Cinematica

Cinematica is an archaeological piece that speculates around the gestures of tools or activities that we can no longer remember or perhaps do not yet exist. It is a performative installation focused on the genealogy of movement(s) from perspectives that incorporate choreographic, spatial, musical, relational, social, and supernatural elements.

Cinematica is also ‘a remarkable synthesis of the movements of work and daily life,’ a theory developed by Raymond Duncan, brother of the dancer Isadora Duncan, at the beginning of the 20th century. From a critical and non-epistemological approach, a long-term research process has been developed to re-signify this legacy.

Cinematica is an ‘intermedia’ space between audience and performers, where the performative installation takes shape through dance, speculative fiction, poetry, and live music.

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A project by: Ariadna Rodriguez and Iñaki Alvarez (nyamnyam) On stage Estel Boada, Anat Bosak, Elena Carvajal, Dani Moreno Roldán and Iver Zapata Music and sound design: Daniel Moreno Roldán Lighting and space design: Anat Bosak External eye: Anne Lise Le Gac Choreographic research collaboration: Katerina Andreou Conceptual framework collaboration: Helen Torres Executive production and development: Helena Febrés Communication: Olga Alvarez Produced by Coop Ny Ny SCCL Co-produced by El Canal – Centre d’Arts Escèniques (CAT), FiraTàrrega 2025 Creation Support Program (CAT), Life Long Burning (EU), and ICEC (Catalonia Government). With production support from Joan Brossa Foundation – Centre de les Arts Lliures (CAT), La Caldera – Dance Creation Center (CAT), La Mutant (València), el programa “MIRANDA 2024” de la Université Paul Valery Montpellier 3 (FR), ICICentre Coreogràfic Nacional de Montpellier (FR), Site archéologique Lattara – musée Henri Prades (FR), Duncan Dance Research Center (GR) and Central Elétrica, Oporto (PT).