Juan Navarro and Óscar Cornago explore the experience of the audience as a means and motivation for the ever-changing process of healing. This piece is a dialogue between an actor and an academic, which covers Navarro’s actions since the 1990s and questions the condition of past and present knowledge, comparing it with Cornago’s experience as a historian and theorist of the performing arts.

Healing means caring and nurturing, caring for and nurturing dreams, traumas and obsessions, healing wounds and moments in all their uncertain nature; what we know least about ourselves, about where we are, about the future of this project. Infinite healing is a line of escape that delves inward in order to reach further outward.

The piece is a question about what it means to go out on stage, to put oneself before the audience, and also what it means to be the audience. Can the audience be a form of healing, a source of healing, of attention, of fears and care, a way of celebrating ourselves?