Júlia | Laura Almiñana  | German Chocero

Tuesday 7 July de From 8 pm
Julia #allweneedislove
Performative conference| 15′
This project is presented as a performative conference that explores the need for affection and contemporary ways of loving. Based on the physical concept of the movement of inertia, the piece proposes a reflection on how people seek emotional connection in an increasingly technological world. Thus, the growing link with artificial intelligences and fictional characters is raised as new forms of relationship.
During the proposal, a personal research process is shared that combines theoretical thinking and intimate experience. The appearance of a chatbot, created by the artist herself, becomes a central element to talk about these digital relationships and the desire to love and be loved. With a close and accessible tone, the project invites the public to question the limits between reality and fiction, as well as the transformations of emotional ties today.

Laura Almiñana The Last Blue
Music |15′
This artistic project proposes a sensory experience that reflects on the noise pollution in the oceans caused by human activity, such as maritime traffic or resource extraction. The piece combines the live sound of the accordion with real recordings of the seabed, creating a dialogue between music and nature. Through this sound fusion, concepts such as breathing and silence are highlighted, inviting the viewer to listen in a more conscious way.
The work aims to make visible an often invisible problem: the impact of noise on marine fauna and the balance of ecosystems. Through an immersive and accessible staging, the project seeks to generate an emotional connection with the public. The objective is to promote a more respectful look at the environment and awaken a critical awareness about the fragility of the underwater world.

German Chocero Poet Body
Performative conference| 30′
Cuerpo de poeta starts from the idea that poetry is essentially movement: a displacement from A to B that moves us because it mobilizes. This implies the existence of C, a body that relates and transforms. When two looks —two C— meet, something happens: respect appears. Because to respect is to return to “spectare”. Thus, the piece questions the notion of “writing with the body” and asks whether it is possible to write without more bodies. Faced with a tradition linked to dance, the proposal explores what happens when the body that moves is not that of the dancer, but that of the poet, understanding the poem as a body gesture, displacement and act of attention to the other.