{"id":60580,"guid":{"rendered":"https:\/\/graf.cat\/?post_type=event&p=60580"},"modified":"2026-09-30T18:51:54","modified_gmt":"2026-09-30T16:51:54","slug":"notes-al-peu-jordi-antas-i-eulalia-rovira","status":"publish","type":"event","link":"https:\/\/graf.cat\/es\/events\/event\/notes-al-peu-jordi-antas-i-eulalia-rovira\/","title":{"rendered":"Notes al peu. Jordi Antas i Eul\u00e0lia Rovira"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":100,"featured_media":60581,"template":"","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false},"event-venues":[567],"event-tags":[],"class_list":["post-60580","event","type-event","status-publish","has-post-thumbnail","hentry","event-venue-centre-de-les-arts-lliures-fundacio-joan-brossa","event-category-exposicio"],"acf":{"title_ca":"Notes al peu. Jordi Antas i Eul\u00e0lia Rovira","title_es":"Notes al peu. Jordi Antas i Eul\u00e0lia Rovira","title_en":"Notes al peu. Jordi Antas i Eul\u00e0lia Rovira","desc_ca":"Quan parlem de notes al peu ens referim a aquelles idees que un text no pot incorporar sense interrompre\u2019s i que, per aix\u00f2, acaba enviant avall. Per\u00f2 si quan diem peu tamb\u00e9 ens referim al peu anat\u00f2mic, aleshores aquestes notes podrien interrompre una altra cosa: el caminar o, si m\u00e9s no, la seva in\u00e8rcia. Des d\u2019aqu\u00ed, el projecte expositiu d\u2019Eul\u00e0lia Rovira, recorre objectes i gestos quotidians per preguntar-se com s\u2019orienten els cossos i qu\u00e8 vol dir, exactament, caminar dret. Buscant el rastre de l\u2019arquitectura que s\u2019amaga en paraules com recte, redre\u00e7ar, corregir o alinear, apareix una altra sospita: qu\u00e8 ha hagut de ser corregit perqu\u00e8 una cosa aparegui com a recta? Fins a quin punt la correcci\u00f3 no consisteix nom\u00e9s a suavitzar les irregularitats, sin\u00f3 a produir una determinada idea d\u2019ordre que acaba semblant natural?\r\n\r\nJordi Antas<\/strong>\r\nLleida, 1976. Comissari independent. El seu treball se centra en projectes sobre la relaci\u00f3 amb l\u2019entorn, les estrat\u00e8gies de recepci\u00f3, la narrativa i els temps a l\u2019art, la funcionalitat social de l\u2019artista, la performativitat del llenguatge, o la ficci\u00f3 dins de l\u2019art. Membre de l\u2019ACCA i l\u2019AICA i director de DAFO Projectes, un space project situat a Lleida entre el 2012 i el 2019. El seu treball s\u2019ha desenvolupat en diferents institucions p\u00fabliques i privades com: Centre d\u2019Art La Panera, Lleida, Orbital Residence, Santander, B\u00f2lit Centre d\u2019Art, Girona, This is Jackalope, Fundaci\u00f3 Joan Mir\u00f3, Barcelona, \u200b\u200bSupersim\u00e8trica, Madrid, Fundaci\u00f3 Arranz Bravo, Barcelona, \u200b\u200bCapella Sant Roc, Valls, Centre d\u2019Art Maristany, Sant Cugat, o Embarrat, T\u00e0rrega, entre d\u2019altres. Ha participat a diferents tribunals i jurats com Poppositions a B\u00e8lgica, la direcci\u00f3 del centre d\u2019Art La Capella de Barcelona, \u200b\u200bla comissi\u00f3 d\u2019experts d\u2019OSIC, i la participaci\u00f3 a CIMAM de Buenos Aires.\r\n\r\nEul\u00e0lia Rovira<\/strong>\r\nBarcelona, 1985. Artista i docent. La seva pr\u00e0ctica observa com certes formes de percebre i ordenar el m\u00f3n s\u2019inscriuen en els cossos, l\u2019entorn i el llenguatge. Ha abordat q\u00fcestions com la gravetat, la visi\u00f3, la superf\u00edcie o la mat\u00e8ria inert, proposant una plasticitat perceptiva que es resisteix a les certeses fixes. Ha rebut la Beca per a la creaci\u00f3 art\u00edstica de la Generalitat (2025), la Beca Barcelona Crea (2025) i el Premi GAC (2020). Recentment ha exposat a Estudi\/Obert (2026), Casa Aymat (2026), Palmadotze (2025) Art-o-rama (2024), Arts Santa M\u00f2nica (2023), B\u00f2lit Centre d\u2019Art Contemporani (2022), MACBA (2021) i ethall (2020).","desc_es":"

Cuando hablamos de notas al pie nos referimos a aquellas ideas que un texto no puede incorporar sin interrumpirse y que, por ello, acaba enviando hacia abajo. Pero si cuando decimos pie tambi\u00e9n nos referimos al pie anat\u00f3mico, entonces estas notas podr\u00edan interrumpir otra cosa: el caminar o, al menos, su inercia. Desde aqu\u00ed, el proyecto expositivo de Eul\u00e0lia Rovira recorre objetos y gestos cotidianos para preguntarse c\u00f3mo se orientan los cuerpos y qu\u00e9 significa, exactamente, caminar erguido. Buscando el rastro de la arquitectura que se esconde en palabras como recto, enderezar, corregir o alinear, aparece otra sospecha: \u00bfqu\u00e9 ha tenido que ser corregido para que algo aparezca como recto? \u00bfHasta qu\u00e9 punto la correcci\u00f3n no consiste \u00fanicamente en suavizar las irregularidades, sino en producir una determinada idea de orden que acaba pareciendo natural?<\/p>\r\n

Jordi Antas<\/strong>\r\nLleida, 1976. Comisario independiente. Su trabajo se centra en proyectos sobre la relaci\u00f3n con el entorno, las estrategias de recepci\u00f3n, la narrativa y los tiempos en el arte, la funcionalidad social del artista, la performatividad del lenguaje o la ficci\u00f3n dentro del arte. Miembro de la ACCA y la AICA y director de DAFO Projectes, un space project<\/em> situado en Lleida entre 2012 y 2019. Su trabajo se ha desarrollado en diferentes instituciones p\u00fablicas y privadas como Centre d\u2019Art La Panera, Lleida; Orbital Residence, Santander; B\u00f2lit Centre d\u2019Art, Girona; This is Jackalope; Fundaci\u00f3 Joan Mir\u00f3, Barcelona; Supersim\u00e8trica, Madrid; Fundaci\u00f3 Arranz Bravo, Barcelona; Capella Sant Roc, Valls; Centre d\u2019Art Maristany, Sant Cugat; o Embarrat, T\u00e0rrega, entre otras. Ha participado en diferentes tribunales y jurados como Poppositions, en B\u00e9lgica; la direcci\u00f3n del Centre d\u2019Art La Capella de Barcelona; la comisi\u00f3n de expertos de OSIC; y la participaci\u00f3n en CIMAM de Buenos Aires.<\/p>\r\n

Eul\u00e0lia Rovira<\/strong>\r\nBarcelona, 1985. Artista y docente. Su pr\u00e1ctica observa c\u00f3mo ciertas formas de percibir y ordenar el mundo se inscriben en los cuerpos, el entorno y el lenguaje. Ha abordado cuestiones como la gravedad, la visi\u00f3n, la superficie o la materia inerte, proponiendo una plasticidad perceptiva que se resiste a las certezas fijas. Ha recibido la Beca para la creaci\u00f3n art\u00edstica de la Generalitat (2025), la Beca Barcelona Crea (2025) y el Premi GAC (2020). Recientemente ha expuesto en Estudi\/Obert (2026), Casa Aymat (2026), Palmadotze (2025), Art-o-rama (2024), Arts Santa M\u00f2nica (2023), B\u00f2lit Centre d\u2019Art Contemporani (2022), MACBA (2021) y ethall (2020).<\/p>","desc_en":"

When we speak of footnotes, we mean those ideas that a text cannot incorporate without interrupting itself and which, for that reason, it ends up sending downwards. But if by foot we also mean the anatomical foot, then these notes could interrupt something else: walking, or at least its momentum. From this perspective, Eul\u00e0lia Rovira\u2019s exhibition project moves through everyday objects and gestures to ask how bodies orient themselves and what, exactly, it means to walk upright. Tracing the architecture concealed within words such as straight, straighten, correct, or align, another suspicion emerges: what had to be corrected for something to appear straight? To what extent does correction not simply consist in smoothing out irregularities, but in producing a particular idea of order that eventually comes to appear natural?<\/p>\r\n

Jordi Antas<\/strong>\r\nLleida, 1976. Independent curator. His work focuses on projects exploring relationships with the environment, strategies of reception, narrative and temporality in art, the social function of the artist, the performativity of language, and fiction within art. He is a member of ACCA and AICA and was director of DAFO Projectes, a space project<\/em> based in Lleida between 2012 and 2019. His work has been developed in various public and private institutions, including Centre d\u2019Art La Panera, Lleida; Orbital Residence, Santander; B\u00f2lit Centre d\u2019Art, Girona; This is Jackalope; Fundaci\u00f3 Joan Mir\u00f3, Barcelona; Supersim\u00e8trica, Madrid; Fundaci\u00f3 Arranz Bravo, Barcelona; Capella Sant Roc, Valls; Centre d\u2019Art Maristany, Sant Cugat; and Embarrat, T\u00e0rrega, among others. He has served on various selection panels and juries, including Poppositions in Belgium, the selection process for the direction of Centre d\u2019Art La Capella in Barcelona, the OSIC expert committee, and CIMAM in Buenos Aires.<\/p>\r\n

Eul\u00e0lia Rovira<\/strong>\r\nBarcelona, 1985. Artist and educator. Her practice examines how certain ways of perceiving and ordering the world become inscribed in bodies, environments, and language. She has addressed questions such as gravity, vision, surface, and inert matter, proposing a perceptual plasticity that resists fixed certainties. She has received the Generalitat\u2019s Artistic Creation Grant (2025), the Barcelona Crea Grant (2025), and the Premi GAC (2020). Recent exhibitions include Estudi\/Obert (2026), Casa Aymat (2026), Palmadotze (2025), Art-o-rama (2024), Arts Santa M\u00f2nica (2023), B\u00f2lit Centre d\u2019Art Contemporani (2022), MACBA (2021), and ethall (2020).<\/p>","event_category":103,"event_show_only_own_date":true,"_event_confirmed":true,"_event_public":true,"_event_free":true,"_event_price-min":"","_event_price-max":"","_event_web_ca":"https:\/\/fundaciojoanbrossa.cat\/arxiu-exposicions\/notes-al-peu\/","_event_web_es":"https:\/\/fundaciojoanbrossa.cat\/arxiu-exposicions\/notes-al-peu\/","_event_web_en":"https:\/\/fundaciojoanbrossa.cat\/arxiu-exposicions\/notes-al-peu\/","event_contact_email":"","event_apply_email":"","is_online_event":false,"is_art_nou_event":false,"is_bgw_event":false,"date_text":"","register_deadline":null,"altres_organitzadors":""},"abe_event_venue":"Centre de les Arts Lliures - Fundaci\u00f3 Joan Brossa","abe_event_category":"Exposici\u00f3","start":"2027-01-28 00:00:00","end":"2027-04-04 23:59:00","schedule":"once","schedule_meta":"","frequency":1,"all_day":1,"until":"2027-01-28 00:00:00","include":[],"exclude":[],"_links":{"self":[{"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/events\/60580","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/events"}],"about":[{"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/types\/event"}],"author":[{"embeddable":true,"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/users\/100"}],"occurrences":[{"embeddable":true,"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/events\/60580\/occurrences"}],"acf:term":[{"embeddable":true,"taxonomy":"event-category","href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/event-category\/103"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/media\/60581"}],"wp:attachment":[{"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/media?parent=60580"}],"wp:term":[{"taxonomy":"event-venue","embeddable":true,"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/event-venues?post=60580"},{"taxonomy":"event-tag","embeddable":true,"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/event-tags?post=60580"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}