Notes al peu. Jordi Antas i Eulàlia Rovira
When we speak of footnotes, we mean those ideas that a text cannot incorporate without interrupting itself and which, for that reason, it ends up sending downwards. But if by foot we also mean the anatomical foot, then these notes could interrupt something else: walking, or at least its momentum. From this perspective, Eulàlia Rovira’s exhibition project moves through everyday objects and gestures to ask how bodies orient themselves and what, exactly, it means to walk upright. Tracing the architecture concealed within words such as straight, straighten, correct, or align, another suspicion emerges: what had to be corrected for something to appear straight? To what extent does correction not simply consist in smoothing out irregularities, but in producing a particular idea of order that eventually comes to appear natural?
Jordi Antas
Lleida, 1976. Independent curator. His work focuses on projects exploring relationships with the environment, strategies of reception, narrative and temporality in art, the social function of the artist, the performativity of language, and fiction within art. He is a member of ACCA and AICA and was director of DAFO Projectes, a space project based in Lleida between 2012 and 2019. His work has been developed in various public and private institutions, including Centre d’Art La Panera, Lleida; Orbital Residence, Santander; Bòlit Centre d’Art, Girona; This is Jackalope; Fundació Joan Miró, Barcelona; Supersimètrica, Madrid; Fundació Arranz Bravo, Barcelona; Capella Sant Roc, Valls; Centre d’Art Maristany, Sant Cugat; and Embarrat, Tàrrega, among others. He has served on various selection panels and juries, including Poppositions in Belgium, the selection process for the direction of Centre d’Art La Capella in Barcelona, the OSIC expert committee, and CIMAM in Buenos Aires.
Eulàlia Rovira
Barcelona, 1985. Artist and educator. Her practice examines how certain ways of perceiving and ordering the world become inscribed in bodies, environments, and language. She has addressed questions such as gravity, vision, surface, and inert matter, proposing a perceptual plasticity that resists fixed certainties. She has received the Generalitat’s Artistic Creation Grant (2025), the Barcelona Crea Grant (2025), and the Premi GAC (2020). Recent exhibitions include Estudi/Obert (2026), Casa Aymat (2026), Palmadotze (2025), Art-o-rama (2024), Arts Santa Mònica (2023), Bòlit Centre d’Art Contemporani (2022), MACBA (2021), and ethall (2020).
