Gears take the form of gestures, molds, spaces, repetitions, dixis or accumulations. They present themselves as if they were a kind of open stage: they show their materials and their compositions which, linked together, become indicators of their own language.

Gears are also a spatial marker and an active agency (a set of pliers): the way they hold onto things speaks to their intentions, which are lost outside their original definition, and which in the they always affect what they come into contact with. These gears only work in granular sets, and what is proposed is toversion them.