Assume calibration pose: this breath isn’t mine presents two creatures that move conditioned by the technological gears they have been given. Sensors on the dancer’s dress capture and send the movement to the oboist’s hands. The oboist receives it through a handheld device that vibrates and allows her to respond musically to the dancer’s actions. Through this retroactive effect, the dialogue they establish with their bodies is transformed, trying to find another way of relating to the technology that surrounds them and that allows them to explore intimate corners of the human experience.