy":"event-venue","embeddable":true,"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/event-venues?post=56158"},{"taxonomy":"event-tag","embeddable":true,"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/event-tags?post=56158"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}