{"id":60021,"guid":{"rendered":"https:\/\/graf.cat\/?post_type=event&p=60021"},"modified":"2026-09-17T11:31:41","modified_gmt":"2026-09-17T09:31:41","slug":"holy-donna-ferrato","status":"publish","type":"event","link":"https:\/\/graf.cat\/es\/events\/event\/holy-donna-ferrato\/","title":{"rendered":"Holy, Donna Ferrato"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":160,"featured_media":60022,"template":"","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false},"event-venues":[636],"event-tags":[],"class_list":["post-60021","event","type-event","status-publish","has-post-thumbnail","hentry","event-venue-roca-umbert","event-category-exposicio"],"acf":{"title_ca":"Holy, Donna Ferrato","title_es":"Holy, Donna Ferrato","title_en":"Holy, Donna Ferrato","desc_ca":"

10a edici\u00f3 del Festival Panor\u00e0mic<\/h2>\r\n
\r\n\r\nEl contingut d\u2019aquesta exposici\u00f3 pot ferir sensibilitats. Recomanada per a majors de 16 anys.\u00a0<\/strong>\r\n\r\nQu\u00e8 significa fotografiar la viol\u00e8ncia \u00edntima? I com es pot representar aquesta viol\u00e8ncia sense convertir-se en c\u00f2mplice de la seva repetici\u00f3? L\u2019obra de Donna Ferrato parteix d\u2019aquestes q\u00fcestions i d\u2019una traject\u00f2ria de m\u00e9s de quatre d\u00e8cades dedicada a documentar la viol\u00e8ncia amagada dins l\u2019\u00e0mbit dom\u00e8stic. La seva fotografia \u00e9s tamb\u00e9 un testimoni de la lluita pels drets i de la resist\u00e8ncia davant la viol\u00e8ncia estructural. El seu treball no busca ni embellir la viol\u00e8ncia ni convertir les persones fotografiades en v\u00edctimes. Les seves imatges actuen com una forma directa de resist\u00e8ncia contra el patriarcat.\r\n\r\nEl llibre \u2018Living with the Enemy\u2019 va contribuir a portar la viol\u00e8ncia dom\u00e8stica a l\u2019espai p\u00fablic dels Estats Units i a generar una consci\u00e8ncia social que fins aleshores no existia. El projecte tamb\u00e9 va contribuir al suport social i pol\u00edtic que va fer possible l\u2019aprovaci\u00f3, l\u2019any 1994, de la \u2018Violence Against Women Act\u2019 (VAWA). Posteriorment, a \u2018Love and Lust\u2019, Ferrato va explorar la llibertat sexual i el desig en comunitats liberals, ampliant el seu treball cap a altres aspectes de l\u2019experi\u00e8ncia femenina. \u2018Holy\u2019 recull aquesta tensi\u00f3 entre viol\u00e8ncia, amor, desig, f\u00faria i lucidesa, i planteja la fotografia com una eina de resist\u00e8ncia i transformaci\u00f3.\r\n\r\nEl contingut d\u2019aquesta exposici\u00f3 pot ferir sensibilitats. Recomanada per a majors de 16 anys.\u00a0<\/strong>\r\n\r\nDONNA FERRATO<\/strong>\r\n\r\nDonna Ferrato treballa des de fa m\u00e9s de quatre d\u00e8cades per transformar la percepci\u00f3 social sobre la viol\u00e8ncia que t\u00e9 lloc dins l\u2019\u00e0mbit privat. La seva c\u00e0mera ha documentat la viol\u00e8ncia amagada darrere les portes de les llars i ha contribu\u00eft a convertir aquestes experi\u00e8ncies en una realitat visible i p\u00fablica. Va fundar una entitat sense \u00e0nim de lucre dedicada a sensibilitzar sobre la viol\u00e8ncia dom\u00e8stica, recaptar fons per als refugis de v\u00edctimes i promoure l\u2019educaci\u00f3 p\u00fablica sobre aquesta problem\u00e0tica arreu del m\u00f3n. \u2018Living With the Enemy\u2019, publicat per Aperture i reeditat quatre vegades, \u00e9s una de les seves obres m\u00e9s emblem\u00e0tiques i una pe\u00e7a fonamental de la fotografia humanista. Les seves fotografies van contribuir al suport social i pol\u00edtic que va permetre l\u2019aprovaci\u00f3 de la Violence Against Women Act (VAWA) el 1994, una legislaci\u00f3 federal que va transformar la resposta dels Estats Units davant la viol\u00e8ncia dom\u00e8stica i les agressions sexuals.\r\n\r\nTOMEU COLL<\/strong>\r\n\r\nTomeu Coll es va apropar a la fotografia a partir del seu inter\u00e8s per con\u00e8ixer indrets llunyans del m\u00f3n. Aquesta inquietud es va convertir posteriorment en una activitat professional centrada en la documentaci\u00f3 de territoris remots. Paral\u00b7lelament, ha desenvolupat una mirada sobre el seu propi lloc d\u2019origen que va donar lloc al projecte \u2018Badlands\u2019, reconegut per \u2018Smithsonian Magazine\u2019 i exposat recentment al festival \u2018Cortona On The Move\u2019. Els seus projectes s\u2019han exposat a Xangai, Pequ\u00edn, Col\u00f2nia, Par\u00eds, Roma i Arle. Tamb\u00e9 col\u00b7labora amb publicacions com \u2018Stern\u2019, \u2018Der Spiegel\u2019, \u2018The Guardian\u2019 i \u2018L\u2019Illustre\u2019, entre d\u2019altres, i treballa sobre conflictes silenciats i territoris oblidats. Des de fa vint anys col\u00b7labora amb Donna Ferrato, amb qui ha cofundat els tallers \u2018Erotic Eye Trilogy\u2019 i \u2018Sacred Eye\u2019. En els darrers anys ha ampliat aquesta recerca incorporant tamb\u00e9 la tasca de comissari.\r\n\r\nComissariat:<\/strong> Tomeu Coll\r\nCol\u00b7laboraci\u00f3:<\/strong> Casal Solleric i Ajuntament de Palma\r\nTipus:<\/strong> Exposici\u00f3\r\nDates: <\/strong>16 d\u2019octubre \u2013 22 de novembre de 2026\r\nLloc:<\/strong> Granollers \u00b7 Roca Umbert F\u00e0brica de les Arts \u00b7 Dents de Serra\r\nAdre\u00e7a: <\/strong>Carrer d\u2019Enric Prat de la Riba, 77\r\n[Veure el mapa] (https:\/\/festivalpanoramic.cat\/#home-localitzacions2024<\/a>)\r\n\r\nHORARIS<\/strong>\r\nDivendres:de 17 a 20 h\r\nDissabtes i diumenges: d\u201911 a 14 h i de 17 a 20 h\r\n\r\nMEDIACI\u00d3<\/strong>\r\n[Dispositius de mediaci\u00f3]\r\n(https:\/\/festivalpanoramic.cat\/project\/dispositius-de-mediacio-i-accessibilitat\/<\/a>)\r\n\r\n<\/div>","desc_es":"

10a edici\u00f3 del Festival Panor\u00e0mic<\/h2>\r\nEl contenido de esta exposici\u00f3n puede herir sensibilidades. Recomendada para mayores de 16 a\u00f1os.<\/strong>\r\n\r\n\u00bfQu\u00e9 significa fotografiar la violencia \u00edntima? \u00bfY c\u00f3mo se puede representar esta violencia sin convertirse en c\u00f3mplice de su repetici\u00f3n? La obra de Donna Ferrato parte de estas cuestiones y de una trayectoria de m\u00e1s de cuatro d\u00e9cadas dedicada a documentar la violencia oculta en el \u00e1mbito dom\u00e9stico. Su fotograf\u00eda es tambi\u00e9n un testimonio de la lucha por los derechos y de la resistencia frente a la violencia estructural. Su trabajo no busca embellecer la violencia ni convertir a las personas fotografiadas en v\u00edctimas. Sus im\u00e1genes act\u00faan como una forma directa de resistencia contra el patriarcado.\r\n\r\nEl libro Living with the Enemy<\/em> contribuy\u00f3 a llevar la violencia dom\u00e9stica al espacio p\u00fablico de Estados Unidos y a generar una conciencia social que hasta entonces no exist\u00eda. El proyecto tambi\u00e9n contribuy\u00f3 al apoyo social y pol\u00edtico que hizo posible la aprobaci\u00f3n, en 1994, de la Violence Against Women Act<\/em> (VAWA). Posteriormente, en Love and Lust<\/em>, Ferrato explor\u00f3 la libertad sexual y el deseo en comunidades liberales, ampliando su trabajo hacia otros aspectos de la experiencia femenina. Holy<\/em> recoge esta tensi\u00f3n entre violencia, amor, deseo, furia y lucidez, y plantea la fotograf\u00eda como una herramienta de resistencia y transformaci\u00f3n.\r\n\r\nEl contenido de esta exposici\u00f3n puede herir sensibilidades. Recomendada para mayores de 16 a\u00f1os.<\/strong>\r\n\r\nDONNA FERRATO<\/strong>\r\n\r\nDonna Ferrato trabaja desde hace m\u00e1s de cuatro d\u00e9cadas para transformar la percepci\u00f3n social sobre la violencia que tiene lugar en el \u00e1mbito privado. Su c\u00e1mara ha documentado la violencia oculta tras las puertas de los hogares y ha contribuido a convertir estas experiencias en una realidad visible y p\u00fablica. Fund\u00f3 una organizaci\u00f3n sin \u00e1nimo de lucro dedicada a sensibilizar sobre la violencia dom\u00e9stica, recaudar fondos para los refugios para v\u00edctimas y promover la educaci\u00f3n p\u00fablica sobre esta problem\u00e1tica en todo el mundo. Living With the Enemy<\/em>, publicado por Aperture y reeditado en cuatro ocasiones, es una de sus obras m\u00e1s emblem\u00e1ticas y una pieza fundamental de la fotograf\u00eda humanista. Sus fotograf\u00edas contribuyeron al apoyo social y pol\u00edtico que permiti\u00f3 la aprobaci\u00f3n de la Violence Against Women Act<\/em> (VAWA) en 1994, una legislaci\u00f3n federal que transform\u00f3 la respuesta de Estados Unidos ante la violencia dom\u00e9stica y las agresiones sexuales.\r\n\r\nTOMEU COLL<\/strong>\r\n\r\nTomeu Coll se acerc\u00f3 a la fotograf\u00eda a partir de su inter\u00e9s por conocer lugares lejanos del mundo. Esta inquietud se convirti\u00f3 posteriormente en una actividad profesional centrada en la documentaci\u00f3n de territorios remotos. Paralelamente, ha desarrollado una mirada sobre su propio lugar de origen que dio lugar al proyecto Badlands<\/em>, reconocido por Smithsonian Magazine<\/em> y expuesto recientemente en el festival Cortona On The Move<\/em>. Sus proyectos se han expuesto en Shangh\u00e1i, Pek\u00edn, Colonia, Par\u00eds, Roma y Arl\u00e9s. Tambi\u00e9n colabora con publicaciones como Stern<\/em>, Der Spiegel<\/em>, The Guardian<\/em> y L\u2019Illustre<\/em>, entre otras, y trabaja sobre conflictos silenciados y territorios olvidados. Desde hace veinte a\u00f1os colabora con Donna Ferrato, con quien ha cofundado los talleres Erotic Eye Trilogy<\/em> y Sacred Eye<\/em>. En los \u00faltimos a\u00f1os ha ampliado esta investigaci\u00f3n incorporando tambi\u00e9n la labor de comisariado.\r\n\r\nComisariado:<\/strong> Tomeu Coll\r\nColaboraci\u00f3n:<\/strong> Casal Solleric y Ajuntament de Palma\r\nTipo:<\/strong> Exposici\u00f3n\r\nFechas:<\/strong> 16 de octubre \u2013 22 de noviembre de 2026\r\nLugar:<\/strong> Granollers \u00b7 Roca Umbert F\u00e0brica de les Arts \u00b7 Dents de Serra\r\nDirecci\u00f3n:<\/strong> Carrer d\u2019Enric Prat de la Riba, 77\r\nVer el mapa<\/a>\r\n\r\nHORARIOS<\/strong>\r\nViernes: de 17 a 20 h\r\nS\u00e1bados y domingos: de 11 a 14 h y de 17 a 20 h\r\n\r\nMEDIACI\u00d3N<\/strong>\r\nDispositivos de mediaci\u00f3n<\/a>\r\n\r\n \r\n
<\/div>","desc_en":"

10a edici\u00f3 del Festival Panor\u00e0mic<\/h2>\r\nThe content of this exhibition may be disturbing. Recommended for visitors aged 16 and over.<\/strong>\r\n\r\nWhat does it mean to photograph intimate violence? And how can such violence be represented without becoming complicit in its repetition? Donna Ferrato\u2019s work is rooted in these questions and in a career spanning more than four decades, dedicated to documenting violence hidden within the domestic sphere. Her photography is also a testimony to the struggle for rights and to resistance against structural violence. Her work does not seek to beautify violence or turn the people she photographs into victims. Her images act as a direct form of resistance against patriarchy.\r\n\r\nThe book Living with the Enemy<\/em> helped bring domestic violence into the public sphere in the United States and foster a social awareness that had not previously existed. The project also contributed to the social and political support that made possible the passage of the Violence Against Women Act<\/em> (VAWA) in 1994. Later, in Love and Lust<\/em>, Ferrato explored sexual freedom and desire within liberal communities, expanding her work to encompass other aspects of the female experience. Holy<\/em> brings together this tension between violence, love, desire, fury and lucidity, presenting photography as a tool for resistance and transformation.\r\n\r\nThe content of this exhibition may be disturbing. Recommended for visitors aged 16 and over.<\/strong>\r\n\r\nDONNA FERRATO<\/strong>\r\n\r\nDonna Ferrato has spent more than four decades working to transform society\u2019s perception of violence that takes place in the private sphere. Her camera has documented violence hidden behind the doors of homes and helped turn these experiences into a visible and public reality. She founded a non-profit organisation dedicated to raising awareness of domestic violence, fundraising for victims\u2019 shelters and promoting public education about this issue around the world. Living With the Enemy<\/em>, published by Aperture and reissued four times, is one of her most emblematic works and a landmark of humanist photography. Her photographs contributed to the social and political support that led to the passage of the Violence Against Women Act<\/em> (VAWA) in 1994, federal legislation that transformed the United States\u2019 response to domestic violence and sexual assault.\r\n\r\nTOMEU COLL<\/strong>\r\n\r\nTomeu Coll first approached photography through his interest in discovering distant places around the world. This curiosity later developed into a professional practice focused on documenting remote territories. At the same time, he developed a perspective on his own place of origin, which led to the project Badlands<\/em>, recognised by Smithsonian Magazine<\/em> and recently exhibited at the Cortona On The Move<\/em> festival. His projects have been exhibited in Shanghai, Beijing, Cologne, Paris, Rome and Arles. He also collaborates with publications including Stern<\/em>, Der Spiegel<\/em>, The Guardian<\/em> and L\u2019Illustre<\/em>, among others, and works on silenced conflicts and forgotten territories. He has been collaborating with Donna Ferrato for twenty years, and together they co-founded the workshops Erotic Eye Trilogy<\/em> and Sacred Eye<\/em>. In recent years, he has expanded this research to include curatorial work.\r\n\r\nCurator:<\/strong> Tomeu Coll\r\nIn collaboration with:<\/strong> Casal Solleric and Ajuntament de Palma\r\nType:<\/strong> Exhibition\r\nDates:<\/strong> 16 October \u2013 22 November 2026\r\nVenue:<\/strong> Granollers \u00b7 Roca Umbert F\u00e0brica de les Arts \u00b7 Dents de Serra\r\nAddress:<\/strong> Carrer d\u2019Enric Prat de la Riba, 77\r\nView the map<\/a>\r\n\r\nOPENING HOURS<\/strong>\r\nFridays: 5\u20138 pm\r\nSaturdays and Sundays: 11 am\u20132 pm and 5\u20138 pm\r\n\r\nMEDIATION<\/strong>\r\nMediation resources<\/a>\r\n
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