{"id":57838,"guid":{"rendered":"https:\/\/graf.cat\/?post_type=event&#038;p=57838"},"modified":"2026-06-03T17:41:43","modified_gmt":"2026-06-03T15:41:43","slug":"raquel-g-ibanez-sienten-las-piedras-senten-les-pedres","status":"publish","type":"event","link":"https:\/\/graf.cat\/es\/events\/event\/raquel-g-ibanez-sienten-las-piedras-senten-les-pedres\/","title":{"rendered":"Raquel G Ib\u00e1\u00f1ez. Sienten las piedras (Senten les pedres)"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":8,"featured_media":57842,"template":"","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0},"event-venues":[734],"event-tags":[],"class_list":["post-57838","event","type-event","status-publish","has-post-thumbnail","hentry","event-venue-museu-tapies","event-category-altres"],"acf":{"title_ca":"Raquel G Ib\u00e1\u00f1ez. Sienten las piedras (Senten les pedres)","title_es":"Raquel G. Ib\u00e1\u00f1ez. Sienten las piedras","title_en":"Raquel G. Ib\u00e1\u00f1ez. Sienten las piedras [The Stones Feel]","desc_ca":"Si ens endins\u00e9ssim en el forat del\u00a0<em>Mitj\u00f3<\/em>\u00a0d\u2019Antoni T\u00e0pies, potser veur\u00edem el cel. O les entranyes de la terra. O aquell rac\u00f3 tan familiar al qual no hav\u00edem prestat mai atenci\u00f3. El forat apareixeria llavors com una obertura, un llindar des d\u2019on mirar cap a una terrassa exposada al sol i als agents atmosf\u00e8rics; un espai on la contemplaci\u00f3 del quotidi\u00e0 es tornaria estranyament misteriosa. Com si la percepci\u00f3, en desviar-se una mica del seu curs habitual, obr\u00eds una petita escletxa. Un interstici que, seguint les reflexions de Tim Ingold, no tancaria un significat fix, sin\u00f3 que romandria entre l\u00ednies. \u00abUn nus aeri.\u00bb\r\n\r\nPotser n\u2019hi hauria prou, llavors, d\u2019estirar el fil i aturar-se a escoltar. Sentir el vent, l\u2019aigua que flueix, la neu que es fon o el cruixit lluny\u00e0 d\u2019un arbre en caure. Escoltar, tamb\u00e9, all\u00f2 que vibra entre cossos i objectes. A partir d\u2019aquesta atenci\u00f3 sostinguda, es desplegaria, aix\u00ed, una forma de ritual a petita escala. Si ens endins\u00e9ssim en el forat.\r\n\r\n\u2026\r\n\r\nA partir d\u2019aquesta invitaci\u00f3, l\u2019artista proposa una sessi\u00f3 d\u2019escolta en qu\u00e8 enregistraments de fen\u00f2mens atmosf\u00e8rics i d\u2019entorns naturals dialoguen i es distorsionen. Com un fil m\u00e9s dins d\u2019una trama expandida, s\u2019entrellacen l\u2019ancestral i el tecnol\u00f2gic, l\u2019\u00edntim i el geol\u00f2gic, sense jerarquies. En resson\u00e0ncia amb la sensibilitat po\u00e8tica de Mary Oliver vers les dimensions meravelloses del quotidi\u00e0, la pe\u00e7a despla\u00e7a subtilment la percepci\u00f3 i obre, encara que sigui moment\u00e0niament, altres formes de relaci\u00f3 amb l\u2019entorn.\r\n\r\nLa pr\u00e0ctica art\u00edstica de\u00a0<strong>Raquel G.Ib\u00e1\u00f1ez<\/strong>\u00a0investiga la liminaritat i les fronteres entre el so, el llenguatge i la imatge visual, utilitzant l\u2019escolta \u2014humana i m\u00e9s que humana\u2014 com a eina metodol\u00f2gica des de l\u2019acustemologia. Les seves l\u00ednies de treball se centren en els elements intangibles i en els llindars entre les esferes humana, espiritual i natural. A m\u00e9s, exploren la tensi\u00f3 entre l\u2019ancestral i el futur en un context de crisi global. Els seus processos posen de manifest la fragilitat i la interdepend\u00e8ncia de la vida biol\u00f2gica i es materialitzen en diversos formats, com el so, el dibuix, la performance, la instal\u00b7laci\u00f3 i l\u2019edici\u00f3 expandida.\r\n\r\nHa desenvolupat projectes en institucions com el CA2M Museo Centro de Arte Dos de Mayo, la Fundaci\u00f3 Cerezales Antonino y Cinia, Tsonami Arte Sonoro, el CDAN, Sonandes, La Casa Encendida o el MACBA, i ha rebut premis i beques com el Premi Miquel Casablancas 2024, Circuitos Artes Pl\u00e1sticas 2024, les Ajudes a la creaci\u00f3 en arts visuals de la Comunitat de Madrid o les Ajudes p\u00fabliques per a la creaci\u00f3, recerca i producci\u00f3 de projectes art\u00edstics del Ministeri de Cultura.\r\n\r\nLa seva traject\u00f2ria inclou resid\u00e8ncies art\u00edstiques en espais com aadk, Jazz ao Centro o Bulegoa, aix\u00ed com la participaci\u00f3 en festivals de so i m\u00fasica experimental com Insonora 14, Sur Aural, Rota Music Festival i Soundtiago, entre d\u2019altres. La seva participaci\u00f3 en el col\u00b7lectiu de poesia i performance Una Fiesta Salvaje i la publicaci\u00f3 del seu llibre\u00a0<em>Granate<\/em>\u00a0consoliden una pr\u00e0ctica que combina creaci\u00f3, recerca i escriptura.\r\n\r\nActivitat realitzada en el marc del cicle\u00a0<a href=\"https:\/\/museutapies.org\/programa-public\/seguint-el-sol-destapant-la-mirada\/\"><em>Seguint el sol. Destapant la mirada<\/em><\/a>\u00a0del Museu T\u00e0pies<em>,\u00a0<\/em>comissariat per Carolina Ciuti.\r\n\r\n&nbsp;","desc_es":"<p class=\"Default\">Si nos adentr\u00e1ramos en el agujero del\u00a0<i>Mitj\u00f3\u00a0<\/i>(Calcet\u00edn) de Antoni T\u00e0pies, quiz\u00e1s ver\u00edamos el cielo. O las entra\u00f1as de la tierra. O aquel rinc\u00f3n tan familiar al que nunca antes hab\u00edamos prestado atenci\u00f3n. El agujero aparecer\u00eda entonces como una apertura, un umbral desde el cual mirar hacia una terraza expuesta al sol y a los agentes atmosf\u00e9ricos; un espacio donde la contemplaci\u00f3n de lo cotidiano se volver\u00eda extra\u00f1amente misteriosa. Como si la percepci\u00f3n, al desviarse apenas un poco de su curso habitual, abriese una peque\u00f1a fisura. Un intersticio que, siguiendo las reflexiones de Tim Ingold, no encerrar\u00eda un significado fijo, sino que permanecer\u00eda entre l\u00edneas. \u00abUn nudo a\u00e9reo\u00bb.<\/p>\r\n<p class=\"Default\">Quiz\u00e1s bastar\u00eda entonces con tirar del hilo y detenerse a escuchar. O\u00edr el viento, el agua fluyendo, la nieve derriti\u00e9ndose o el crujido lejano de un \u00e1rbol al caer. Escuchar tambi\u00e9n aquello que vibra entre cuerpos y objetos. A partir de esta atenci\u00f3n sostenida, se desplegar\u00eda, as\u00ed, una forma de ritual a peque\u00f1a escala. Si nos adentr\u00e1ramos en el agujero.<\/p>\r\n<p class=\"Default\">\u2026<\/p>\r\nA partir de esta invitaci\u00f3n, la artista propone una sesi\u00f3n de escucha en la que grabaciones de fen\u00f3menos atmosf\u00e9ricos y de entornos naturales dialogan y se distorsionan. Como un hilo m\u00e1s dentro de una trama expandida, se entrelazan lo ancestral y lo tecnol\u00f3gico, lo \u00edntimo y lo geol\u00f3gico, sin jerarqu\u00edas. En resonancia con la sensibilidad po\u00e9tica de Mary Oliver hacia las dimensiones asombrosas de lo cotidiano, la pieza desplaza sutilmente la percepci\u00f3n y abre, aunque sea moment\u00e1neamente, otras formas de relaci\u00f3n con el entorno.\r\n\r\nLa pr\u00e1ctica art\u00edstica de\u00a0<strong>Raquel G.Ib\u00e1\u00f1ez<\/strong>\u00a0investiga la liminaridad y las fronteras entre sonido, lenguaje e imagen visual, utilizando la escucha \u2014humana y m\u00e1s que humana\u2014 como herramienta metodol\u00f3gica desde la acustemolog\u00eda. Sus l\u00edneas de trabajo se centran en lo intangible y en los umbrales entre lo humano, lo espiritual y lo natural, explorando tambi\u00e9n la tensi\u00f3n entre lo ancestral y el futuro en un contexto de crisis global. Sus procesos destacan la fragilidad e interdependencia de la vida biol\u00f3gica, y se materializan en diversos formatos, como el sonido, el dibujo, la performance, la instalaci\u00f3n y la edici\u00f3n expandida.\r\n\r\nHa desarrollado proyectos en instituciones como el CA2M Museo Centro de Arte Dos de Mayo, Fundaci\u00f3n Cerezales Antonino y Cinia, Tsonami Arte Sonoro, CDAN, Sonandes, La Casa Encendida o el MACBA, y ha recibido premios y becas como el Premi Miquel Casablancas 2024, Circuitos Artes Pl\u00e1sticas 2024, las Ayudas a la creaci\u00f3n en artes visuales de la Comunidad de Madrid o las Ayudas p\u00fablicas para la creaci\u00f3n, investigaci\u00f3n y producci\u00f3n de proyectos art\u00edsticos del Ministerio de Cultura.\r\n\r\nSu trayectoria incluye residencias art\u00edsticas en espacios como aadk, Jazz ao Centro o Bulegoa, as\u00ed como la participaci\u00f3n en festivales de arte sonoro y m\u00fasica experimental como Insonora 14, Sur Aural, Rota Music Festival y Soundtiago, entre otros. Su participaci\u00f3n en el colectivo de poes\u00eda y performance Una Fiesta Salvaje y la publicaci\u00f3n de su libro\u00a0<em>Granate<\/em>\u00a0consolidan una pr\u00e1ctica que combina creaci\u00f3n, investigaci\u00f3n y escritura.\r\n\r\nActividad realizada en el marco del ciclo\u00a0<a href=\"https:\/\/museutapies.org\/es\/programa-public\/siguiendo-el-sol-destapando-la-mirada\/\">Siguiendo el sol. Destapando la mirada<\/a>\u00a0del Museu T\u00e0pies, comisariado por Carolina Ciuti.","desc_en":"If we were to plunge into the hole of Antoni T\u00e0pies\u2019\u00a0<em>Mitj\u00f3<\/em>\u00a0[Sock], perhaps we would see the sky. Or the bowels of the earth. Or that familiar corner we had never truly noticed before. The hole would then appear as an opening, a threshold from which to gaze upon a terrace exposed to the sun and the elements\u2014a space where contemplation of the everyday becomes strangely mysterious. As if perception, by straying just slightly from its usual course, had opened up a small fissure, an interstice that, following Tim Ingold\u2019s reflections, would not enclose a fixed meaning but would remain between the lines. \u201cAn aerial knot.\u201d\r\n\r\nPerhaps, then, it would be enough to pull the thread and listen. To listen to the wind, the flowing water, the melting snow or the distant crack of a falling tree. To listen also to what vibrates between bodies and objects. From this sustained attention, a small-scale ritual would unfold. If we were to plunge into the hole.\r\n\r\nWith this invitation in mind, Raquel G.\u00a0Ib\u00e1\u00f1ez has designed a listening session in which recordings of atmospheric phenomena and natural environments enter into a distorted dialogue\u2014like a thread in an expanded, nonhierarchical weave, intertwining the ancestral and the technological, the intimate and the geological. In resonance with Mary Oliver\u2019s poetic sensitivity to the wondrous dimensions of the everyday, this piece subtly shifts perception to reveal\u2014if only momentarily\u2014other ways of relating to the environment.\r\n\r\n\u2026\r\n\r\nFrom this invitation, the artist proposes a listening session in which recordings of atmospheric phenomena and natural environments dialogue and distort. Like another thread in an expanded weave, the ancestral and the technological, the intimate and the geological, intertwine without hierarchies. In resonance with Mary Oliver\u2019s poetic sensitivity to the wondrous dimensions of the everyday, the piece subtly shifts perception and opens\u2014if only momentarily\u2014other ways of relating to the environment.\r\n\r\n<strong>Raquel G.\u00a0Ib\u00e1\u00f1ez<\/strong>\u2019s artistic practice explores liminality and the boundaries between sound, language and visual image, using listening\u2014both human and more-than-human\u2014as a methodological tool rooted in acousmaticology. Her work focuses on the intangible and on the thresholds between the human, the spiritual and the natural, while also examining the tension between the ancestral and the future within a context of global crisis. Her processes highlight the fragility and interdependence of biological life, materialised in various formats such as sound, drawing, performance, installation and expanded publishing.\r\n\r\nShe has developed projects in institutions such as CA2M-Centro de Arte Dos de Mayo, Fundaci\u00f3n Cerezales Antonino y Cinia, Tsonami Arte Sonoro, CDAN, Sonandes, La Casa Encendida and MACBA. She has received a number of awards and grants, including the 2024 Miquel Casablancas Prize, the 2024 Circuitos Artes Pl\u00e1sticas Prize, the Comunidad de Madrid\u2019s Visual Arts Creation Grants and public grants from the Spanish Ministry of Culture for the creation, research and production of artistic projects.\r\n\r\nHer career includes artistic residencies at spaces like AADK, Jazz ao Centro and Bulegoa and she has participated in sound art and experimental music festivals such as Insonora\u00a014, Sur Aural, Rota Music Festival and Soundtiago, among others. Her involvement in the poetry and performance collective Una Fiesta Salvaje and the publication of her book\u00a0<em>Granate<\/em>\u00a0consolidate a practice that entwines creation, research and writing.\r\n\r\nActivity programmed as part of the Museu T\u00e0pies series\u00a0<a href=\"https:\/\/museutapies.org\/en\/programa-public\/following-the-sun-uncovering-the-gaze\/\"><em>Following the Sun<\/em>, entitled\u00a0<em>Uncovering the Gaze<\/em><\/a>, curated by Carolina Ciuti.\r\n\r\n&nbsp;","event_category":191,"event_show_only_own_date":true,"_event_confirmed":true,"_event_public":true,"_event_free":false,"_event_price-min":5,"_event_price-max":"","_event_web_ca":"https:\/\/museutapies.org\/event\/raquel-g-ibanez-sienten-las-piedras\/","_event_web_es":"https:\/\/museutapies.org\/es\/event\/raquel-g-ibanez-sienten-las-piedras\/","_event_web_en":"https:\/\/museutapies.org\/en\/event\/raquel-g-ibanez-sienten-las-piedras\/","event_contact_email":"","event_apply_email":"","is_online_event":false,"is_art_nou_event":false,"is_bgw_event":false,"date_text":"","register_deadline":null,"altres_organitzadors":""},"abe_event_venue":"Museu T\u00e0pies","abe_event_category":"Altres","start":"2026-06-19 19:00:00","end":"2026-06-19 21:00:00","schedule":"once","schedule_meta":"","frequency":1,"all_day":0,"until":"2026-06-19 19:00:00","include":[],"exclude":[],"_links":{"self":[{"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/events\/57838","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/events"}],"about":[{"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/types\/event"}],"author":[{"embeddable":true,"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/users\/8"}],"occurrences":[{"embeddable":true,"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/events\/57838\/occurrences"}],"acf:term":[{"embeddable":true,"taxonomy":"event-category","href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/event-category\/191"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/media\/57842"}],"wp:attachment":[{"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/media?parent=57838"}],"wp:term":[{"taxonomy":"event-venue","embeddable":true,"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/event-venues?post=57838"},{"taxonomy":"event-tag","embeddable":true,"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/event-tags?post=57838"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}