{"id":60572,"guid":{"rendered":"https:\/\/graf.cat\/?post_type=event&#038;p=60572"},"modified":"2026-09-30T18:42:23","modified_gmt":"2026-09-30T16:42:23","slug":"secrets-de-fabricacio-cicle-digues-cosa-joan-brossa-i-els-poemes-objecte","status":"publish","type":"event","link":"https:\/\/graf.cat\/es\/events\/event\/secrets-de-fabricacio-cicle-digues-cosa-joan-brossa-i-els-poemes-objecte\/","title":{"rendered":"Secrets de fabricaci\u00f3. Cicle &#8216;Digues, Cosa. Joan Brossa i els poemes objecte&#8217;"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":100,"featured_media":60573,"template":"","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false},"event-venues":[567],"event-tags":[],"class_list":["post-60572","event","type-event","status-publish","has-post-thumbnail","hentry","event-venue-centre-de-les-arts-lliures-fundacio-joan-brossa","event-category-exposicio"],"acf":{"title_ca":"Secrets de fabricaci\u00f3. Cicle 'Digues, Cosa. Joan Brossa i els poemes objecte'","title_es":"Secrets de fabricaci\u00f3. Cicle 'Digues, Cosa. Joan Brossa i els poemes objecte'","title_en":"Secrets de fabricaci\u00f3. Cicle 'Digues, Cosa. Joan Brossa i els poemes objecte'","desc_ca":"La tercera exposici\u00f3 del cicle \u2018Digues, cosa. Joan Brossa i els poemes objecte\u2019 s\u2019apropa a la construcci\u00f3 de l\u2019objecte, tant des del seu del vessant material, com conceptual. Producci\u00f3 i ideaci\u00f3 defineixen en aquest cas concret territoris que es confonen i que no es poden destriar tan f\u00e0cilment. Aix\u00ed, d\u2019una banda, l\u2019exposici\u00f3 incorpora una tria d\u2019esbossos i documents que aporten una mirada \u00edntima a la g\u00e8nesi del poema objecte brossi\u00e0. Alhora l\u2019exposici\u00f3 inclou treballs d\u2019artistes en les quals la producci\u00f3 (o el proc\u00e9s d\u2019instal\u00b7laci\u00f3) \u00e9s en gran part responsable del seu sentit i de la seva interpretaci\u00f3.\r\n\r\nLa idea de \u00absecret\u00bb a la qual es fa al\u00b7lusi\u00f3 en el t\u00edtol esdev\u00e9 en certa manera una declaraci\u00f3 ir\u00f2nica, ja que molts dels treballs que es presenten a la mostra es basen en protocols, d\u2019altres han estat produ\u00efts sense la intervenci\u00f3 directa de l\u2019artista, o \u2014com succeeix en el cas de Brossa\u2014 les obres s\u00f3n, en la seva construcci\u00f3, notablement senzilles. \u00c9s clar que el t\u00edtol tamb\u00e9 al\u00b7ludeix a la mateixa economia de l\u2019objecte i a la manera com aquest adquireix tant valor econ\u00f2mic com afectiu.\r\n\r\n<strong>Marc Navarro<\/strong>\r\n\u00c9s comissari i escriptor. Ha comissariat exposicions a la Fundaci\u00f3 Joan Brossa-Centre de les Arts Lliures (2025-2027), CA2M-Museo Centro de Arte Dos de Mayo (2023) i la Fundaci\u00f3 Joan Mir\u00f3 (2019-2021).\r\n\r\n\u00c9s autor de <i>Llegir-ho r\u00e0pid. Una hist\u00f2ria de S\u00e0pigues i Entenguis Produccions<\/i> (TXT01, 2026), i coeditor d\u2019<i>Assuming Asymmetries. Conversations on Curating Public Art in the 1980s and 1990s<\/i> (Sternberg Press\/Konstfack Collection, 2022) i <i>Curating Beyond the Mainstream. The practices of Carlos Capel\u00e1n, Elisabet Haglund, Gunilla Lundahl and Jan-Erik Lundstr\u00f6m<\/i> (Sternberg Press\/Konstfack Collection, 2022).\r\nHa rebut beques de recerca de l\u2019OSIC (2020, 2024) i del Senatsverwaltung f\u00fcr Kultur und Europa de Berlin (2022) i ha estat ponent convidat a Zach\u0119ta National Gallery of Art (Vars\u00f2via) i 1646 (La Haya). Ha contribuit a cat\u00e0legs i publicacions d\u2019institucions com ara Secession (2025), Goldrausch K\u00fcnstlerinnenprojekt (2025), Museo Nacional Centro de Arte Reina Sofia (2025), CCA-Prague (2024) i Artium Museoa (2023).\r\n\r\nViu a Berl\u00edn.","desc_es":"La tercera exposici\u00f3 del cicle \u2018Digues, cosa. Joan Brossa i els poemes objecte\u2019 s\u2019apropa a la construcci\u00f3 de l\u2019objecte, tant des del seu del vessant material, com conceptual. Producci\u00f3 i ideaci\u00f3 defineixen en aquest cas concret territoris que es confonen i que no es poden destriar tan f\u00e0cilment. Aix\u00ed, d\u2019una banda, l\u2019exposici\u00f3 incorpora una tria d\u2019esbossos i documents que aporten una mirada \u00edntima a la g\u00e8nesi del poema objecte brossi\u00e0. Alhora l\u2019exposici\u00f3 inclou treballs d\u2019artistes en les quals la producci\u00f3 (o el proc\u00e9s d\u2019instal\u00b7laci\u00f3) \u00e9s en gran part responsable del seu sentit i de la seva interpretaci\u00f3.\r\n\r\nLa idea de \u00absecret\u00bb a la qual es fa al\u00b7lusi\u00f3 en el t\u00edtol esdev\u00e9 en certa manera una declaraci\u00f3 ir\u00f2nica, ja que molts dels treballs que es presenten a la mostra es basen en protocols, d\u2019altres han estat produ\u00efts sense la intervenci\u00f3 directa de l\u2019artista, o \u2014com succeeix en el cas de Brossa\u2014 les obres s\u00f3n, en la seva construcci\u00f3, notablement senzilles. \u00c9s clar que el t\u00edtol tamb\u00e9 al\u00b7ludeix a la mateixa economia de l\u2019objecte i a la manera com aquest adquireix tant valor econ\u00f2mic com afectiu.\r\n\r\n<strong>Marc Navarro<\/strong>\r\n\u00c9s comissari i escriptor. Ha comissariat exposicions a la Fundaci\u00f3 Joan Brossa-Centre de les Arts Lliures (2025-2027), CA2M-Museo Centro de Arte Dos de Mayo (2023) i la Fundaci\u00f3 Joan Mir\u00f3 (2019-2021).\r\n\r\n\u00c9s autor de <i>Llegir-ho r\u00e0pid. Una hist\u00f2ria de S\u00e0pigues i Entenguis Produccions<\/i> (TXT01, 2026), i coeditor d\u2019<i>Assuming Asymmetries. Conversations on Curating Public Art in the 1980s and 1990s<\/i> (Sternberg Press\/Konstfack Collection, 2022) i <i>Curating Beyond the Mainstream. The practices of Carlos Capel\u00e1n, Elisabet Haglund, Gunilla Lundahl and Jan-Erik Lundstr\u00f6m<\/i> (Sternberg Press\/Konstfack Collection, 2022).\r\nHa rebut beques de recerca de l\u2019OSIC (2020, 2024) i del Senatsverwaltung f\u00fcr Kultur und Europa de Berlin (2022) i ha estat ponent convidat a Zach\u0119ta National Gallery of Art (Vars\u00f2via) i 1646 (La Haya). Ha contribuit a cat\u00e0legs i publicacions d\u2019institucions com ara Secession (2025), Goldrausch K\u00fcnstlerinnenprojekt (2025), Museo Nacional Centro de Arte Reina Sofia (2025), CCA-Prague (2024) i Artium Museoa (2023).\r\n\r\nViu a Berl\u00edn.","desc_en":"<p class=\"x1yc453h xma8rkl xgoqxah xutxfr x1fie51u xgyxj25 x1xobyvs x1elgs31 x1fv8qjw xcy5tzr x1ht4adc xnvauns x1c2l018 x14l7nz5 xuw7688 x1pjt2rx x160d6zm xrxpjvj\" dir=\"ltr\">The third exhibition in the series <em>Digues, cosa. Joan Brossa i els poemes objecte<\/em> explores the construction of the object, both from a material and a conceptual perspective. In this particular case, production and conception define territories that overlap and cannot be so easily disentangled. On the one hand, the exhibition brings together a selection of sketches and documents that offer an intimate insight into the genesis of Brossa\u2019s object poems. At the same time, the exhibition includes works by artists in which production (or the process of installation) is largely responsible for their meaning and interpretation.<\/p>\r\n<p class=\"x1yc453h xma8rkl xgoqxah xutxfr x1fie51u xgyxj25 x1xobyvs x1elgs31 x1fv8qjw xcy5tzr x1ht4adc xnvauns x1c2l018 x14l7nz5 xuw7688 x1pjt2rx x160d6zm xrxpjvj\" dir=\"ltr\">The idea of a \u201csecret,\u201d referred to in the title, becomes in a sense an ironic statement, since many of the works presented in the exhibition are based on protocols; others have been produced without the artist\u2019s direct intervention; or\u2014as is the case with Brossa\u2014the works are remarkably simple in their construction. The title also clearly alludes to the economy of the object itself and to the way in which it acquires both economic and affective value.<\/p>\r\n<p class=\"x1yc453h xma8rkl xgoqxah xutxfr x1fie51u xgyxj25 x1xobyvs x1elgs31 x1fv8qjw xcy5tzr x1ht4adc xnvauns x1c2l018 x14l7nz5 xuw7688 x1pjt2rx x160d6zm xrxpjvj\" dir=\"ltr\"><strong class=\"x7amdea\">Marc Navarro<\/strong>\r\nHe is a curator and writer. He has curated exhibitions at the Fundaci\u00f3 Joan Brossa-Centre de les Arts Lliures (2025\u20132027), CA2M-Museo Centro de Arte Dos de Mayo (2023), and Fundaci\u00f3 Joan Mir\u00f3 (2019\u20132021).<\/p>\r\n<p class=\"x1yc453h xma8rkl xgoqxah xutxfr x1fie51u xgyxj25 x1xobyvs x1elgs31 x1fv8qjw xcy5tzr x1ht4adc xnvauns x1c2l018 x14l7nz5 xuw7688 x1pjt2rx x160d6zm xrxpjvj\" dir=\"ltr\">He is the author of <em>Llegir-ho r\u00e0pid. Una hist\u00f2ria de S\u00e0pigues i Entenguis Produccions<\/em> (TXT01, 2026), and co-editor of <em>Assuming Asymmetries. Conversations on Curating Public Art in the 1980s and 1990s<\/em> (Sternberg Press\/Konstfack Collection, 2022) and <em>Curating Beyond the Mainstream. The practices of Carlos Capel\u00e1n, Elisabet Haglund, Gunilla Lundahl and Jan-Erik Lundstr\u00f6m<\/em> (Sternberg Press\/Konstfack Collection, 2022).<\/p>\r\n<p class=\"x1yc453h xma8rkl xgoqxah xutxfr x1fie51u xgyxj25 x1xobyvs x1elgs31 x1fv8qjw xcy5tzr x1ht4adc xnvauns x1c2l018 x14l7nz5 xuw7688 x1pjt2rx x160d6zm xrxpjvj\" dir=\"ltr\">He has received research grants from OSIC (2020, 2024) and the Berlin Senate Department for Culture and Europe (2022), and has been an invited speaker at Zach\u0119ta National Gallery of Art (Warsaw) and 1646 (The Hague). He has contributed to catalogues and publications by institutions including Secession (2025), Goldrausch K\u00fcnstlerinnenprojekt (2025), Museo Nacional Centro de Arte Reina Sof\u00eda (2025), CCA-Prague (2024), and Artium Museoa (2023).<\/p>\r\n<p class=\"x1yc453h xma8rkl xgoqxah xutxfr x1fie51u xgyxj25 x1xobyvs x1elgs31 x1fv8qjw xcy5tzr x1ht4adc xnvauns x1c2l018 x14l7nz5 xuw7688 x1pjt2rx x160d6zm xrxpjvj\" dir=\"ltr\">He lives in Berlin.<\/p>","event_category":103,"event_show_only_own_date":true,"_event_confirmed":true,"_event_public":true,"_event_free":true,"_event_price-min":"","_event_price-max":"","_event_web_ca":"https:\/\/fundaciojoanbrossa.cat\/arxiu-exposicions\/secrets-de-fabricacio\/","_event_web_es":"https:\/\/fundaciojoanbrossa.cat\/arxiu-exposicions\/secrets-de-fabricacio\/","_event_web_en":"https:\/\/fundaciojoanbrossa.cat\/arxiu-exposicions\/secrets-de-fabricacio\/","event_contact_email":"","event_apply_email":"","is_online_event":false,"is_art_nou_event":false,"is_bgw_event":false,"date_text":"","register_deadline":null,"altres_organitzadors":""},"abe_event_venue":"Centre de les Arts Lliures - Fundaci\u00f3 Joan Brossa","abe_event_category":"Exposici\u00f3","start":"2026-10-28 00:00:00","end":"2027-02-28 23:59:00","schedule":"once","schedule_meta":"","frequency":1,"all_day":1,"until":"2026-10-28 00:00:00","include":[],"exclude":[],"_links":{"self":[{"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/events\/60572","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/events"}],"about":[{"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/types\/event"}],"author":[{"embeddable":true,"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/users\/100"}],"occurrences":[{"embeddable":true,"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/events\/60572\/occurrences"}],"acf:term":[{"embeddable":true,"taxonomy":"event-category","href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/event-category\/103"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/media\/60573"}],"wp:attachment":[{"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/media?parent=60572"}],"wp:term":[{"taxonomy":"event-venue","embeddable":true,"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/event-venues?post=60572"},{"taxonomy":"event-tag","embeddable":true,"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/event-tags?post=60572"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}