{"id":56297,"guid":{"rendered":"https:\/\/graf.cat\/?post_type=event&#038;p=56297"},"modified":"2026-04-09T12:32:26","modified_gmt":"2026-04-09T10:32:26","slug":"essers-volatils-paisatges-efimers","status":"publish","type":"event","link":"https:\/\/graf.cat\/es\/events\/event\/essers-volatils-paisatges-efimers\/","title":{"rendered":"\u00c9ssers vol\u00e0tils, paisatges ef\u00edmers"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":19,"featured_media":56298,"template":"","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0},"event-venues":[],"event-tags":[],"class_list":["post-56297","event","type-event","status-publish","has-post-thumbnail","hentry","event-category-arts-in-viu"],"acf":{"title_ca":"\u00c9ssers vol\u00e0tils, paisatges ef\u00edmers","title_es":"\u00c9ssers vol\u00e0tils, paisatges ef\u00edmers","title_en":"\u00c9ssers vol\u00e0tils, paisatges ef\u00edmers","desc_ca":"DIMARTS DE V\u00cdDEO amb Carmen Barreiro, Iona Quesada, manu prado paz i IEFC\r\n<div class=\"text aem-GridColumn aem-GridColumn--default--12\">\r\n<div id=\"text-20823b659a\" class=\"cmp-text margin-container\" data-cmp-data-layer=\"{&quot;text-20823b659a&quot;:{&quot;@type&quot;:&quot;aem-arts\/components\/content\/text\/v1\/text&quot;,&quot;repo:modifyDate&quot;:&quot;2026-03-17T13:59:05Z&quot;,&quot;xdm:text&quot;:&quot;&lt;p&gt;La Mostra Internacional de Films de Dones de Barcelona (MIFDB) fa tres d\u00e8cades que cataloga i arxiva totes aquelles pel\u00b7l\u00edcules que es programen i s\u2019investiguen en cada edici\u00f3 del festival. Com a part d\u2019una proposta de reactivaci\u00f3 de l\u2019arxiu des d\u2019una mirada cr\u00edtica, convidem la cineasta Alba Cros perqu\u00e8 s\u2019hi endinsi amb una perspectiva queer. En aquesta sessi\u00f3, presentar\u00e0 els resultats de la seva recerca fent emergir les pr\u00e0ctiques queer de la programaci\u00f3 del festival al llarg de la seva hist\u00f2ria.&lt;\/p&gt;\\r\\n&quot;}}\">\r\n<div class=\"text aem-GridColumn aem-GridColumn--default--12\">\r\n<div id=\"text-8bee3d92e7\" class=\"cmp-text margin-container\" data-cmp-data-layer=\"{&quot;text-8bee3d92e7&quot;:{&quot;@type&quot;:&quot;aem-arts\/components\/content\/text\/v1\/text&quot;,&quot;repo:modifyDate&quot;:&quot;2026-03-17T13:53:19Z&quot;,&quot;xdm:text&quot;:&quot;&lt;p&gt;La Mostra Internacional de Films de Dones de Barcelona (MIFDB) fa tres d\u00e8cades que cataloga i arxiva totes aquelles pel\u00b7l\u00edcules que es programen i s\u2019investiguen en cada edici\u00f3 del festival. Com a part d\u2019una proposta de reactivaci\u00f3 de l\u2019arxiu des d\u2019una mirada cr\u00edtica, convidem la creadora i investigadora A\u00edda Bueno perqu\u00e8 s\u2019hi endinsi des d\u2019una perspectiva postcolonial i cr\u00edtica de ra\u00e7a. En aquesta sessi\u00f3, presentar\u00e0 els resultats de la seva recerca per fer emergir les pr\u00e0ctiques postcolonials de programaci\u00f3 del festival al llarg de la seva hist\u00f2ria.&lt;\/p&gt;\\r\\n&quot;}}\">\r\n<div class=\"text aem-GridColumn aem-GridColumn--default--12\">\r\n<div id=\"text-b53af15e92\" class=\"cmp-text margin-container\" data-cmp-data-layer=\"{&quot;text-b53af15e92&quot;:{&quot;@type&quot;:&quot;aem-arts\/components\/content\/text\/v1\/text&quot;,&quot;repo:modifyDate&quot;:&quot;2026-03-17T14:11:53Z&quot;,&quot;xdm:text&quot;:&quot;&lt;p&gt;El cinema experimental ens permet treballar amb unes estrat\u00e8gies que serien absolutament inviables en el context de les grans (o no tan grans) produccions. El fet que puguem prescindir de grans equips humans i complexos equipaments redimensiona el proc\u00e9s creatiu a una altra escala: la c\u00e0mera deixa de ser un intr\u00fas tecnol\u00f2gic i es converteix en una extensi\u00f3 del nostre propi ull. El\/la cineasta solitari\/\u00e0ria es torna invisible i la seva atenci\u00f3, alliberada de formalismes, \u00e9s capa\u00e7 de focalitzar-se en el m\u00e9s min\u00fascul dels accidents protagonista de la quotidianitat. Aquesta proximitat guanyada ens permet submergir-nos en espais dom\u00e8stics, marginals o profundament personals, i retornar-nos el poder original del cinemat\u00f2graf: la capacitat de sorprendre\u2019s davant del m\u00f3n i de guardar, per sempre, la llum d\u2019un moment que mai no es tornar\u00e0 a repetir.&lt;\/p&gt;\\r\\n&lt;p&gt;Explorarem aquestes viv\u00e8ncies a trav\u00e9s dels projectes &lt;i&gt;De blanco, muerte&lt;\/i&gt;, de Iona Quesada i Carmen Barreiro, i &lt;i&gt;2 inviernos I&lt;\/i&gt;, de manu prado paz (projecci\u00f3 en pel\u00b7l\u00edcula s\u00faper-8 amb &lt;i&gt;impro&lt;\/i&gt; sonora en directe).&lt;\/p&gt;\\r\\n&quot;}}\">\r\n\r\nEl cinema experimental ens permet treballar amb unes estrat\u00e8gies que serien absolutament inviables en el context de les grans (o no tan grans) produccions. El fet que puguem prescindir de grans equips humans i complexos equipaments redimensiona el proc\u00e9s creatiu a una altra escala: la c\u00e0mera deixa de ser un intr\u00fas tecnol\u00f2gic i es converteix en una extensi\u00f3 del nostre propi ull. El\/la cineasta solitari\/\u00e0ria es torna invisible i la seva atenci\u00f3, alliberada de formalismes, \u00e9s capa\u00e7 de focalitzar-se en el m\u00e9s min\u00fascul dels accidents protagonista de la quotidianitat. Aquesta proximitat guanyada ens permet submergir-nos en espais dom\u00e8stics, marginals o profundament personals, i retornar-nos el poder original del cinemat\u00f2graf: la capacitat de sorprendre\u2019s davant del m\u00f3n i de guardar, per sempre, la llum d\u2019un moment que mai no es tornar\u00e0 a repetir.\r\n\r\nExplorarem aquestes viv\u00e8ncies a trav\u00e9s dels projectes\u00a0<i>De blanco, muerte<\/i>, de Iona Quesada i Carmen Barreiro, i\u00a0<i>2 inviernos I<\/i>, de manu prado paz (projecci\u00f3 en pel\u00b7l\u00edcula s\u00faper-8 amb\u00a0<i>impro<\/i> sonora en directe).\r\n\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<div class=\"separator aem-GridColumn aem-GridColumn--default--12\">\r\n<div class=\"layout-container\">\r\n<div id=\"separator-dc8d883788\" class=\"cmp-separator\"><\/div>\r\n<\/div>\r\n<\/div>\r\nActivitat oberta a tothom i gratu\u00efta amb aforament limitat a 55 persones\r\n<b>Idioma:\u00a0<\/b>catal\u00e0 i castell\u00e0\r\n\r\nA la SALA BAR del Santa M\u00f2nica","desc_es":"MARTES DE V\u00cdDEO con Carmen Barreiro, Iona Quesada, manu prado paz y IEFC\r\n<div class=\"text aem-GridColumn aem-GridColumn--default--12\">\r\n<div id=\"text-bb2329c794\" class=\"cmp-text margin-container\" data-cmp-data-layer=\"{&quot;text-bb2329c794&quot;:{&quot;@type&quot;:&quot;aem-arts\/components\/content\/text\/v1\/text&quot;,&quot;repo:modifyDate&quot;:&quot;2026-03-24T00:21:50Z&quot;,&quot;xdm:text&quot;:&quot;&lt;p&gt;La Mostra Internacional de Films de Dones de Barcelona (MIFDB) lleva tres d\u00e9cadas catalogando y archivando todas aquellas pel\u00edculas que se programan y se investigan en cada edici\u00f3n del festival. Como parte de una propuesta de reactivaci\u00f3n del archivo desde una mirada cr\u00edtica, invitamos a la cineasta Alba Cros para que se adentre en ella con una perspectiva &lt;i&gt;queer&lt;\/i&gt;. En esta sesi\u00f3n, presentar\u00e1 los resultados de su investigaci\u00f3n haciendo emerger las pr\u00e1cticas &lt;i&gt;queer&lt;\/i&gt; de la programaci\u00f3n del festival a lo largo de su historia.&lt;\/p&gt;\\r\\n&quot;}}\">\r\n<div class=\"text aem-GridColumn aem-GridColumn--default--12\">\r\n<div id=\"text-8a9a7dfa93\" class=\"cmp-text margin-container\" data-cmp-data-layer=\"{&quot;text-8a9a7dfa93&quot;:{&quot;@type&quot;:&quot;aem-arts\/components\/content\/text\/v1\/text&quot;,&quot;repo:modifyDate&quot;:&quot;2026-03-24T00:11:03Z&quot;,&quot;xdm:text&quot;:&quot;&lt;p&gt;La Mostra Internacional de Films de Dones de Barcelona (MIFDB) lleva tres d\u00e9cadas catalogando y archivando todas aquellas pel\u00edculas que se programan y se investigan en cada edici\u00f3n del festival. Como parte de una propuesta de reactivaci\u00f3n del archivo desde una mirada cr\u00edtica, invitamos a la creadora e investigadora A\u00edda Bueno para que se adentre en ella desde una perspectiva postcolonial y cr\u00edtica de raza. En esta sesi\u00f3n, presentar\u00e1 los resultados de su investigaci\u00f3n para hacer emerger las pr\u00e1cticas postcoloniales de programaci\u00f3n del festival a lo largo de su historia.&lt;\/p&gt;\\r\\n&quot;}}\">\r\n<div class=\"text aem-GridColumn aem-GridColumn--default--12\">\r\n<div id=\"text-2464c36f25\" class=\"cmp-text margin-container\" data-cmp-data-layer=\"{&quot;text-2464c36f25&quot;:{&quot;@type&quot;:&quot;aem-arts\/components\/content\/text\/v1\/text&quot;,&quot;repo:modifyDate&quot;:&quot;2026-03-24T00:32:40Z&quot;,&quot;xdm:text&quot;:&quot;&lt;p&gt;El cine experimental nos permite trabajar con unas estrategias que ser\u00edan absolutamente inviables en el contexto de las grandes (o no tan grandes) producciones. El hecho de que podamos prescindir de grandes equipos humanos y complejos equipamientos redimensiona el proceso creativo a otra escala: la c\u00e1mara deja de ser un intruso tecnol\u00f3gico y se convierte en una extensi\u00f3n de nuestro propio ojo. El\/la cineasta solitario\/a se vuelve invisible y su atenci\u00f3n, liberada de formalismos, es capaz de focalizarse en el m\u00e1s min\u00fasculo de los accidentes protagonista de lo cotidiano. Esta proximidad ganada nos permite sumergirnos en espacios dom\u00e9sticos, marginales o profundamente personales, y devolvernos el poder original del cinemat\u00f3grafo: la capacidad de sorprenderse ante el mundo y de guardar, para siempre, la luz de un momento que nunca volver\u00e1 a repetirse.&lt;\/p&gt;\\r\\n&lt;p&gt;Exploraremos estas vivencias a trav\u00e9s de los proyectos &lt;i&gt;De blanco, muerte&lt;\/i&gt;, de Iona Quesada y Carmen Barreiro, y &lt;i&gt;2 inviernos I&lt;\/i&gt;, de manu prado paz (proyecci\u00f3n en pel\u00edcula super-8 con &lt;i&gt;impro&lt;\/i&gt; sonora en directo).&lt;\/p&gt;\\r\\n&quot;}}\">\r\n\r\nEl cine experimental nos permite trabajar con unas estrategias que ser\u00edan absolutamente inviables en el contexto de las grandes (o no tan grandes) producciones. El hecho de que podamos prescindir de grandes equipos humanos y complejos equipamientos redimensiona el proceso creativo a otra escala: la c\u00e1mara deja de ser un intruso tecnol\u00f3gico y se convierte en una extensi\u00f3n de nuestro propio ojo. El\/la cineasta solitario\/a se vuelve invisible y su atenci\u00f3n, liberada de formalismos, es capaz de focalizarse en el m\u00e1s min\u00fasculo de los accidentes protagonista de lo cotidiano. Esta proximidad ganada nos permite sumergirnos en espacios dom\u00e9sticos, marginales o profundamente personales, y devolvernos el poder original del cinemat\u00f3grafo: la capacidad de sorprenderse ante el mundo y de guardar, para siempre, la luz de un momento que nunca volver\u00e1 a repetirse.\r\n\r\nExploraremos estas vivencias a trav\u00e9s de los proyectos\u00a0<i>De blanco, muerte<\/i>, de Iona Quesada y Carmen Barreiro, y\u00a0<i>2 inviernos I<\/i>, de manu prado paz (proyecci\u00f3n en pel\u00edcula super-8 con\u00a0<i>impro<\/i>\u00a0sonora en directo).\r\n\r\n<\/div>\r\n<\/div>\r\n<div class=\"separator aem-GridColumn aem-GridColumn--default--12\">\r\n<div class=\"layout-container\">\r\n<div id=\"separator-f892a4ebb5\" class=\"cmp-separator\"><\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<div class=\"separator aem-GridColumn aem-GridColumn--default--12\">\r\n<div class=\"layout-container\">\r\n<div id=\"separator-2d3623e88a\" class=\"cmp-separator\"><\/div>\r\n<\/div>\r\n<\/div>\r\nActividad abierta a todo el mundo y gratuita con aforo limitado a 55 personas\r\n<b>Idioma: <\/b>catal\u00e1n y castellano\r\n\r\nEn la SALA BAR del Santa M\u00f2nica","desc_en":"TUESDAYS OF VIDEO with Carmen Barreiro, Iona Quesada, manu prado paz and IEFC\r\n<div class=\"text aem-GridColumn aem-GridColumn--default--12\">\r\n<div id=\"text-575f013a86\" class=\"cmp-text margin-container\" data-cmp-data-layer=\"{&quot;text-575f013a86&quot;:{&quot;@type&quot;:&quot;aem-arts\/components\/content\/text\/v1\/text&quot;,&quot;repo:modifyDate&quot;:&quot;2026-03-24T00:25:26Z&quot;,&quot;xdm:text&quot;:&quot;&lt;p&gt;For three decades, the Mostra Internacional de Films de Dones de Barcelona (MIFDB) has been cataloguing and archiving all the films that are programmed and researched at each edition of the festival. As part of a proposal to reactivate the archive from a critical point of view, we invited filmmaker Alba Cros to approach it from a queer perspective. In this session, she will present the results of her research, showing the queer practices of festival programming throughout the MIFDB's history.&lt;\/p&gt;\\r\\n&quot;}}\">\r\n<div class=\"text aem-GridColumn aem-GridColumn--default--12\">\r\n<div id=\"text-7155b8e7a7\" class=\"cmp-text margin-container\" data-cmp-data-layer=\"{&quot;text-7155b8e7a7&quot;:{&quot;@type&quot;:&quot;aem-arts\/components\/content\/text\/v1\/text&quot;,&quot;repo:modifyDate&quot;:&quot;2026-03-24T00:17:45Z&quot;,&quot;xdm:text&quot;:&quot;&lt;p&gt;For three decades, the Mostra Internacional de Films de Dones de Barcelona (MIFDB) has been cataloguing and archiving all the films that are programmed and researched at each edition of the festival. As part of a proposal to reactivate the archive from a critical point of view, we invited the creator and researcher A\u00edda Bueno to approach it from a post-colonial and critical perspective of race. In this session, she will present the results of her research into the emergence of post-colonial practices of festival programming throughout the MIFDB's history.&lt;\/p&gt;\\r\\n&quot;}}\">\r\n<div class=\"text aem-GridColumn aem-GridColumn--default--12\">\r\n<div id=\"text-8e4a665b34\" class=\"cmp-text margin-container\" data-cmp-data-layer=\"{&quot;text-8e4a665b34&quot;:{&quot;@type&quot;:&quot;aem-arts\/components\/content\/text\/v1\/text&quot;,&quot;repo:modifyDate&quot;:&quot;2026-03-24T00:37:30Z&quot;,&quot;xdm:text&quot;:&quot;&lt;p&gt;Experimental cinema allows us to work with strategies that would be absolutely infeasible in the context of big (or not so big) productions. The fact that we can dispense with large human teams and complex equipment means that the creative process can be resized on a different scale: the camera ceases to be a technological intruder and becomes an extension of our own eye. The solitary filmmaker becomes invisible and their attention, freed from formalisms, is able to focus on the tiniest of accidents, the protagonist of everyday life. This gained proximity allows us to immerse ourselves in domestic, marginal or deeply personal spaces, and brings us back to the original power of the cinematographer: the ability to be surprised by the world and to keep, forever, the light of a moment that will never be repeated.&lt;\/p&gt;\\r\\n&lt;p&gt;We will explore these experiences through the projects &lt;i&gt;De blanco, muerte&lt;\/i&gt;, by Iona Quesada and Carmen Barreiro, and &lt;i&gt;2 inviernos I&lt;\/i&gt;, by manuela prado paz (super-8 film projection with live sound improv).&lt;\/p&gt;\\r\\n&quot;}}\">\r\n\r\nExperimental cinema allows us to work with strategies that would be absolutely infeasible in the context of big (or not so big) productions. The fact that we can dispense with large human teams and complex equipment means that the creative process can be resized on a different scale: the camera ceases to be a technological intruder and becomes an extension of our own eye. The solitary filmmaker becomes invisible and their attention, freed from formalisms, is able to focus on the tiniest of accidents, the protagonist of everyday life. This gained proximity allows us to immerse ourselves in domestic, marginal or deeply personal spaces, and brings us back to the original power of the cinematographer: the ability to be surprised by the world and to keep, forever, the light of a moment that will never be repeated.\r\n\r\nWe will explore these experiences through the projects\u00a0<i>De blanco, muerte<\/i>, by Iona Quesada and Carmen Barreiro, and\u00a0<i>2 inviernos I<\/i>, by manuela prado paz (super-8 film projection with live sound improv).\r\n\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<div class=\"separator aem-GridColumn aem-GridColumn--default--12\">\r\n<div class=\"layout-container\">\r\n<div id=\"separator-a828484ca9\" class=\"cmp-separator\"><\/div>\r\n<\/div>\r\n<\/div>\r\nActivity open to all and free of charge, limited to 55 people\r\n<b>Language: <\/b>Catalan and Spanish\r\n\r\nAt SALA BAR, Santa M\u00f2nica","event_category":440,"event_show_only_own_date":true,"_event_confirmed":true,"_event_public":true,"_event_free":true,"_event_price-min":"","_event_price-max":"","_event_web_ca":"https:\/\/www.santamonica.cat\/ca\/exposicions-i-activitats\/dimarts-de-video\/2026\/essers-volatils-paisatges-efimers","_event_web_es":"https:\/\/www.santamonica.cat\/es\/exposicions-i-activitats\/dimarts-de-video\/2026\/essers-volatils-paisatges-efimers","_event_web_en":"https:\/\/www.santamonica.cat\/en\/exposicions-i-activitats\/dimarts-de-video\/2026\/essers-volatils-paisatges-efimers","event_contact_email":"","event_apply_email":"","is_online_event":false,"is_art_nou_event":false,"is_bgw_event":false,"date_text":"","register_deadline":null,"altres_organitzadors":""},"abe_event_venue":null,"abe_event_category":"Arts en Viu","start":"2026-06-16 19:00:00","end":"2026-06-16 20:00:00","schedule":"once","schedule_meta":"","frequency":1,"all_day":0,"until":"2026-06-16 19:00:00","include":[],"exclude":[],"_links":{"self":[{"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/events\/56297","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/events"}],"about":[{"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/types\/event"}],"author":[{"embeddable":true,"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/users\/19"}],"occurrences":[{"embeddable":true,"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/events\/56297\/occurrences"}],"acf:term":[{"embeddable":true,"taxonomy":"event-category","href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/event-category\/440"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/media\/56298"}],"wp:attachment":[{"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/media?parent=56297"}],"wp:term":[{"taxonomy":"event-venue","embeddable":true,"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/event-venues?post=56297"},{"taxonomy":"event-tag","embeddable":true,"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/event-tags?post=56297"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}