{"id":61931,"guid":{"rendered":"https:\/\/graf.cat\/?post_type=event&#038;p=61931"},"modified":"2026-11-12T15:38:13","modified_gmt":"2026-11-12T13:38:13","slug":"mireia-molina-costa-visibilitat-inferior-a-1-km","status":"publish","type":"event","link":"https:\/\/graf.cat\/es\/events\/event\/mireia-molina-costa-visibilitat-inferior-a-1-km\/","title":{"rendered":"Mireia Molina Costa. Visibilitat inferior a 1 km"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":8,"featured_media":61932,"template":"","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false},"event-venues":[734],"event-tags":[],"class_list":["post-61931","event","type-event","status-publish","has-post-thumbnail","hentry","event-venue-museu-tapies","event-category-altres"],"acf":{"title_ca":"Mireia Molina Costa. Visibilitat inferior a 1 km","title_es":"Mireia Molina Costa. Visibilidad inferior a 1 km","title_en":"Mireia Molina Costa. Visibility Under 1 km","desc_ca":"Qu\u00e8 ens revela la mirada quan deixa de distingir amb claredat all\u00f2 que t\u00e9 al davant? La boira i la foscor desdibuixen els contorns i alteren la nostra manera habitual de percebre l\u2019entorn. Per a Antoni T\u00e0pies, mirar \u00e9s un exercici que permet eixamplar el coneixement i descobrir el que ens passa inadvertit. Per\u00f2, quan la visibilitat disminueix, com podem orientar-nos?\r\n\r\nAquesta pregunta ressona en dues obres de T\u00e0pies presents al museu: el <em>Mitj\u00f3<\/em>, a la terrassa, i <em>N\u00favol i cadira<\/em>, a la fa\u00e7ana. Els fils enrevessats de l\u2019interior del mitj\u00f3 evoquen la trama met\u00e0l\u00b7lica i densa del n\u00favol. En totes dues obres, els entramats irregulars dels materials difuminen els contorns i conviden a mirar m\u00e9s enll\u00e0 de les formes recognoscibles, cap a all\u00f2 que roman parcialment ocult.\r\n\r\nA <em>Visibilitat inferior a 1 km<\/em>, Mireia Molina Costa investiga la falta de visibilitat com una condici\u00f3 amb entitat pr\u00f2pia, capa\u00e7 d\u2019originar altres formes de percepci\u00f3 i coneixement. En el context de <em>Seguint el sol<\/em>, l\u2019artista contraposa la llum solar i els sistemes hegem\u00f2nics que ordenen, mesuren i cartografien el m\u00f3n a un \u00absistema d\u2019orientaci\u00f3 lunar\u00bb, en qu\u00e8 la penombra, la somnol\u00e8ncia i la desorientaci\u00f3 permeten explorar altres maneres d\u2019habitar el m\u00f3n. Potser no es tracta de trobar un nou nord, sin\u00f3 d\u2019aprendre a orientar-se sense tenir totes les respostes.\r\n\r\nLa proposta pren la forma d\u2019una experi\u00e8ncia sonora a mig cam\u00ed entre la lectura, els exercicis po\u00e8tics i les can\u00e7ons de bressol. A trav\u00e9s de la veu i la paraula, Molina Costa ens convida a afluixar l\u2019atenci\u00f3 i endinsar-nos en un estat intermedi entre la vig\u00edlia i el son. Una invitaci\u00f3 a suspendre la necessitat de veure-hi clar i a explorar qu\u00e8 pot emergir quan ens deixem guiar per altres sentits.\r\n\r\n&nbsp;\r\n\r\n<em>Visibilitat inferior a 1 km<\/em> compta amb el suport de les Beques FAR 2026 per a la creaci\u00f3 art\u00edstica, recerca i innovaci\u00f3 de la Generalitat de Catalunya.\r\n\r\n&nbsp;\r\n\r\n<strong>Mireia Molina Costa<\/strong> (Barcelona, 1997) s\u2019interessa pel llenguatge com a material ecol\u00f2gic, afectiu i ritual, i per les formes que esdevenen de la seva transmissi\u00f3 oral i escrita, com ara les seves expressions no-verbals i intel\u00b7ligibles. La seva pr\u00e0ctica se situa entre el cant, la creaci\u00f3 sonora i l\u2019escriptura, aix\u00ed com altres processos de relaci\u00f3 auditiva, curatorials i editorials. Ha mostrat el seu treball sonor a MACBA, Arts Santa M\u00f2nica, Hangar, ESMUC (<em>Gender Sounds IV<\/em>), La Caldera (Premi Art Jove Creaci\u00f3), la Fundaci\u00f3 Mir\u00f3 i CACiS \u2013 El Forn de la Cal\u00e7 (amb el col\u00b7lectiu <em>cossos d<\/em><em>\u2019<\/em><em>aigua<\/em>), entre d\u2019altres. Actualment \u00e9s investigadora resident a La Escocesa i entre 2022 i 2025 va ser editora a la plataforma <em>einaidea <\/em>(Barcelona), on segueix vinculada com a col\u00b7laboradora externa.\r\n\r\n&nbsp;\r\n\r\nActivitat realitzada en el marc del cicle\u00a0<a href=\"https:\/\/museutapies.org\/programa-public\/seguint-el-sol-destapant-la-mirada\/\"><em>Seguint el sol. Destapant la mirada<\/em><\/a>\u00a0del Museu T\u00e0pies<em>,\u00a0<\/em>comissariat per Carolina Ciuti.\r\n\r\n&nbsp;","desc_es":"\u00bfQu\u00e9 nos revela la mirada cuando deja de distinguir con claridad lo que tiene delante? La niebla y la oscuridad desdibujan los contornos y alteran nuestra percepci\u00f3n habitual del entorno. Para Antoni T\u00e0pies, mirar es un ejercicio que permite ensanchar el conocimiento y descubrir lo que pasa inadvertido. Pero, cuando la visibilidad disminuye, \u00bfc\u00f3mo podemos orientarnos?\r\n\r\nEsta pregunta resuena en dos obras de T\u00e0pies presentes en el museo: <em>Mitj\u00f3 <\/em>(Calcet\u00edn), en la terraza, y <em>N\u00favol i cadira <\/em>(Nube y silla), en la fachada. Los hilos retorcidos del interior del calcet\u00edn evocan la trama met\u00e1lica y densa de la nube. En ambas obras, los entramados de los materiales difuminan los contornos e invitan a proyectar la mirada m\u00e1s all\u00e1 de las formas reconocibles, hacia lo que queda parcialmente oculto.\r\n\r\nEn <em>Visibilidad inferior a 1 km<\/em>, Mireia Molina Costa investiga la falta de visibilidad como una condici\u00f3n con entidad propia, capaz de originar otras formas de percepci\u00f3n y conocimiento. En el contexto de <em>Siguiendo el sol<\/em>, la artista contrapone la luz solar y los sistemas hegem\u00f3nicos que ordenan, miden y cartograf\u00edan el mundo a un \u00absistema de orientaci\u00f3n lunar\u00bb en el que la penumbra, la somnolencia y la desorientaci\u00f3n permiten explorar otras formas de habitar el mundo. Quiz\u00e1 no se trata de encontrar un nuevo norte, sino de aprender a orientarse sin tener todas las respuestas.\r\n\r\nLa propuesta adopta la forma de una experiencia sonora a medio camino entre la lectura, los ejercicios po\u00e9ticos y las nanas. Mediante la voz y la palabra, Molina Costa nos invita a relajar la atenci\u00f3n y adentrarnos en un estado intermedio entre la vigilia y el sue\u00f1o. Una invitaci\u00f3n a suspender la necesidad de ver claro y a explorar qu\u00e9 puede aflorar cuando nos dejamos guiar por otros sentidos.\r\n\r\n&nbsp;\r\n\r\n<em>Visibilidad inferior a 1 km<\/em> cuenta con el apoyo de las Becas FAR 2026 para la creaci\u00f3n art\u00edstica, investigaci\u00f3n e innovaci\u00f3n de la Generalitat de Catalunya.\r\n\r\n&nbsp;\r\n\r\n<strong>Mireia Molina Costa<\/strong> (Barcelona, 1997) se interesa por el lenguaje como material ecol\u00f3gico, afectivo y ritual, y por sus formas de transmisi\u00f3n oral y escrita, as\u00ed como no-verbales e inteligibles. Su pr\u00e1ctica se sit\u00faa principalmente entre la escritura, el canto y la creaci\u00f3n sonora, as\u00ed como otros procesos de relaci\u00f3n auditivos editoriales y curatoriales. Ha mostrado su trabajo sonoro en MACBA, Arts Santa M\u00f2nica, Hangar, ESMUC (<em>Gender Sounds IV<\/em>), La Caldera (Premio Art Jove Creaci\u00f3), Fundaci\u00f3 Mir\u00f3 y CACiS \u2013 El Forn de la Cal\u00e7 (con el colectivo <em>cossos d\u2019aigua<\/em>), entre otros. Actualmente es investigadora residente en La Escocesa y entre 2022 y 2025 fue editora en la plataforma <em>einaidea <\/em>(Barcelona), a la que sigue vinculada como colaboradora externa.\r\n\r\n&nbsp;\r\n\r\nActividad realizada en el marco del ciclo\u00a0<a href=\"https:\/\/museutapies.org\/es\/programa-public\/siguiendo-el-sol-destapando-la-mirada\/\">Siguiendo el sol. Destapando la mirada<\/a> del Museu T\u00e0pies, comisariado por Carolina Ciuti.","desc_en":"What does the gaze tell us when it no longer clearly distinguishes what it finds in front of it? Mist and darkness erase the contours and alter our habitual way of perceiving our surroundings. For Antoni T\u00e0pies, looking is an exercise that makes it possible to broaden knowledge and discover what we have not noticed. Yet when visibility is diminished, how might we orientate ourselves?\r\n\r\nThis question resonates in two T\u00e0pies works found at the museum: <em>Mitj\u00f3 <\/em>[Sock], on the terrace, and <em>N\u00favol i cadira<\/em> [Cloud and Chair], on the fa\u00e7ade. The tangled threads inside the sock echo the dense, metallic web of the cloud. In both works of art, the irregular workings of these materials blur any outlines and call on us to look beyond recognisable shapes, searching for what remains partially hidden.\r\n\r\nIn <em>Visibility Under 1 km<\/em>, Mireia Molina Costa explores lack of visibility as a condition with its own identity, able to give rise to other forms of perception and knowledge. In the context of <em>Following the Sun<\/em>, the artist contrasts sunlight and hegemonic systems that order, measure and map the world, with a \u201clunar system of orientation\u201d, where half-light, drowsiness and disorientation make it possible to explore other ways of inhabiting the world. Perhaps it is not a question of finding a new north, but of learning to guide oneself without having all the answers.\r\n\r\nThe proposal takes the form of a sound experience set partway between reading, poetical exercises and lullabies. Using voice and a screen, Molina Costa invites us to relax our gaze and enter into an intermediary state between wakefulness and sleep. An invitation to suspend the need to see clearly, and thus explore what might arise when we let ourselves be guided by other senses.\r\n\r\n&nbsp;\r\n\r\n<em>Visibility Inferior to 1 km<\/em> has the support of the Beques FAR 2026 grants for artistic creation, research and innovation of the Government of Catalonia.\r\n\r\n&nbsp;\r\n\r\n<strong>Mireia Molina Costa<\/strong> (Barcelona, 1997) is interested in language as an ecological, affective and ritual material, in its oral, written as well as non-verbal and inintelligible forms of transmission. Her practice moves principally through writing, singing and sound-making, as well as auditive, editorial and curatorial processes. She has shown her sound work at MACBA, Arts Santa M\u00f2nica, Hangar, ESMUC (<em>Gender Sounds IV<\/em>), La Caldera (Art Jove Creaci\u00f3 award), Fundaci\u00f3 Mir\u00f3 and CACiS \u2013 El Forn de la Cal\u00e7 (with <em>cossos d\u2019aigua <\/em>collective, 2024), among others. She is currently a research resident at La Escocesa, while from 2022 to 2025 she worked as an editor at <em>einaidea<\/em>, where she continues to participate as an external collaborator.\r\n\r\n&nbsp;\r\n\r\nActivity programmed as part of the Museu T\u00e0pies series\u00a0<a href=\"https:\/\/museutapies.org\/en\/programa-public\/following-the-sun-uncovering-the-gaze\/\"><em>Following the Sun<\/em>, entitled\u00a0<em>Uncovering the Gaze<\/em><\/a>, curated by Carolina Ciuti.","event_category":191,"event_show_only_own_date":true,"_event_confirmed":true,"_event_public":true,"_event_free":false,"_event_price-min":5,"_event_price-max":"","_event_web_ca":"https:\/\/museutapies.org\/event\/mireia-molina-costa-visibilitat-inferior-a-1-km\/","_event_web_es":"https:\/\/museutapies.org\/es\/event\/mireia-molina-costa-visibilidad-inferior-a-1-km\/","_event_web_en":"https:\/\/museutapies.org\/en\/event\/mireia-molina-costa-visibility-under-1-km\/","event_contact_email":"","event_apply_email":"","is_online_event":false,"is_art_nou_event":false,"is_bgw_event":false,"date_text":"","register_deadline":null,"altres_organitzadors":""},"abe_event_venue":"Museu T\u00e0pies","abe_event_category":"Altres","start":"2026-11-21 12:00:00","end":"2026-11-21 14:00:00","schedule":"once","schedule_meta":"","frequency":1,"all_day":0,"until":"2026-11-21 12:00:00","include":[],"exclude":[],"_links":{"self":[{"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/events\/61931","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/events"}],"about":[{"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/types\/event"}],"author":[{"embeddable":true,"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/users\/8"}],"occurrences":[{"embeddable":true,"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/events\/61931\/occurrences"}],"acf:term":[{"embeddable":true,"taxonomy":"event-category","href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/event-category\/191"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/media\/61932"}],"wp:attachment":[{"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/media?parent=61931"}],"wp:term":[{"taxonomy":"event-venue","embeddable":true,"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/event-venues?post=61931"},{"taxonomy":"event-tag","embeddable":true,"href":"https:\/\/graf.cat\/es\/wp-json\/wp\/v2\/event-tags?post=61931"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}