{"id":57425,"guid":{"rendered":"https:\/\/graf.cat\/?post_type=event&#038;p=57425"},"modified":"2026-05-19T13:43:57","modified_gmt":"2026-05-19T11:43:57","slug":"las-nenas-theatre-torcidxs","status":"publish","type":"event","link":"https:\/\/graf.cat\/es\/events\/event\/las-nenas-theatre-torcidxs\/","title":{"rendered":"Las Nenas Theatre  &#8211; Torcidxs"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":86,"featured_media":57426,"template":"","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0},"event-venues":[36],"event-tags":[],"class_list":["post-57425","event","type-event","status-publish","has-post-thumbnail","hentry","event-venue-antic-teatre","event-category-arts-in-viu"],"acf":{"title_ca":"Las Nenas Theatre  - Torcidxs","title_es":"Las Nenas Theatre  - Torcidxs","title_en":"Las Nenas Theatre  - Torcidxs","desc_ca":"DIVES DESUBICADES, ARTISTES MARTIRITZADES,VIRTUOSITAT A MITGES. UNA CANTANT QUE CANTA AMB AUTOTUNE, I ENCARA AIX\u00cd CANTA MALAMENT. Quatre persones interactuen amb els mecanismes visibles d\u2019un teatre que \u00e9s un cos, delimitant-lo com a territori de conflicte. Les int\u00e8rprets corporitzen el desig de ser una cosa diferent a una mateixa, provocant una vor\u00e0gine de judicis i identitats que ho trenca tot i celebra l\u2019errada. VULL SER UNA C\u00d2PIA BARATA D\u2019UNA ALTRA PERSONA, TINC UN \u00c0NIMA DE PL\u00c0STIC, TANT LI FOT. Una conversa superficial i un discurs te\u00f2ric interminable se superposen en capes que interactuen entre elles donant lloc a una il\u00b7lusi\u00f3 de pantalla dividida.\r\n\r\n<hr \/>\r\n\r\n<strong>Las Nenas<\/strong>\u00a0(Ane Sag\u00fc\u00e9s Abad i Cristina Tom\u00e1s Olaya) practiquen una forma radical d\u2019intrusisme professional. Realitzen les m\u00e9s profundes fantasies de rendiment contempor\u00e0nies. Es poden afegir els adjectius que es vulguin a la descripci\u00f3 del seu projecte: art\u00edstic, transdisciplinari, perform\u00e0tic, teatral, col\u00b7lectiu, inclusiu\u2026Tamb\u00e9 les defineixen un mili\u00f3 de substantius: s\u00f3n creadores, int\u00e8rprets, actrius, performers, directores, productores, docents, guies espirituals, monitores de lleure i temps lliure, licitadores d\u2019art, marxants, relacions p\u00fabliques, reporteres. De vegades es taquen les mans. Si vols, t\u00e8cniques de so i de llums, per\u00f2 tamb\u00e9 contemplatives. Utilitzen la paraula \u201cactivaci\u00f3\u201d i \u201cartefacte\u201d, en lloc de \u201cmostra\u201d o \u201cobra de teatre\u201d. Al capdavant de l\u2019avantguarda esc\u00e8nica. Els agrada ser aplaudides. El m\u00e9s important \u00e9s que no saben fer res. Tot i aix\u00ed, el p\u00fablic ho espera tot d\u2019elles.","desc_es":"DIVAS DESUBICADAS, ARTISTAS MARTIRIZADAS, VIRTUOSIDAD A MEDIAS. UNA CANTANTE QUE CANTA CON AUTOTUNE, Y A\u00daN AS\u00cd CANTA MAL. Cuatro personas interact\u00faan con los mecanismos visibles de un teatro que es un cuerpo, delimit\u00e1ndolo como territorio de conflicto. Las int\u00e9rpretes corporeizan el deseo de ser una cosa diferente a una misma, provocando una vor\u00e1gine de juicios e identidades que lo rompe todo y celebra el fallo. QUIERO SER UNA COPIA BARATA DE OTRA PERSONA, TENGO UN ALMA DE PL\u00c1STICO, QUE M\u00c1S DA. Una conversaci\u00f3n superficial y un discurso te\u00f3rico interminable se superponen en capas que interact\u00faan entre s\u00ed, dando lugar a una ilusi\u00f3n de pantalla dividida.\r\n\r\n<hr \/>\r\n\r\n<strong>Las Nenas<\/strong>\u00a0(Ane Sagu\u0308\u00e9s Abad y Cristina Tom\u00e1s Olaya) practican una forma radical de intrusismo profesional. Realizan las m\u00e1s profundas fantas\u00edas de rendimiento contempor\u00e1neas. Pueden a\u00f1adirse los adjetivos que se quieran a la descripci\u00f3n de su proyecto: art\u00edstico, transdisciplinar, perform\u00e1tico, teatral, colectivo, inclusivo\u2026Tambi\u00e9n las definen un mill\u00f3n de sustantivos: son creadoras, int\u00e9rpretes, actrices, performers, directoras, productoras, docentes, gu\u00edas espirituales, monitoras de ocio y tiempo libre, licitadoras de arte, marchantes, relaciones p\u00fablicas, reporteras. A veces se manchan las manos. Si lo deseas, t\u00e9cnicas de sonido y de luces, pero tambi\u00e9n contemplativas. Utilizan la palabra \u201cactivaci\u00f3n\u201d y \u201cartefacto\u201d, en lugar de \u201cmuestra\u201d u \u201cobra de teatro\u201d. A la cabeza de la vanguardia esc\u00e9nica. Les gusta ser aplaudidas. Lo m\u00e1s importante es que no saben hacer nada. Aun as\u00ed, el p\u00fablico espera todo de ellas.","desc_en":"MISPLACED DIVAS, MARTYRED ARTISTS, HALF-HEARTED VIRTUOSITY. A SINGER WHO SINGS USING AUTOTUNE, AND STILL SINGS BADLY. Four people interact with the visible mechanisms of a theatre that is a body, delimiting it as a territory of conflict. The performers embody the desire to be something other than themselves, provoking a maelstrom of judgements and identities that breaks everything and celebrates failure. I WANT TO BE A CHEAP COPY OF SOMEONE ELSE, I HAVE A PLASTIC SOUL, WHO CARES. Shallow conversation and endless theoretical discourse are placed on top of each other in interacting layers, giving rise to a split-screen illusion.\r\n\r\n<hr \/>\r\n\r\n<strong>Las Nenas<\/strong>\u00a0(Ane Sag\u00fc\u00e9s Abad and Cristina Tom\u00e1s Olaya) practice a radical form of professional intrusiveness. They realise the most profound contemporary performance fantasies. You can add any adjectives you like to the description of their project: artistic, transdisciplinary, performative, theatrical, collective, inclusive\u2026They are also defined by a million nouns: they are creators, interpreters, actors, performers, directors, producers, teachers, spiritual guides, leisure and free time monitors, art dealers, public relations agents, reporters. Sometimes they get their hands dirty. If you like, sound and light technicians, but also kind of contemplative in the face of life. They use the word \u2018activation\u2019 and \u2018artefact\u2019 instead of \u201cshow\u201d or \u2018play\u2019. At the forefront of theatrical avant-garde. They like to be applauded. Most importantly, they don\u2019t know how to do anything. 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